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Where precision meets versatility, the LA-EA5 35mm Full-Frame A-Mount Lens Adapter for E-Mount Cameras stands as a testament to Sony's commitment to photographic excellence. This durable and compact adapter is engineered to seamlessly integrate A-mount lenses with the cutting-edge autofocus performance of the latest E-mount camera bodies, ensuring that photographers can leverage their existing lens collections without compromise.Crafted with a sleek, cylindrical form factor, the LA-EA5 adapter is designed to maintain the aesthetic and functional harmony between lens and camera. Its robust construction features a six-screw flange, mirroring the secure connection found on contemporary E-mount cameras, which is particularly beneficial when pairing with larger, heavier lenses.The adapter's advanced capabilities extend to full support for wide-area focal plane phase-detection AF, enabling A-mount SSM (Super Sonic wave Motor) and SAM (Smooth Autofocus Motor) lenses to deliver rapid and precise autofocus. This includes compatibility with sophisticated subject-recognition features such as Real-time Eye AF for both humans and animals, Real-time Tracking, and more, ensuring that every shot is captured with sharp focus and accurate exposure.For photographers who demand the utmost in speed, the LA-EA5 adapter facilitates AF/AE tracking at up to 11 fps, allowing for continuous shooting with SSM and SAM lenses without missing a beat. Even motorless A-mount lenses, such as the revered Sonnar T 135 mm F1.8 ZA and Planar T 85 mm F1.4 ZA, benefit from the adapter's ability to convey the full suite of autofocus and auto-exposure tracking features provided by E-mount bodies.The adapter's design is not only compact but also highly intuitive, ensuring a comfortable operation even when used with a vertical grip. Its cylindrical shape is meticulously calibrated to match the diameter of A-mount lenses, providing a seamless and unobtrusive addition to the camera's silhouette.In summary, the LA-EA5 35mm Full-Frame A-Mount Lens Adapter is a high-quality, easy-to-use solution for photographers looking to expand the versatility of their E-mount camera systems. It offers a bridge between the rich heritage of A-mount lenses and the innovative technology of E-mount cameras, ensuring that every lens investment continues to yield exceptional photographic results.Please refer to the "Compatibility" section for detailed information on compatible camera bodies and lenses, and unlock the full potential of your Sony E-mount camera with the LA-EA5 Lens Adapter.

Thinner and lighter computing devices such as ultrabooks and tablets frequently lack traditional AV ports to connect to monitors, TVs and projectors. Belkin's HDMI to VGA Adapter Dongle provides plug & play functionality to display video output from ultra-portable devices to larger displays.

When it comes to your existing setup, having the ability to stream Bluetooth audio can be critical. The Monster 2-In-1 Bluetooth Wireless Audio Adapter allows you to make incompatible devices Bluetooth capable. Our transmitter mode makes it possible to wirelessly stream audio from non-Bluetooth devices to Bluetooth headphones, earbuds and soundbars. Use it to stream audio from older and newer TVs to two Bluetooth headsets, soundbars or speakers simultaneously. Great if you're trying to watch TV at night and want to avoid waking up others or for a fully immersive gaming experience. In contrast, the Receiver mode can make any non-Bluetooth device into a receiver. You'll be able to receive Bluetooth audio from mobile phones, or other compatible wireless devices, to wired audio devices that feature a 3.5 mm port or optical audio. Easily connect both types of devices without cables and cords up to 33 ft. away. The aux and power cables easily connect to your TV and a compatible USB wall charger if needed. You'll also be able to power it from your TV's USB Port or other sources without issue. Make your non-Bluetooth devices into Bluetooth hubs with the 2-In-1 Bluetooth Wireless Audio Adapter from Monster. Color: Black.

