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Aquatic Biology and Natural History are subjects of interests to many, whether they be related to one's vocational education, one's avocation, or purely to one's appreciation for the living order of the world. This book has been written not only for entomologists, ecologists, and students of aquatic entomology, but also for sport fishermen, naturalists, and environmental assessment specialists. For those who may not have some vested interested in nature and ecology, this book will provide a pictorial introduction to some of the most fascinating life forms on earth and, hopefully, wet the appetite for understanding the aquatic insects, their environment, and their relationship to human life.

Childhood illness and injuries steered Henri de Toulouse-Lautrec (1864-1901) away from customary rural aristocratic avocations and toward a profession as an artist. He became a painter, draftsman, and lithographer whose work was immersed in famously hedonistic, fin-de-siècle Paris. In his hands, advertising posters were raised to a high art; he portrayed the nightlife of Montmartre-circuses, cafés, dance halls, and brothels-with clear, bold color and a certain seamy panache that is instantly recognizable as his. His much mythologized life has found its way into many biographies and into two feature-length movies called Moulin Rouge.Lavishly illustrated with 370 color plates, Toulouse-Lautrec and Montmartre is the first major work to present the artist's oeuvre in the context of Montmartre's lively art scene from roughly 1885 to 1901. Accompanying an exhibition of the same name at the National Gallery of Art and The Art Institute of Chicago, the book features the important paintings, drawings, prints, and posters Toulouse-Lautrec made on Montmartre subjects. It also includes masterpieces by contemporaries he inspired or who inspired him-Degas, Van Gogh, Picasso, and others-as well as rarely seen illustrations, lithographs, photographs, and ephemera of the era. And it discusses the artists, writers, actors, singers, and dancers who formed Toulouse-Lautrec's circle.The book's gracefully written essays by Richard Thomson, Phillip Dennis Cate, and Mary Weaver Chapin, with Florence E. Coman, address these themes in light of the rise of the color poster, the proliferation of new forms of entertainment, and the emergence of a celebrity-oriented popular culture. Toulouse-Lautrec and Montmartre evokes a colorful, chaotic era, and adds a new dimension to our understanding of the art of Toulouse-Lautrec.

Aging carpenter Daniel Blake (Dave Johns) was dispirited when a heart attack pushed him onto government assistance...and he felt way worse when he was told his benefits were being cut off. As his circular tussles with the welfare bureaucracy develop into an unwanted avocation, he finds some solace and purpose in helping a single mom (Hayley Squires) and her kids weather their own problems with the system. Signature social drama from Ken Loach co-stars Dylan McKiernan, Briana Shann, Kate Rutter,

This book contains a concise yet detailed guide on duck hunting, including remarks on blinds, decoys, making a hide, shelters, bird flights, trapping, and much more. This book is both informative and accessible, making it perfect for the amateur. A book sure to appeal to anyone with an interest in this avocation, 'A Guide for the Duck Hunter' is well deserving of a place in any collection of hunting literature. The chapters of this book include: 'Wildfowl Shooting – Duck Shooting', 'Guns for Duck Shooting', 'Blinds, Decoys', 'Making a Hide', 'The M. B. Curtain', 'When Inside a New Hide', 'Shelters in Open Fields', 'The Hen-coop Reproduction', 'Miscellaneous Hints', 'The Flight of Birds', 'Your Shoot', 'On Trapping Woodpigeons and Winged Vermin', 'The Legal Aspect of Wildfowling', 'The Gun for the Job', and 'More about Guns'. We are proud to republish this antique text here complete with a new introduction on shooting wildfowl.

Aquatic Biology and Natural History are subjects of interests to many, whether they be related to one's vocational education, one's avocation, or purely to one's appreciation for the living order of the world. This book has been written not only for entomologists, ecologists, and students of aquatic entomology, but also for sport fishermen, naturalists, and environmental assessment specialists. For those who may not have some vested interested in nature and ecology, this book will provide a pictorial introduction to some of the most fascinating life forms on earth and, hopefully, wet the appetite for understanding the aquatic insects, their environment, and their relationship to human life.

