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Used. Very Good conditions. May have soft reading marks and name of the previous owner.

Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Acceptable condition. Former Library book. Italian. (christian art, art history, italy)

Art historians believe that Antonello began painting his first portraits in the late 1960s. They follow a Dutch model, with the object displayed with a bust of a dark background, a front or three-fourths, while most of the previous Italian artists have adopted the medal style profile for individual portraits.Although Antonello was mentioned in many papers between 1460 and 1465, there is a further gap in the time sources between 1465 and 1471. This fact leads his biographers to suggest that he may have spent these years in Europe.Antonello departed for Venice in 1475 and remained there until the fall of 1476. His works of this period began to show more attention to the human figure, both in terms of anatomy and expression, which implied the influence of Piero della Francesca and Giovanni Bellini. While in Venice, he was offered but was not accepted by him, the opportunity to become a portrait artist of the Duke of Milan.Antonello returned to Sicily in September 1476. End-of-life works include the famous Virgins Annunciate, and the San Gregorio Polyptych.He died in Messina in 1479. Some of his latest works remained unfinished but were completed by his son Jacobello.In general, Antonello's style is remarkable for the fusion of Italian simplicity with Flemish concern and precision for details. He exerted a significant influence on Italian painting, not only by introducing the Flemish style into it but also by passing on the new Flemish tendencies. However, after his death, he did not form his painting school except for his only follower, Sicilian artist Marco Costanzo.

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

The essential book on the Italian master of perspective and portraitureAntonello da Messina is one of the earliest virtuosos of oil painting, a true Renaissance master who―via the influence of the Flemish painters―raised perspective and geometric rigor to new heights of clarity and serenity. His mastery of the three-quarter profile portrait is another of his key accomplishments. With 300 color plates, and at 340 pages, this book is the most comprehensive monograph available in English, and the first substantial Antonello publication in decades. Today Antonello is most celebrated for paintings such as his Crucifixion in Bucharest and the Salvator Mundi, Madonna with Child and Saint Jerome in His Study in London. These works, alongside his portraits, embody his accomplishments in realism and the steady, calm atmosphere he brought to Italian painting.This exceptional publication fills a longstanding and conspicuous gap in the literature on Italian Renaissance art. Antonello da Messina (c. 1430–79) was one of the most groundbreaking and influential painters of the Quattrocento. Born in Sicily and trained in Naples where he studied the work of Provençal and Flemish artists, he is often supposed to have encountered the pioneering art of Van Eyck at this time, whose influence he seems to have imported into Italy. Antonello's impact was particularly keenly felt in Venice, where he lived from 1475 to 1476; within a short time of his arrival, his work attracted so much favorable attention that he was supported by the Venetian state and local painters enthusiastically adopted his oil technique and compositional style.

The essential book on the Italian master of perspective and portraitureAntonello da Messina is one of the earliest virtuosos of oil painting, a true Renaissance master who―via the influence of the Flemish painters―raised perspective and geometric rigor to new heights of clarity and serenity. His mastery of the three-quarter profile portrait is another of his key accomplishments. With 300 color plates, and at 340 pages, this book is the most comprehensive monograph available in English, and the first substantial Antonello publication in decades. Today Antonello is most celebrated for paintings such as his Crucifixion in Bucharest and the Salvator Mundi, Madonna with Child and Saint Jerome in His Study in London. These works, alongside his portraits, embody his accomplishments in realism and the steady, calm atmosphere he brought to Italian painting.This exceptional publication fills a longstanding and conspicuous gap in the literature on Italian Renaissance art. Antonello da Messina (c. 1430–79) was one of the most groundbreaking and influential painters of the Quattrocento. Born in Sicily and trained in Naples where he studied the work of Provençal and Flemish artists, he is often supposed to have encountered the pioneering art of Van Eyck at this time, whose influence he seems to have imported into Italy. Antonello's impact was particularly keenly felt in Venice, where he lived from 1475 to 1476; within a short time of his arrival, his work attracted so much favorable attention that he was supported by the Venetian state and local painters enthusiastically adopted his oil technique and compositional style.

Antonello da Messina (ca. 1430 1479) was one of the most groundbreaking and influential painters of the quattrocento. No other Italian artist of the fifteenth-century responded in such a direct fashion to the great masters of Bruges and Brussels (including use of their oil technique), to the brilliant Provencal painters, and to the established giants of Italian art, such as Piero della Francesca and Mantegna. In so doing he created unique images with a harmonious and geometrical clarity, yet included exquisite descriptive passages. Although Antonello worked primarily in Sicily, his travels to Naples and Venice were influential to the development of his style, and where he in turn had an enormous impact on painting.Antonello da Messina: Sicily’s Renaissance Master includes an informative essay by Gioacchino Barbera and entries on seven works that will be seen for the first time in the United States as part of a focus exhibition at The Metropolitan Museum of Art, including Antonello’s masterpiece, the Virgin of the Annunciation from Palermo, whose haunting beauty has been compared to Leonardo da Vinci’s Mona Lisa.

Volume in copertina rigida con sovraccoperta, 255 pagine con numerose illustrazioni in nero e a colori nel testo. Libro in perfette condizioni di nuovo - brand new. 

Book is in NEW condition. 0.84

German language. 7.72x5.28x1.50 inches. In Stock.

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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.47

Anfang der zwanziger Jahre wandten sich die expressionistischen Dramatiker in erstaunlicher Uebereinstimmung der Komödie zu. Die Parole von der Menschheitserlösung war nach Krieg, Revolution und Inflation unglaubwürdig geworden. Das O-Mensch-Phathos schlug um in - häufig bitteres - Gelächter. So erwuchs die Komödie der sogenannten Neuen Sachlichkeit aus nahezu der gleichen Bewusstseinslage, aus der heraus Friedrich Dürrenmatt seine Komödien schrieb: «Uns kommt nur noch die Komödie bei».

German language. 11.97x9.57x0.39 inches. In Stock.

Zustand: Sehr gut - Gepflegter, sauberer Zustand. Seiten: 772 Sprache: Deutsch Produktart: Bücher