Before you set up your next audio system, ensure you have the Universal 35mm Pole Mount Adapter, a robust solution for mounting your premium speakers with ease and reliability. This durable adapter is designed to securely hold up to two SRX906LA speakers, providing a sturdy and stable platform for your audio equipment during live events, presentations, or in a fixed installation.Crafted with versatility in mind, the Universal 35mm Pole Mount Adapter is compatible with standard 35mm poles, making it a go-to accessory for a wide array of speaker setups. Whether you're using speaker poles or tripods, this adapter is engineered to fit seamlessly, ensuring a snug and safe connection for your audio devices.In addition to its broad compatibility, this adapter is designed to work in conjunction with the VTX A6 Base Plate and SRX906LA Base Plate, offering a cohesive mounting solution that caters to your specific audio system requirements. The high-quality construction of the adapter guarantees that it is built to last, providing a reliable hold for your speakers time and time again.Ease of use is also a key feature of this adapter, which includes M10 comfort grip stud knobs. These knobs allow for effortless tightening and adjustments, ensuring a secure fit without the need for additional tools or excessive force.Choose the Universal 35mm Pole Mount Adapter for a convenient, versatile, and high-quality mounting solution that professionals trust. Whether you're setting up for a concert, conference, or any other event that demands clear, uninterrupted sound, this adapter is an essential component in achieving an optimal audio experience.

When you're ready to unlock the full potential of your photography equipment, the M39 Lens Mount to Leica M Camera Mount Adapter is your key to a world of creative possibilities. This precision-engineered adapter allows photographers to seamlessly connect any M39 mount lens to a Leica M mount camera body, expanding your visual repertoire with a host of new lens combinations.Crafted for the discerning photographer, our adapter supports 35-135mm frame lines, ensuring compatibility with a wide range of focal lengths. While the adapter is manual, offering a hands-on approach to photography, it does mean that certain automatic functions such as autofocus, AE metering, and image stabilization will need to be manually controlled. Similarly, exposure settings will require manual adjustment, inviting photographers to engage more deeply with the craft of image-making.The adapter's design prioritizes a snug, secure fit, eliminating concerns of light leakage and maintaining the integrity of your images. Each connection is reassuringly tight, ensuring that your lens and camera body act as one cohesive unit.Attention to detail is evident in the adapter's anti-reflection matte black finish, which mitigates the risk of stray reflections that could compromise image quality. This thoughtful feature underscores our commitment to professional-grade equipment that meets the exacting standards of serious photographers.Constructed from hardened aluminum, the adapter is not only sleek but also built to endure the rigors of frequent use. Its durability is a testament to the quality materials and construction that photographers have come to expect from our products.Designed with precision, the adapter guarantees a perfect fit every time, allowing for manual focus across the full range to infinity. This ensures that no matter the distance of your subject, you'll be able to achieve sharp, clear focus.Elevate your photographic experience with the M39 Lens Mount to Leica M Camera Mount Adapter, and explore the vast array of imagery made possible by this versatile tool. Whether you're a professional looking to diversify your lens options or an enthusiast eager to experiment with vintage glass, this adapter is an essential addition to your camera bag.

The tMA thermal monocular adapter allows the tM 35 to be very easily converted from a hand-held device to a clip-on device. Together with your SWAROVSKI OPTIK rifle scope, the thermal imaging device creates a powerful combination that requires no sighting in and guarantees a 100% reliable point of impact - each and every time. The tMA thermal monocular adapter is compatible with SWAROVSKI OPTIK dS, Z8i, Z6i, Z5(i) and Z3 riflescopes.

The tMA thermal monocular adapter allows the tM 35 to be very easily converted from a hand-held device to a clip-on device. Together with your SWAROVSKI OPTIK rifle scope, the thermal imaging device creates a powerful combination that requires no sighting in and guarantees a 100% reliable point of impact - each and every time. The tMA thermal monocular adapter is compatible with SWAROVSKI OPTIK dS, Z8i, Z6i, Z5(i) and Z3 riflescopes.

The tMA thermal monocular adapter allows the tM 35 to be very easily converted from a hand-held device to a clip-on device. Together with your SWAROVSKI OPTIK rifle scope, the thermal imaging device creates a powerful combination that requires no sighting in and guarantees a 100% reliable point of impact - each and every time. The tMA thermal monocular adapter is compatible with SWAROVSKI OPTIK dS, Z8i, Z6i, Z5(i) and Z3 riflescopes. Exception: tMA 24 does not apply for 1.25-4x24, 1-6x24, 0.75-6x20, and 1-8x24 with SR.

