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Emily Worth Leider combines newly uncovered archival material, fine writing, and a rich appreciation of West's unique blend of comedy and "come-hither" appeal to shape this enormously engrossing biography and portrait of an era. She gives us not just Mae West the bawdy icon, but also the driven performer who honed her act on the vaudeville circuit, wrote her own material to get a decent part, and never stopped battling the censor—the very people who provided some of her best publicity but who eventually struck a blow for prudery from which her career would never recover.

Legendary Voices 3: Frida Leider Rarest Recordings Frida Leider - CD 717281895095

Art Of Frida Leider Frida Leider - CD 717281893015

Hallo zusammen,Ich muss leider meine Synthesizersammlung aus Platzgr nden verkleinern und verkaufe hier ein sehr lustiges Percussiontool aus den 80...

Geige Violine 3/4 Der Hersteller ist leider unbekannt. Es gibt Gebrauchsspuren und Kratzer.

Kaum gespieltes Effektbecken. Leider Korrosionsflecken (siehe Bild).

Alte vintage Gitarre Konzertgitarre von 06.2.1974Es gibt starke Gebrauchsspuren und Kratzer (Bild 11,12,13)Der Hersteller ist leider unbekannt.F r ...

Frida Leider' the greatest Wagnerian soprano of the pre-war period, has a permanent place in operatic history. In this, her own memoirs, Leider recreates the fascinating operatic world of her day, and recounts her association with Bruno Walter, Wilhelm Furtwängler, Lauritz Melchior, Lotte Lehmann, Maria Jeritza, Elisabeth Schumann, Erich Kleiber, as well as many other great musical figures of the twentieth century. Leider's story embraces her entire career from her childhood in Berlin at the turn of the century, through her apprentice years in the provincial German opera houses, to her years of international triumph when she was acclaimed at Covent Garden, Bayreuth, the Berlin State Opera and the Metropolitan Opera. Her account of musical life in Nazi Germany adds yet another dimension to an autobiography which, by virtue of its charm and warmth, is already far removed from more conventional operatic memoirs.

In May 1971, Artforum, bastion of late modernism, featured the work of a photographer for the very first time. On its cover and in a six-page spread, it published selections from Diane Arbus's portfolio, A box of ten photographs. In the words of the magazine's editor and photography skeptic, Philip Leider, "The portfolio changed everything . . . one could no longer deny [photography's] status as art." At the time of Arbus's death, two months later, only four of the intended edition of fifty had been sold. Two had been purchased from Arbus by Richard Avedon (the first for himself, the second as a gift for his friend Mike Nichols); another was purchased by Jasper Johns; and a fourth by Bea Feitler, art director at Harper's Bazaar. Arbus signed the prints in all four sets; each print was accompanied by an interleaving vellum slip-sheet inscribed with an extended caption. For Feitler, Arbus added an eleventh photograph, A woman with her baby monkey, N.J. 1971. Acquired by the Smithsonian American Art Museum, Washington, DC, in 1986—and the only one of the four completed and sold by Arbus that is publicly held—that portfolio is the subject of an exhibition on view at the museum from April through September 2018. This exceptional book replicates the nature of Diane Arbus's original and now legendary object. Smithsonian curator John P. Jacob, who has unearthed a trove of new information in preparing the book and exhibition, weaves a fascinating tale of the creation, production, and continuing repercussions of this seminal work. Published by Aperture in association with the Smithsonian American Art Museum, Washington, D.C.

Emily Leider traces the extraordinary journey by which Rodolfo Guglielmi became Rudolph Valentino - a silver screen legend who forever changed America's idea of 'the leading man'. Valentino wasn't just a star, he was a phenomenon - adored by women, despised by men. On-screen, he offered American women a dangerous sexuality unlike anything on offer from their husbands or lovers; in private, his first wife - a lesbian - refused to consummate their marriage. Gossip and rumour about his early life as a taxi-dancer haunted him, until his untimely death cut short a career that lasted only five years. This book now rehabilitates Valentino's reputation, both as a man and as an actor.