Take a stroll through the garden of a self-confessed hortimaniac. Gardening is Marie Harrison's avocation, passion . . . some might say, obsession. In her personal, witty style (she refers to her husband as Amiable Spouse, or A.S. for short), Marie divulges her own tried-and-true ways of gardening along the coasts of the southeast United States. Marie covers perennials, flowers grown from bulbs, herbs, shrubs and small trees, vines, edible flowers, and herbs for flower borders. A section of full-color photos captures these beautiful plants and flowers in all their vibrant glory. Charming pen-and-ink illustrations are sprinkled throughout the text. Marie discusses the edible and medicinal properties of various plants (there's even a quick tip or two!), as well as coastal considerations such as salt tolerance; environmental issues such as pesticide use, beneficial insects, and exotic invasives; and gardening for birds and butterflies. She also offers her musings on the seasons in Florida and how she spends her time in the garden during each phase of the year. Whether you're seasoned gardener like Marie or a tentative beginner just starting out with a windowsill herb garden, this delightful book will make you appreciate the dirt under your fingernails.

Observing Visual Double Stars, written by an astronomer who has discovered almost 2,000 of them, opens the way to amateur astronomers who wish to make a direct and real contribution to science through their avocation. The heart of the book—and its technically most advanced section—presents the mathematical techniques that will allow the observer to calculate orbits and masses from the variables that have been measured. A chapter entitled "Voyage to the Country of Double Stars" describes a binary system as it might appear to an observer within it. The book also explains the use of star catalogues and presents its own catalogue of 744 double stars accessible to the amateur observer.

This narrative of adventure in the southern Appalachians and study of the mountaineer life first appeared in 1913, becoming arguably the most significant book ever published about the Southern Mountains. Kephart's fascination with outdoor life and his interest in this mountainous region became his avocation -- he wrote numerous magazine articles for national periodicals of that day, including Field & Stream, National Sportsman, and Outing.This is the story of the southern mountain folk, as told by Kephart, said to be the man most responsible for the existence of the Great Smoky Mountain National Park. Using his numerous journals, he wrote first-hand observations of the mountains and people during his 10 years of travels through the Appalachians. The mountaineers are a unique people, a breed unto their own, and there is no other group quite like them anywhere on the planet. "They are original, " writes Kephart. "They are 'characters'."

Chief Inspector Chen Cao of the Shanghai Police Department is the head of the Special Case group and is often put in charge of those cases that are considered politically "sensitive" since, as a rising party cadre, he's regarded by many as reliable. But Inspector Chen, though a poet by inclination and avocation, takes his job as a policeman very seriously, despite the pressures put upon him from within and without, and is unwilling to compromise his principles as a policeman in favor of political expedience.   However, after the new Minister of Public Security insists that Chen personally take on a 'special assignment', an investigation already begun by Internal Security, he may no longer be able to resist those pressures. The party, increasingly leery of international embarrassment, is unhappy about two recent books that place Mao in a bad light. Now, Jiao, the granddaughter of an actress who was likely one of Mao's mistresses - a woman suspected of being Mao's own granddaughter - has recently quit her job, moved into a luxury apartment, and, without any visible means of support, become a part of  a new social set centered around the remnants of pre-Communist Shanghai society. What they fear is that, somehow, she has inherited some artifact or material related to Mao that will, when made public, prove embarrassing. Even though there is no evidence that such even exists, Chen has been charged to infiltrate her social circle, determine if the feared material exists and, if it does, retrieve it quietly. And in only a few days - because if he can't resolve this 'Mao case' within the deadline, the party will resort to harsher, more deadly means.

Keeney examines the role of botany in the lives of nineteenth-century 'botanizers,' amateur scientists who collected, identified, and preserved plant specimens as a pastime. Using popular magazines, fiction, and autobiographies of the day, she explores the popular culture of this avocation, which attracted both men and women by the thousands.

Writing the history of American archaeology, especially concerning eighteenth- and nineteenth-century arguments, is not always as straightforward as it might seem. Archaeology’s trajectory from an avocation to a semi-profession to a specialized profession, rather than being a linear progression, was an untidy organic process that emerged from the intellectual tradition of antiquarianism. It then closely allied itself with the natural sciences throughout the nineteenth century, especially with geology and the debate about the origins and identity of the indigenous mound-building cultures of the eastern United States. In his reexamination of the eclectic interests and equally varied settings of nascent American archaeology, Terry A. Barnhart exposes several fundamental, deeply embedded historiographical problems within the secondary literature relating to the nineteenth-century debate about “Mound Builders” and “American Indians.” Some issues are perceptual, others contextual, and still others are basic errors of fact. Adding to the problem are semantic and contextual considerations arising from the problematic use of the term “race” as a synonym for tribe, nation, and race proper—a concept and construct that does not in all instances translate into current understanding and usage. American Antiquities uses this early discourse on the mounds to reframe perennial anthropological problems relating to human origins and antiquity in North America.

