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1948. The Abulheja family are forcibly removed from their ancestral home in Ein Hod and sent to live in a refugee camp in Jenin. Through Amal, the bright granddaughter of the patriarch, we witness the stories of her brothers: one, a stolen boy who becomes an Israeli soldier; the other who, in sacrificing everything for the Palestinian cause, will become his enemy. Amal's own dramatic story threads its way through six decades of Palestinian-Israeli tension, eventually taking her into exile in Pensylvania.In the first commercial literary work ever to inhabit a Palestinian voice, Susan Abulhawa's is a story of love and loss, of childhood, marriage and parenthood. Richly told and and full of humanity, Mornings in Jenin forces us to take a fresh look at one of the defining political conflicts of our lifetime.

Richly told and full of humanity, 'Mornings in Jenin' forces us to take a fresh look at one of the defining political conflicts of our lifetime.

residents of the refugee camps and international observers speak out against the invasion.

Two great documentaries on one DVD. Jenin Jenin includes testimony from Jenin residents after the Israeli army's Defensive Wall operation. The city and camp were the scenes of fierce fighting which ended with Jenin flattened and scores of Palestinians dead. Since You Left is his second directorial effort, in which Bakri visits the grave of his mentor, Emil Habibi, a prominent Palestinian author and politician. In this intimate setting, Bakri attempts to summarize for Habibi some of the personal

The Scar of David is historic fiction about a Palestinian family from the village of Ein Hod, which was emptied of its inhabitants by the newly formed State of Israel in 1948. It is told in the first person by Amal, who is born into that family in a UN-administered refugee camp in Jenin, where her family would eventually die waiting, or fighting, to return to their beloved Palestine. Set in lap of one of the 20 th century's most intractable political conflicts, this novel weaves through history, friendship, love, frayed identity, terrorism, exhaustion of the spirit, surrender, and courage. Three massacres and two major wars provide five corners to this novel: 1. Sabra and Shatila, Lebanon, 1982; 2. US embassy bombing, Beirut, 1983; 3. Refugee camp of Jenin, West Bank, 2002; 4. The Naqbe , Mandate Palestine, 1948; and 5. The Six Day War, Middle East, 1967. During the family's eviction from their ancestral village, Ishmael, Amal's brother is lost in the mayhem of people fleeing for their lives. Just a toddler at the time, Ishmael is raised by a Jewish family and grows up as David, an Israeli soldier. During the 1967 war, Yousef, Amal's eldest brother, comes face to face with David, his brother the Jew. Yousef recognizes his brother by a prominent scar across David's face. The title of this story takes its name from this scar, and assumes other layers of meaning as it is told. The end is the beginning: terrible suffering packaged by Western press into perfidious sound bites, like "the Middle East Conflict," and "War on Terrorism." But through the course of this story, a suicide bomber is given a name, face and life of a man pushed to incomprehensible limits; An Arab girl of pious and humble beginnings escapes her destiny and lives the "American Dream," which her soul cannot bear; An Israeli man becomes tangled in a truth he cannot reconcile, and his identity can find no repose but in the temporary anesthetic of alcohol.

The Freedom Theatre is one of the most remarkable institutions in occupied Palestine, and indeed the world. Nestled in Jenin refugee camp in the West Bank, the theatre has faced attacks, threats, imprisonment of many functionaries, and the assassination of its co-founder. And yet the theatre has not only endured, it has grown, from a provisional hall with rented plastic chairs to one of Palestine's most prominent cultural centres. Today, it educates actors, technicians, cultural workers, photographers, filmmakers and teachers, tours in the West Bank and internationally with its characteristically strong and moving art, and has created a network of partners across the globe. This book depicts the theatre's history, work, and vision through some of its key people. It gives room to thorough analyses of the context in which it operates and of the concept of Cultural Resistance, which is central to its work. Palestinian and international artists, academics and activists associated with the theatre, contribute personal and professional perspectives on the phenomenon that is The Freedom Theatre. This is as much a documentation of the work of The Freedom Theatre in its first ten years as it is a testament to its growing significance as a source of inspiration in Palestine and around the world.

The Scar of David is historic fiction about a Palestinian family from the village of Ein Hod, which was emptied of its inhabitants by the newly formed State of Israel in 1948. It is told in the first person by Amal, who is born into that family in a UN-administered refugee camp in Jenin, where her family would eventually die waiting, or fighting, to return to their beloved Palestine. Set in lap of one of the 20 th century's most intractable political conflicts, this novel weaves through history, friendship, love, frayed identity, terrorism, exhaustion of the spirit, surrender, and courage. Three massacres and two major wars provide five corners to this novel: 1. Sabra and Shatila, Lebanon, 1982; 2. US embassy bombing, Beirut, 1983; 3. Refugee camp of Jenin, West Bank, 2002; 4. The Naqbe , Mandate Palestine, 1948; and 5. The Six Day War, Middle East, 1967. During the family's eviction from their ancestral village, Ishmael, Amal's brother is lost in the mayhem of people fleeing for their lives. Just a toddler at the time, Ishmael is raised by a Jewish family and grows up as David, an Israeli soldier. During the 1967 war, Yousef, Amal's eldest brother, comes face to face with David, his brother the Jew. Yousef recognizes his brother by a prominent scar across David's face. The title of this story takes its name from this scar, and assumes other layers of meaning as it is told. The end is the beginning: terrible suffering packaged by Western press into perfidious sound bites, like "the Middle East Conflict," and "War on Terrorism." But through the course of this story, a suicide bomber is given a name, face and life of a man pushed to incomprehensible limits; An Arab girl of pious and humble beginnings escapes her destiny and lives the "American Dream," which her soul cannot bear; An Israeli man becomes tangled in a truth he cannot reconcile, and his identity can find no repose but in the temporary anesthetic of alcohol.