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Aus der Reihe: Johann Wolfgang Goethe: Sämtliche Werke. Briefe, Tagebücher und Gespräche. Vierzig Bände. II. Abteilung: Briefe, Tagebücher und Gespräche. Herausgegeben von Karl Eibl zusammen mit Horst Fleig, Wilhelm Große und vielen anderen. Band 6 (33). Dünndruckausgabe. Blauer original -Leinenband mit goldgeprägtem Rückentitel, zwei Lesebändchen, bedrucktem Papiereinleger und mit original Klarsicht Schutzumschlag. Aus der Reihe: Bibliothek deutscher Klassiker, Band 99. Zust: Gutes Exemplar. 1177 Seiten Deutsch 644g

This anthology, part of a three-volume series devoted to German aesthetic and literary criticism from the eighteenth and nineteenth centuries, charts the development of aesthetic and literary theory in Germany in the latter half of the eighteenth century and its emancipation from the hitherto dominant influence of France. This development helped to produce an unprecedented flowering of German culture and art which culminated in the classicism of Goethe and Schiller and in the rise of the Romantic movement, with momentous consequences for Europe as a whole. The texts gathered together here represent the main theoretical phases in this process. Their unifying theme is classicism and the author examines the theories of Winckelman, Lessing, Herder, Schiller and Hamann. The volume concludes with Goethe's essay on Winckelmann, which is both a reaffirmation of neo-classical principles and a definitive statement of the mature Goethe's own aesthetic theory.

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Print on Demand. This book is a profound exploration of the lives and works of two titans of German literature: Johann Wolfgang von Goethe and Friedrich Schiller. The author delves into their personal relationships, their artistic struggles and triumphs, and the broader cultural and historical contexts that shaped their creativity. The book examines the intellectual and artistic landscapes of eighteenth-century Germany, a time of significant social and political upheaval. It explores the emergence of new literary movements, like the ââ Å"Storm and Stressââ  period, which challenged traditional norms and embraced the power of individual expression. The author meticulously analyzes Goethe and Schiller's individual journeys, tracing their evolving styles, their collaborations, and their unique perspectives on art, philosophy, and the human condition. Through detailed discussions of their key works, such as Goethe's *Faust* and *Wilhelm Meister*, and Schiller's *The Robbers* and *Wallenstein*, the book reveals the depth and complexity of their artistic visions. The author also sheds light on the enduring influence of Goethe and Schiller, highlighting their contributions to the development of German national identity and their continuing relevance to modern readers. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.

The second volume of Analytical Psychology and German Classical Aesthetics builds on the previous volume to show how German classicism, specifically the classical aesthetics associated with Goethe and Schiller known as Weimar classicism, was a major influence on psychoanalysis and analytical psychology alike. This volume examines such significant parallels between analytical psychology and Weimar classicism as the methodological similarities between Goethe’s morphological and Jung’s archetypal approaches, which both seek to use synthesis as well as analysis in their attempt to understand the world. It also focuses on the project of the construction of the self, which, it is argued, is not only a personal but also a cultural activity. This book, like its previous volume, aims to clarify the intellectual continuity between Weimar classicism and analytical psychology. It will be of interest to both students and scholars in the fields of analytical psychology, comparative literature, and the history of ideas.

Excerpt from Select Minor Poems, Translated From the German of Goethe and Schiller: With NotesThere is beauty and instruction, too, in the friendly emulation with which two such spirits wrought together. Literary brotherhood with the Germans alone seems to have been something more than a name. It shows that those thinkers and poets must have opened upon.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The second volume of Analytical Psychology and German Classical Aesthetics builds on the previous volume to show how German classicism, specifically the classical aesthetics associated with Goethe and Schiller known as Weimar classicism, was a major influence on psychoanalysis and analytical psychology alike. This volume examines such significant parallels between analytical psychology and Weimar classicism as the methodological similarities between Goethe’s morphological and Jung’s archetypal approaches, which both seek to use synthesis as well as analysis in their attempt to understand the world. It also focuses on the project of the construction of the self, which, it is argued, is not only a personal but also a cultural activity. This book, like its previous volume, aims to clarify the intellectual continuity between Weimar classicism and analytical psychology. It will be of interest to both students and scholars in the fields of analytical psychology, comparative literature, and the history of ideas.

This anthology, part of a three-volume series devoted to German aesthetic and literary criticism from the eighteenth and nineteenth centuries, charts the development of aesthetic and literary theory in Germany in the latter half of the eighteenth century and its emancipation from the hitherto dominant influence of France. This development helped to produce an unprecedented flowering of German culture and art which culminated in the classicism of Goethe and Schiller and in the rise of the Romantic movement, with momentous consequences for Europe as a whole. The texts gathered together here represent the main theoretical phases in this process. Their unifying theme is classicism and the author examines the theories of Winckelman, Lessing, Herder, Schiller and Hamann. The volume concludes with Goethe's essay on Winckelmann, which is both a reaffirmation of neo-classical principles and a definitive statement of the mature Goethe's own aesthetic theory.