Just transform your tM 35 Thermal Monocular into a versatile clip-on device with the tMA-52 52mm dS Adapter. Designed to enhance your night vision capabilities, this adapter seamlessly integrates with your SWAROVSKI OPTIK rifle scope, creating a formidable combination for precision targeting. The thermal imaging device, when paired with this adapter, ensures a 100% reliable point of impact every single time, eliminating the need for sighting in. The tMA-52 dS Adapter is specifically designed to be compatible with a range of SWAROVSKI OPTIK riflescopes, including the dS, Z8i, Z6i, Z5(i), and Z3 models. This black thermal monocular adapter is not just a tool, but a game-changer for night-time hunting or surveillance, offering a quick and easy conversion of your handheld device into a clip-on thermal imaging powerhouse. Experience the difference in your night vision capabilities with the tMA-52 52mm dS Adapter for tM 35 Thermal Monocular.

For photography enthusiasts and professionals seeking to expand their macro and close-up photography capabilities, the MINA Adapter is an essential accessory. This durable and high-quality adapter seamlessly connects your Minolta MD mount 35mm cameras to the Novoflex Universal Bellows system, renowned for its precision and versatility.Crafted with compatibility in mind, the MINA Adapter ensures a secure and stable connection between your camera and the bellows, enabling you to capture intricate details with ease. Its universal design not only makes it a versatile addition to your photography kit but also upholds the integrity of your equipment by providing a reliable link without compromising the quality of your images.Whether you're delving into the world of macro photography or require precise control for technical shots, this adapter is designed to meet the demands of your creative endeavors. By choosing the MINA Adapter, you're investing in a product from Novoflex, a brand synonymous with high-quality photography equipment. This commitment to excellence ensures that your adapter will withstand the rigors of frequent use while maintaining the performance standards that photographers have come to expect from Minolta-compatible gear.In summary, the MINA Adapter is a universal, compatible, and versatile tool that enhances the functionality of your Minolta MD mount 35mm cameras when used with the Novoflex Universal Bellows system. It's the perfect solution for photographers who demand precision and quality in their photographic equipment.

A robust and innovative accessory, the tMA-52 52mm Clip-On Adapter is specifically designed for the tM 35 Thermal Monocular. This high-quality adapter, crafted by the reputable Swarovski Optik, effortlessly transforms your handheld thermal monocular into a clip-on device, enhancing its versatility and functionality. When paired with your SWAROVSKI OPTIK rifle scope, this adapter enables the thermal imaging device to form a formidable combination that delivers a 100% reliable point of impact, every single time, without the need for sighting in. This ensures precision and accuracy during your hunting or outdoor activities, even in low-light conditions, thanks to its 52mm objective lens that allows for a wider field of view and increased light intake.The tMA-52 Clip-On Adapter is not just reliable and durable, but also stylish and easy to use. It is compatible with a range of SWAROVSKI OPTIK riflescopes, including the dS, Z8i, Z6i, Z5(i), and Z3 models, making it a versatile addition to your optics gear. Experience the seamless integration of high-quality optics and innovative design with the tMA-52 52mm Clip-On Adapter for the tM 35 Thermal Monocular.

Bring your photography to the next level with the Novoflex ROLA Adapter, expertly designed for universal bellows to fit Rollei SL 35 and Voigtlander 35mm camera bodies. This high-quality, durable adapter is an essential tool for photographers who value versatility and compatibility in their equipment. The ROLA Adapter is not just a simple connector; it's an innovative solution that allows photographers to use a wide range of lenses with their Rollei or Voigtlander cameras. By enabling the use of universal bellows, this adapter expands your photographic possibilities, giving you the freedom to experiment with different lenses and achieve the perfect shot. Crafted with precision, the Novoflex ROLA Adapter ensures a secure fit between your camera body and the universal bellows, providing a seamless photography experience. Whether you're a professional photographer or a passionate hobbyist, this adapter is a valuable addition to your camera gear. Remember, it's not just about the camera or the lens; it's also about the right accessories that make a difference in your photography. With the Novoflex ROLA Adapter, you're not just buying a product; you're investing in compatibility, versatility, and the potential to elevate your photography.

