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Cut from a soft wool, the Doha turtleneck top has a warm feel and a little stretch. This piece has a high neck, long sleeves, and a close fit. It's the perfect layering element for colder months. Yana K is 5 Foot and 8 Inches and wearing a size XS.

Cut from a soft wool, the Doha turtleneck top has a warm feel and a little stretch. This piece has a high neck, long sleeves, and a close fit. It's the perfect layering element for colder months. Yana K is 5 Foot and 8 Inches and wearing a size XS.

Cut from a soft wool, the Doha turtleneck top has a warm feel and a little stretch. This piece has a high neck, long sleeves, and a close fit. It's the perfect layering element for colder months. Yana K is 5 Foot and 8 Inches and wearing a size XS.

Cut from a soft wool, the Doha turtleneck top has a warm feel and a little stretch. This piece has a high neck, long sleeves, and a close fit. It's the perfect layering element for colder months. Yana K is 5 Foot and 8 Inches and wearing a size XS.

Cut from a soft wool, the Doha turtleneck top has a warm feel and a little stretch. This piece has a high neck, long sleeves, and a close fit. It's the perfect layering element for colder months. Yana K is 5 Foot and 8 Inches and wearing a size XS.

Cut from a soft wool, the Doha turtleneck top has a warm feel and a little stretch. This piece has a high neck, long sleeves, and a close fit. It's the perfect layering element for colder months. Yana K is 5 Foot and 8 Inches and wearing a size XS.

FENIX innovative materials have revolutionized the world of interior design. They are not only beautiful to look at but, most importantly, they are also a high-tech material, made unique by their characteristics. Created through a multilayer coating process and the use of next-generation acrylic resins that are hardened through an electronic beam curing process, FENIX materials feature vibrant color through a strikingly rich, robust pigment. Material: Laminate.

FENIX innovative materials have revolutionized the world of interior design. They are not only beautiful to look at but, most importantly, they are also a high-tech material, made unique by their characteristics. Created through a multilayer coating process and the use of next-generation acrylic resins that are hardened through an electronic beam curing process, FENIX materials feature vibrant color through a strikingly rich, robust pigment. Material: Laminate.

FENIX innovative materials have revolutionized the world of interior design. They are not only beautiful to look at but, most importantly, they are also a high-tech material, made unique by their characteristics. Created through a multilayer coating process and the use of next-generation acrylic resins that are hardened through an electronic beam curing process, FENIX materials feature vibrant color through a strikingly rich, robust pigment. Material: Laminate.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.8

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1

Beginning with a brief account of Saraha's life from what little is known of it, the book surveys his major work, his trilogy of songs: the People, King and Queen Doha. The three most important aspects of his evocative teaching: wholeness, body and complexity, are discussed at length, since these ideas underline Saraha's songs. The scarcity of indigenous Indian source material necessitates constant reference to the rich Tibetan tradition, in particular the nDzogs-chen/sNying-thig teaching.

Unread book in perfect condition.

Beginning with a brief account of Saraha's life from what little is known of it, the book surveys his major work, his trilogy of songs: the People, King and Queen Doha. The three most important aspects of his evocative teaching: wholeness, body and complexity, are discussed at length, since these ideas underline Saraha's songs. The scarcity of indigenous Indian source material necessitates constant reference to the rich Tibetan tradition, in particular the nDzogs-chen/sNying-thig teaching.

Book is in NEW condition. 2.73

In his poetry, Anam Thubten explores the "magical impermanence" that is everyday life. There is a tradition in Tibetan Buddhism of Doha or Songs of Realization that express nonconceptual themes like the great emptiness, the unconditioned, boundless love, ecstatic devotion. People sang them to open their own and other’s hearts as a way to experience the bitter as well as the sweet flavor of the ordinary and extraordinary truth of human life. Anam Thubten grew up writing poems in his native Tibetan language. Since living in the West, his poems have begun to develop a new flavor. His new poetry book "Big Sky” emerged from life situations as he traveled the world offering meditation retreats. He says: "There are so many ways to respond to life, from its beauty to when crises strike. My way of trying to stay in equanimity and hold the unconventional attitude to embrace life’s experiences as blessings, is through simply writing some poems. I write poems as my way of holding that non-egoic, non-conventional attitude." Anam Thubten is the founder and spiritual advisor of Dharmata Foundation, teaching widely in the U.S. and abroad. His teachings bring together the essential wisdom of Buddhism and his personal experience on the spiritual path, inspiring students to embrace their lives and their practice fully.

This volume is published on the occasion of the opening of the National Museum of Qatar in the state’s capital, Doha. Inspired by the desert rose with its interlocking disks, architect Jean Nouvel’s innovative design, responds to the country’s desert location by the sea. The museum, built around Sheikh Abdullah bin Jassim Al-Thani’s original nineteenth-century palace, honors Qatar’s heritage while looking to its future as a thriving cultural hub.

Michael Massing describes the American press coverage of the war in Iraq as "the unseen war," an ironic reference given the number of reporters in Iraq and in Doha, Qatar, the location of the Coalition Media Center with its $250,000 stage set. He argues that a combination of self-censorship, lack of real information given by the military at briefings, boosterism, and a small number of reporters familiar with Iraq and fluent in Arabic deprived the American public of reliable information while the war was going on. Massing also is highly critical of American press coverage of the Bush administration's case for war prior to the invasion of Iraq: "US journalists were far too reliant on sources sympathetic to the administration. Those with dissenting views—and there were more than a few—were shut out. Reflecting this, the coverage was highly deferential to the White House. This was especially apparent on the issue of Iraq's weapons of mass destruction .... Despite abundant evidence of the administration's brazen misuse of intelligence in this matter, the press repeatedly let officials get away with it." Once Iraq was occupied and no WMDs were found, the press was quick to report on the flaws of pre-war intelligence. But as Massing's detailed analysis demonstrates, pre-war journalism was also deeply flawed, as too many reporters failed to independently evaluate administration claims about Saddam's weapons programs or the inspection process. The press's postwar "feistiness" stands in sharp contrast to its "submissiveness" and "meekness" before the war—when it might have made a difference.

This volume is published on the occasion of the opening of the National Museum of Qatar in the state’s capital, Doha. Inspired by the desert rose with its interlocking disks, architect Jean Nouvel’s innovative design, responds to the country’s desert location by the sea. The museum, built around Sheikh Abdullah bin Jassim Al-Thani’s original nineteenth-century palace, honors Qatar’s heritage while looking to its future as a thriving cultural hub.