Gesamtausgabe 15. Goethe (1913). Deutschlands innere Wandlung (1914). Das Problem der historischen Zeit (1916). Rembrandt (1916). [Paperback] [Sep 30, 2003] Simmel, Georg ...

In this volume, Paul Bishop investigates the extent to which analytical psychology draws on concepts found in German classical aesthetics. It aims to place analytical psychology in the German-speaking tradition of Goethe and Schiller, with which Jung was well acquainted. Analytical Psychology and German Classical Aesthetics argues that analytical psychology appropriates many of its central notions from German classical aesthetics, and that, when seen in its intellectual historical context, the true originality of analytical psychology lies in its reformulation of key tenets of German classicism. Although the importance for Jung of German thought in general, and of Goethe and Schiller in particular, has frequently been acknowledged, until now it has never been examined in any detailed or systematic way. Through an analysis of Jung’s reception of Goethe and Schiller, Analytical Psychology and German Classical Aesthetics demonstrates the intellectual continuity within analytical psychology and the filiation of ideas from German classical aesthetics to Jungian thought. In this way it suggests that a rereading of analytical psychology in the light of German classical aesthetics offers an intellectually coherent understanding of analytical psychology. By uncovering the philosophical sources of analytical psychology, this first volume returns Jung’s thought to its core intellectual tradition, in the light of which analytical psychology gains new critical impact and fresh relevance for modern thought. Written in a scholarly yet accessible style, this book will interest students and scholars alike in the areas of analytical psychology, comparative literature, and the history of ideas.

Neuware -Dieser Band vereinigt die beiden berühmten Monographien Goethe von 1912 und Rembrandt von 1916, ergänzt um die einst separat erschienenen Vorträge »Deutschlands innere Wandlung« von 1914 und »Das Problem der historischen Zeit« von 1916. Die beiden Schriften Goethe und Rembrandt stießen bei ihrem Erscheinen auf starke Resonanz und große Beachtung in der Literatur- und Kunstwissenschaft und gehören bis heute fraglos zu den bekanntesten und einflußreichsten Studien Simmels. Dies ist um so erstaunlicher, da es keineswegs Simmels Anliegen war, in fachdisziplinäre Diskussionen einzugreifen. Simmel hatte die Studien im Rahmen seiner kunstphilosophischen Überlegungen geschrieben und dabei besonderes Gewicht auf die beiden Künstlerpersönlichkeiten gelegt, mit denen er ein Leben lang vertraut war. An Rodin und Michelangelo entwickelte er seine Theorie eines »individuellen Gesetzes«, die er nun im Zusammenhang seiner Lebensphilosophie und in Hinblick auf das Prinzip der Ethik an zentraler Stelle zu plazieren gedachte - und die er dann auch später in seine Lebensanschauungen (1918) einfügte. Die Beschäftigung mit Goethe und Rembrandt galt ihm als Entfaltung dieses Gedankens. Sein früher Tod verhinderte die geplante Fortführung in Monographien zu Shakespeare und Beethoven. 678 pp. Deutsch

678 Seiten, Ca. 40 S. mit Bleistiftanstreichungen. ISBN: 9783518579657 Sprache: Deutsch Gewicht in Gramm: 681

Friedrich Schiller (1759-1805) was a playwright, poet, historian and literary critic. Together with Johann Wolfgang von Goethe, whose friend and colleague he became, Schiller established the German language and its literature as essential components of European culture.

Neuware -Das Buch möchte den Leser auf einen Dichter aufmerksam machen, der neben Goethe als bedeutendster Repräsentant der deutschen Literatur angesehen wurde, aber immer mehr in Vergessenheit zu geraten scheint. Dabei sind insbesondere seine dramatischen Werke wie Die Räuber, Wilhelm Tell, Don Karlos und Kabale und Liebe von bleibender Aktualität, sodass sie es verdient haben, neben den Stücken Shakespeares dem zeitgenössischen Theater Gewicht zu geben. Dem herausragenden Dramatiker Schiller wird im Buch der Lyriker, der Ästhetiker und Geschichtsschreiber Schiller ergänzend zur Seite gestellt. 184 pp. Deutsch

Neuware - Das Goethe-Buch für unsere Zeit: Rüdiger Safranski nähert sich dem letzten Universalgenie aus den primären Quellen - Werke, Briefe, Tagebücher, Gespräche, Aufzeichnungen von Zeitgenossen. So wird Goethe ungewohnt lebendig: Ein junger Mann aus gutem Hause, dem Studentenleben zugetan und dauerverliebt, wird Bestsellerautor, bekommt eine gutdotierte Stellung, dilettiert in Naturforschungen, flüchtet nach Italien, lebt in wilder Ehe - und bei alledem schreibt er seine unvergesslichen Werke. Doch er wollte noch mehr: Das Leben selbst sollte zum Kunstwerk werden. Safranskis souverän geschriebenes Buch macht uns zu Zeitgenossen dieses Menschen und schildert eindringlich, wie Goethe sich zu Goethe gemacht hat.