The K&M 19610 Mounting Stand Adapter, designed for 35mm tubes, is a multifunctional, high-quality tool that offers reliable and sturdy support for your equipment. Crafted with precision, this versatile adapter is compatible with stands featuring 1.377" extension tubes, providing a secure and stable base for your devices.Engineered for optimal flexibility, the adapter's inclination can be adjusted from +60 degrees to -30 degrees, allowing for precise positioning and angle control. The adjustable clamping lever ensures a firm grip, enhancing the stability and reliability of your setup.This durable mounting stand adapter is designed to work seamlessly with adapter plates 19615, 19616, and 19617, enabling you to mount a diverse range of screens with a mounting hole pattern of VESA 200 x 200. Additionally, it is compatible with adapter plates 24352 to 24359, making it suitable for accommodating a wide variety of loudspeaker cabinets.Whether you're setting up for a professional shoot, a music event, or a home theater system, the K&M 19610 Mounting Stand Adapter for 35mm tubes is an essential tool that ensures your equipment is securely mounted and positioned for optimal performance.

- Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens -35mm-Wide FOV for Shooting Wide Angle & 100mm-Shallow DOF for Shooting TelephotoThe 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Complete Focal LengthsFour commonly used focal lengths are included in the versatile lens set for shooting complete projects from different angles of view.Full-Frame! High Squeeze!The FF anamorphic lineup sees 1.6x more on the horizontal with prominent anamorphic characteristics, especially suitable for high-end productions.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio.• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction• T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial ScalesCompact DesignThe lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.- Sirui 50mm T2.9 1.6x Anamorphic Lens -Immersive Experience - 2.8:1 CinemaScope Aspect RatioSIRUI 50mm T2.9 1.6x Full-Frame Anamorphic LensFull Frame1.6x Squeeze Factor, 2.8:1 Wide-Screen Aspect RatioSirui Goes Full FrameIn the past few years, SIRUI 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, Sirui again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high...

- Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens -Why Choose The SIRUI 35mm Full-Frame Anamorphic?Affordable and Lightweight High Squeeze Full-Frame Anamorphic & 100mm-Shallow DOF. The 1.6x squeeze gives a little more for Shooting TelephotoThe 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Compact DesignThe lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.Full-Frame! High Squeeze!Designed for professional anamorphic use, this series gives you 1.6x more on the horizontal as well as more prominent anamorphic characteristics.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction• T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial Scales- Sirui 50mm T2.9 1.6x Anamorphic Lens -Immersive Experience - 2.8:1 CinemaScope Aspect RatioSIRUI 50mm T2.9 1.6x Full-Frame Anamorphic LensFull Frame1.6x Squeeze Factor, 2.8:1 Wide-Screen Aspect RatioSirui Goes Full FrameIn the past few years, SIRUI 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the...

- Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens -Why Choose The SIRUI 35mm Full-Frame Anamorphic?Affordable and Lightweight High Squeeze Full-Frame Anamorphic & 100mm-Shallow DOF. The 1.6x squeeze gives a little more for Shooting TelephotoThe 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Compact DesignThe lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.Full-Frame! High Squeeze!Designed for professional anamorphic use, this series gives you 1.6x more on the horizontal as well as more prominent anamorphic characteristics.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction• T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial Scales- Sirui 50mm T2.9 1.6x Anamorphic Lens -Immersive Experience - 2.8:1 CinemaScope Aspect RatioSIRUI 50mm T2.9 1.6x Full-Frame Anamorphic LensFull Frame1.6x Squeeze Factor, 2.8:1 Wide-Screen Aspect RatioSirui Goes Full FrameIn the past few years, SIRUI 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the...