Writing the history of American archaeology, especially concerning eighteenth- and nineteenth-century arguments, is not always as straightforward as it might seem. Archaeology’s trajectory from an avocation to a semi-profession to a specialized profession, rather than being a linear progression, was an untidy organic process that emerged from the intellectual tradition of antiquarianism. It then closely allied itself with the natural sciences throughout the nineteenth century, especially with geology and the debate about the origins and identity of the indigenous mound-building cultures of the eastern United States. In his reexamination of the eclectic interests and equally varied settings of nascent American archaeology, Terry A. Barnhart exposes several fundamental, deeply embedded historiographical problems within the secondary literature relating to the nineteenth-century debate about “Mound Builders” and “American Indians.” Some issues are perceptual, others contextual, and still others are basic errors of fact. Adding to the problem are semantic and contextual considerations arising from the problematic use of the term “race” as a synonym for tribe, nation, and race proper—a concept and construct that does not in all instances translate into current understanding and usage. American Antiquities uses this early discourse on the mounds to reframe perennial anthropological problems relating to human origins and antiquity in North America.

Leather tooling and carving dates back to one of the oldest crafts of man—that of working with leather—and has grown to be one of the most practical and interesting avocations in the handicraft field. The purpose of this book on leather tooling and carvin

Collinson s life is a microcosm of 18th-century natural history. A gardener and naturalist by avocation, he was what we would now call a facilitator in natural science, disseminating botanical and horticultural knowledge during the Enlightenment. He influenced the Comte de Buffon and Linnaeus. He found clients for the Philadelphia naturalist John Bartram. American plants populated great estates like those of the Dukes of Richmond, Norfolk, and Bedford, as well as the Chelsea Physic Garden, and the nurseries of James Gordon and Robert Furber. Botanic painters such as Mark Catesby and Georg Dionysius Ehret painted American plants in Collinson s garden.Collinson had an unprecedented effect on the exchange of scientific information on both sides of the Atlantic, being credited for introducing more than 150 plans to horticulture. Illustrations. "One man can make a difference," co-author Elizabeth McLean tells Green Scene in the September/October 2009 issue. "[Collinson] did it for love. He was self-educated, yet he made enormous contributions to natural history in the eighteenth century."

"A brilliant, magisterial verse opus . . . a masterpiece with virtually no readers."--Civil War TimesHerman Melville (1819-1891) stopped writing fiction after the publication of The Confidence Man: His Masquerade in 1857; as he entered his forties, he turned to poetry as his literary avocation. His first published book of poems was Battle-Pieces and Aspects of the War (1866), a meditation on the Civil War in short lyric and narrative verses, and a work as ambitious and rich as any that issued from his pen. Melville was well acquainted with the war. He made many trips south to visit his cousin Henry Gansevoort, a Union officer--on one such trip, he was active in an unsuccessful pursuit of Confederate raider John Mosby. He had met Abraham Lincoln in Washington, and called upon General Ulysses S. Grant in Virginia in 1864. And his position within his family, whose members were involved in almost every aspect of the war, was close enough to allow him a rare vantage point on this country's greatest conflict. But, Battle-Pieces is anything but epic. Rather than celebratory, the tone of Melville's poem is grievous and disconsolate. "Unmindful, without purposing to be, of consistency" (as Melville puts it in his preface), the poems do not attempt to paint a broad picture of the whole of the war, but rather represent disjoint aspects, each faithful to Melville's impulsive, modern, yet realist view of the tragedy.This facsimile edition of Battle-Pieces includes 72 poems on almost every major campaign, battle, and event; Melville's own detailed historical notes and his supplementary essay on Reconstruction; and a new introduction by Lee Rust Brown, who teaches English at the University of Utah and is the author of The Emerson Museum. An American classic is thus available once again.

Marrying simplicity and succulence, steak is a food everyone can understand, and one of the very few to inspire genuine craving. Steak is William Rice's avocation, his passion, and he's researched different preparations and flavors of steak from all over the world. A collection of over 140 recipes, steak lover's cookbook is divided between fancy uptown cuts (e.g., tenderloins, porterhouses, ribs) and the plainer but just as tasty downtown cuts (skirt, chuck, flank, round). It includes the Best-Ever recipe for each type, plus dozens of inviting alternatives, not to mention Steak Fries, Outrageous Onion Rings, and Mississippi Mud Pie. It's a steakhouse at home. 84,000 copies in print.