A travers ses trois drames dont les sujets sont empruntes a l'histoire et a la mythologie grecques, Sappho (1818), La Toison d'or (1821) et Les Vagues de la mer et de l'amour (1831), Franz Grillparzer (1791-1872) s'inscrit dans la tradition de la grande tragedie allemande (Goethe et Schiller) dont il est sans doute l'ultime heritier. Revisitant l'Antiquite avec le regard nostalgique de celui qui se voit comme le dernier des poetes dans une epoque prosaique, il brosse trois remarquables portraits d'heroines mythiques (Sappho, Medee, Hero) ecartelees entre une vocation sacree et un amour profane qui tout a la fois les arrache et les rend a elles-memes, mais au prix de leur vie. Placee sous le double signe d'Eros et de Thanatos, cette experience transgressive de la passion met a l'epreuve la relation de l'individu a l'autre, au monde et a soi. Franz Grillparzer, ce fils des Lumieres profondement enracine dans la culture classique et antique, explore les ressorts de cette crise d'identite avec une acuite psychologique et une sensibilite analytique qui, a maints egards, font de lui un des pionniers de la modernite viennoise.

The first complete and annotated English translation of Maimon’s influential and delightfully entertaining memoirSolomon Maimon's autobiography has delighted readers for more than two hundred years, from Goethe, Schiller, and George Eliot to Walter Benjamin and Hannah Arendt. The American poet and critic Adam Kirsch has named it one of the most crucial Jewish books of modern times. Here is the first complete and annotated English edition of this enduring and lively work.Born into a down-on-its-luck provincial Jewish family in 1753, Maimon quickly distinguished himself as a prodigy in learning. Even as a young child, he chafed at the constraints of his Talmudic education and rabbinical training. He recounts how he sought stimulation in the Hasidic community and among students of the Kabbalah―and offers rare and often wickedly funny accounts of both. After a series of picaresque misadventures, Maimon reached Berlin, where he became part of the city's famed Jewish Enlightenment and achieved the philosophical education he so desperately wanted, winning acclaim for being the "sharpest" of Kant's critics, as Kant himself described him.This new edition restores text cut from the abridged 1888 translation by J. Clark Murray, which has long been the only available English edition. Paul Reitter's translation is brilliantly sensitive to the subtleties of Maimon's prose while providing a fluid rendering that contemporary readers will enjoy, and is accompanied by an introduction and notes by Yitzhak Melamed and Abraham Socher that give invaluable insights into Maimon and his extraordinary life. The book also features an afterword by Gideon Freudenthal that provides an authoritative overview of Maimon's contribution to modern philosophy.

Herder is a figure of considerable importance in the history of philosophy and the history of ideas. His far-reaching influence encompasses philosophy--Hegel, Schleiermacher, Nietzsche, literature--Goethe, Schiller and linguistics--von Humboldt. This volume presents a comprehensive selection of his writings in a new translation, with an introduction that sets them in their philosophical and historical context.

Herder is a figure of considerable importance in the history of philosophy and the history of ideas. His far-reaching influence encompasses philosophy--Hegel, Schleiermacher, Nietzsche, literature--Goethe, Schiller and linguistics--von Humboldt. This volume presents a comprehensive selection of his writings in a new translation, with an introduction that sets them in their philosophical and historical context.

Bitter Healing is the first anthology of eighteenth- and early-nineteenth-century German women's writing in English translation. It goes far toward filling a major gap in literary history by recovering for a wide audience the works of women who were as famous during their lifetime as Wieland, Schiller, and Goethe. Like those men, they wrote in the early modern period spanning the transition from early Enlightenment to Romanticism. Edited by Jeannine Blackwell and Susanne Zantop, this collection assembles little-known writings by fifteen authors from various social classes, religious backgrounds, and political persuasions. They include the forgotten pietist theologian Johanna Eleonore Petersen, the radical social reformer Bettina von Arnim, the outspoken peasant's daughter Anna Luisa Karsch, the aristocrats Annette von Droste-Hülshoff and Karoline von Günderrode, and the conservative monarchist Sophie von La Roche, among others. Their autobriographies and letters, "moral" and not so moral tales, lyrical and protest poems, plays, and fairy tales deal with religious crisis, family conflict, and harmony, mothers and daughters, wise women, romance and pain and the healing power of love, self-understanding, escape, and the magical and humorous. The variety and quality of the pieces testify to the creativity of women writers during this first peak of literary activity in Germany, the so-called Age of Goethe.The editors have provided a short biography and bibliography for each writer.