Explore the cinematic potential of the Sirui Anamorphic Lens Kit, a comprehensive collection designed for Sony E-mount cameras that includes 35mm, 50mm, 75mm, and 100mm T2.9 lenses, each with a 1.6x anamorphic squeeze. This kit also comes with a 1.25x anamorphic adapter, expanding your creative horizons even further.The 35mm lens offers a wide field of view equivalent to a 22mm full-frame lens, ideal for capturing expansive landscapes, architectural marvels, and interior spaces with ease. Its ability to include more elements in the frame makes it a versatile choice for filmmakers seeking to convey a sense of scale and grandeur.The 50mm lens, often referred to as the "nifty fifty," is renowned for its natural perspective close to the human eye. It delivers a horizontal field of view akin to a 31mm lens, providing a balanced composition that's perfect for a wide range of scenes. Its 1.6x squeeze factor results in a cinematic 2.8:1 widescreen aspect ratio when shooting in 16:9, offering filmmakers the flexibility to frame their shots with precision and artistry.The 75mm lens, with its narrower field of view and shallow depth of field, is ideal for capturing intimate close-ups and detailed long shots. It provides a unique compression effect that brings distant elements closer to the subject, enhancing the visual impact of your footage.The 100mm lens is the quintessential portrait lens within this kit, producing a shallow depth of field that isolates the subject from the background, creating stunningly beautiful oval bokeh and a strong sense of depth. It's perfect for capturing emotive moments in sports, weddings, and wildlife photography.All lenses in the kit share a uniform barrel construction, with a consistent T2.9 to T16 aperture range, identical gear positions for focus and aperture, an 82mm filter thread, and a 1/4" threaded hole for versatile mounting options. The metric and imperial scales on the focus ring cater to the preferences of all cinematographers.The included 1.25x anamorphic adapter is a game-changer, allowing you to transform spherical lenses into anamorphic ones or to enhance the squeeze ratio of existing anamorphic lenses. When paired with the 1.6x anamorphic lenses, it achieves a 2x squeeze, intensifying the anamorphic characteristics for even more dramatic results.Crafted with a compact and lightweight design, the lightest lens in the lineup weighs a mere 930g (2lbs), making it a convenient choice for on-the-go shooting without compromising on quality.Experience the allure of anamorphic filmmaking with the Sirui Anamorphic Lens Kit, a versatile and high-quality solution for achieving that sought-after cinematic look. Whether you're shooting a feature film, a short narrative, or a commercial project, this lens kit will elevate your visual storytelling to new heights.

- Sirui 35mm T2.9 1.6x Anamorphic Lens -Why Choose The SIRUI 35mm Full-Frame Anamorphic?Affordable and Lightweight High Squeeze Full-Frame Anamorphic, 35mm-Wide FOV for Shooting Wide AngleThe 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.Compact DesignThe lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.Full-Frame! High Squeeze!Designed for professional anamorphic use, this series gives you 1.6x more on the horizontal as well as more prominent anamorphic characteristics.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier.Uniform Barrel Construction• T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial ScalesMount OptionsThis lineup comes in RF, L, E, and Z-Mount, working perfectly on professional cinema cameras and popular FF mirrorless cameras.- Sirui 75mm T2.9 1.6x Anamorphic Lens -One with the most noticeable anamorphic look among SIRUI lenses. Narrow FOV, shallow DOP, distortion-free images. Versatile focal length for both long shots and close ups. Filmmaking has never been easier with this lensAn All-Round Player75mm FF offers a wider field of view• You can get sharp distortion-free images shooting from a distance• There's a lot more information horizontally in close-up shots, leaving a strong visual impact on the audienceWide-Screen Aspect RatiosThe common aspect ratios of most mirrorless camera sensors are 3:2 and 16:9. If you shoot in 3:2 mode, you'll get a 2.4:1 aspect ratio. Otherwise on a 16:9 image sensor, you'll end up with a much wider 2.8:1 aspect ratio.An increasing number of monitors today come with a 1.6x de-squeeze capability, which allows filmmakers to see proper images while shooting. With more brands joining the "1.6x de-squeeze" club, SIRUI full-frame lineup is seeing a brighter future ahead.High Resolution ImagesYou'll have no problem getting super crisp wide-screen shots on this lens (ready for 8K shooting), with the subject being exceptionally sharp yet the background soft and natural.Subtle Lens FlaresPoint the lens at a light source to get a horizontal blue lens flare that the anamorphic lens is famous for. The subtle and natural blue streaks stand out for adding a Sci-Fi ambiance to your shots without being too...