Childhood illness and injuries steered Henri de Toulouse-Lautrec (1864-1901) away from customary rural aristocratic avocations and toward a profession as an artist. He became a painter, draftsman, and lithographer whose work was immersed in famously hedonistic, fin-de-siècle Paris. In his hands, advertising posters were raised to a high art; he portrayed the nightlife of Montmartre-circuses, cafés, dance halls, and brothels-with clear, bold color and a certain seamy panache that is instantly recognizable as his. His much mythologized life has found its way into many biographies and into two feature-length movies called Moulin Rouge. Lavishly illustrated with 370 color plates, Toulouse-Lautrec and Montmartre is the first major work to present the artist's oeuvre in the context of Montmartre's lively art scene from roughly 1885 to 1901. Accompanying an exhibition of the same name at the National Gallery of Art and The Art Institute of Chicago, the book features the important paintings, drawings, prints, and posters Toulouse-Lautrec made on Montmartre subjects. It also includes masterpieces by contemporaries he inspired or who inspired him-Degas, Van Gogh, Picasso, and others-as well as rarely seen illustrations, lithographs, photographs, and ephemera of the era. And it discusses the artists, writers, actors, singers, and dancers who formed Toulouse-Lautrec's circle. The book's gracefully written essays by Richard Thomson, Phillip Dennis Cate, and Mary Weaver Chapin, with Florence E. Coman, address these themes in light of the rise of the color poster, the proliferation of new forms of entertainment, and the emergence of a celebrity-oriented popular culture. Toulouse-Lautrec and Montmartre evokes a colorful, chaotic era, and adds a new dimension to our understanding of the art of Toulouse-Lautrec.

Before modern binoculars and cameras made it possible to observe birds closely in the wild, many people collected eggs as a way of learning about birds. Serious collectors called their avocation "oology" and kept meticulous records for each set of eggs: the bird's name, the species reference number, the quantity of eggs in the clutch, the date and location where the eggs were collected, and the collector's name. These documented egg collections, which typically date from the nineteenth and early twentieth centuries, now provide an important baseline from which to measure changes in the numbers, distribution, and nesting patterns of many species of birds.In Oology and Ralph's Talking Eggs, Carrol L. Henderson uses the vast egg collection of Ralph Handsaker, an Iowa farmer, as the starting point for a fascinating account of oology and its role in the origins of modern birdwatching, scientific ornithology, and bird conservation in North America. Henderson describes Handsaker's and other oologists' collecting activities, which included not only gathering bird eggs in the wild but also trading and purchasing eggs from collectors around the world. Henderson then spotlights sixty of the nearly five hundred bird species represented in the Handsaker collection, using them to tell the story of how birds such as the Snowy Egret, Greater Prairie Chicken, Atlantic Puffin, and Wood Duck have fared over the past hundred years or so since their eggs were gathered. Photos of the eggs and historical drawings and photos of the birds illustrate each species account. Henderson also links these bird histories to major milestones in bird conservation and bird protection laws in North America from 1875 to the present.

Leather tooling and carving dates back to one of the oldest crafts of man—that of working with leather—and has grown to be one of the most practical and interesting avocations in the handicraft field. The purpose of this book on leather tooling and carvin

We spend a great deal of time learning our vocations and avocations as we work at jobs, participate in home life, and take part in civic activities and politics. In doing so, we engage in practices that consist of complex bodies of norms. These practices themselves are bodies of knowledge-often acquired from others-about what we take to be good ways or right ways to do certain things. As we learn how to solve problems and act on this knowledge, the practice itself changes. In Norms and Practices, James D. Wallace shows that norms of all kinds, including ethical norms, are intensely social constructs learned through constant interaction with others. Wallace suggests that ethical norms have long been misunderstood as practice-independent prescriptions for behavior; he regards them instead as items of practical knowledge that are constituents of practices. We are given the luxury of learning from others' mistakes and successes, often in a very informal way. Such lessons from collective or individual experience often carry more weight than do pronouncements from an external source. Wallace shows that practices and norms, including ethical norms within such spheres as biomedical research, family life, and politics, continually change as practitioners face novel problems.