Under the banner of high-quality and professional-grade optics, Adorama presents the Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens Kit with a 1.25x Adapter for Sony E-mount cameras. This innovative and versatile kit is designed to elevate your photography and videography to cinematic heights, offering a durable solution for creatives seeking to capture expansive wide-angle scenes and intimate telephoto shots with artistic flair.The 35mm anamorphic lens boasts a wide field of view equivalent to a 22mm lens on a full-frame sensor, making it an ideal choice for architectural, landscape, and interior photography where space is at a premium. Its ability to include more elements in the frame without compromising on quality is a testament to its innovative design.On the other end of the spectrum, the 100mm lens excels in producing a shallow depth of field with a strong background compression, creating stunning oval bokeh and a distinct focus fall-off that is perfect for portrait, sports, wedding, and wildlife photography. This lens's telephoto reach allows for precise subject isolation, adding a layer of depth and emotion to your images.Both lenses feature a full-frame anamorphic design with a high 1.6x squeeze factor, which is increasingly sought after in high-end productions for its prominent anamorphic characteristics. The lenses offer two aspect ratios: a cinematic 2.4:1 when shooting in 3:2, and an even wider 2.8:1 on a 16:9 sensor, providing flexibility in post-production cropping.The cinematic look is further enhanced by the ability to create striking blue lens flares when hit with a light source. The 1.6x squeeze ratio elongates the background bokeh, while the T2.9 aperture of the 100mm lens ensures that your subject stands out with an artistic aesthetic.Uniform barrel construction across the kit ensures ease of use, with a consistent T2.9 to T16 aperture range, identical gear position for follow-focus systems, an 82mm filter thread for adding creative filters, and a 1/4" threaded hole for mounting options. Both lenses feature metric and imperial scales for precise focusing and are compact in design, with the lightest lens weighing only 930g (2lbs), ensuring portability and ease of handling.The included 1.25x Anamorphic Adapter is a game-changer, offering a budget-friendly solution to transform spherical lenses into anamorphic or to increase the squeeze ratio of existing anamorphic lenses. This adapter is reminiscent of classic anamorphic lenses like those from Panavision, providing a 25% increase in the horizontal field of view and the ability to achieve a 2x squeeze when paired with the 1.6x anamorphic lenses.Compatibility is key, and the 1.25x adapter's 82mm rear thread comes with step-down and step-up rings to fit a wide range of popular lenses. Its compact and portable design, measuring only 46.5mm in length and weighing 650g, makes it an unobtrusive addition to your gear bag. The adapter also features a front single focus mechanism,...

- Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens -Why Choose The SIRUI 35mm Full-Frame Anamorphic?Affordable and Lightweight High Squeeze Full-Frame Anamorphic & 100mm-Shallow DOF. The 1.6x squeeze gives a little more for Shooting TelephotoThe 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Compact DesignThe lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.Full-Frame! High Squeeze!Designed for professional anamorphic use, this series gives you 1.6x more on the horizontal as well as more prominent anamorphic characteristics.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction• T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial Scales- Sirui 50mm T2.9 1.6x Anamorphic Lens -Immersive Experience - 2.8:1 CinemaScope Aspect RatioSIRUI 50mm T2.9 1.6x Full-Frame Anamorphic LensFull Frame1.6x Squeeze Factor, 2.8:1 Wide-Screen Aspect RatioSirui Goes Full FrameIn the past few years, SIRUI 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the...