Neuware -Wenn die Aufmerksamkeit nachlässt und die Gedanken abschweifen, entgehen einem oft wichtige Dinge. Wie man das mit Fokussierung und Achtsamkeit vermeidet, beschreibt Amishi Jha in ihrem Bestseller.Aufmerksamkeit dauerhaft aufrechtzuerhalten will leider nicht immer gelingen, gerade in längeren Meetings, Verhandlungen oder Unterhaltungen. Durch Ablenkung und nachlassende Konzentration entgeht uns oft die Hälfte an Informationen die entscheidenden Momente eingeschlossen. Wie aber lässt sich das Gehirn dahingehend trainieren, sich länger und effektiver zu fokussieren Amishi Jha liefert mit diesem brillanten Leitfaden praktische Methoden, um mit nur zwölf Minuten Übungen am Tag die Aufmerksamkeit dauerhaft zu trainieren. Daneben gibt sie wertvolle Tipps für mehr Achtsamkeit und gut erforschte Strategien, die die Resilienz gegen Stress fördern sowie mentale Fokussierung, Kreativität, Klarheit und Stärke steigern. Ihr wahres Geschenk ist jedoch die Fähigkeit, dauerhaft vollständig präsent zu sein im Beruf wie auch im Leben. 447 pp. Deutsch

In this extensively revised and updated new edition of a classic - nearly 500,000 copies sold and translated into 17 languages - bestselling authors Richard Leider and David Shapiro provide a practical guide for men and women of all ages to ''unpack'' and ''repack'' their work bags, relationship bags, place bags, and purpose bags to find greater meaning and happiness in their lives while lightening their load.

Frida Leider' the greatest Wagnerian soprano of the pre-war period, has a permanent place in operatic history. In this, her own memoirs, Leider recreates the fascinating operatic world of her day, and recounts her association with Bruno Walter, Wilhelm Furtwängler, Lauritz Melchior, Lotte Lehmann, Maria Jeritza, Elisabeth Schumann, Erich Kleiber, as well as many other great musical figures of the twentieth century. Leider's story embraces her entire career from her childhood in Berlin at the turn of the century, through her apprentice years in the provincial German opera houses, to her years of international triumph when she was acclaimed at Covent Garden, Bayreuth, the Berlin State Opera and the Metropolitan Opera. Her account of musical life in Nazi Germany adds yet another dimension to an autobiography which, by virtue of its charm and warmth, is already far removed from more conventional operatic memoirs.

In May 1971, Artforum, bastion of late modernism, featured the work of a photographer for the very first time. On its cover and in a six-page spread, it published selections from Diane Arbus's portfolio, A box of ten photographs. In the words of the magazine's editor and photography skeptic, Philip Leider, "The portfolio changed everything . . . one could no longer deny [photography's] status as art." At the time of Arbus's death, two months later, only four of the intended edition of fifty had been sold. Two had been purchased from Arbus by Richard Avedon (the first for himself, the second as a gift for his friend Mike Nichols); another was purchased by Jasper Johns; and a fourth by Bea Feitler, art director at Harper's Bazaar. Arbus signed the prints in all four sets; each print was accompanied by an interleaving vellum slip-sheet inscribed with an extended caption. For Feitler, Arbus added an eleventh photograph, A woman with her baby monkey, N.J. 1971. Acquired by the Smithsonian American Art Museum, Washington, DC, in 1986—and the only one of the four completed and sold by Arbus that is publicly held—that portfolio is the subject of an exhibition on view at the museum from April through September 2018. This exceptional book replicates the nature of Diane Arbus's original and now legendary object. Smithsonian curator John P. Jacob, who has unearthed a trove of new information in preparing the book and exhibition, weaves a fascinating tale of the creation, production, and continuing repercussions of this seminal work. Published by Aperture in association with the Smithsonian American Art Museum, Washington, D.C.

559 Seiten, mit zahlreichen Objektfotografien und Aufnahmen aus dem Feld; Karten. Sehr gut erhaltenes, ungelesenes Exemplar, leider eine kleine Bruchstelle vorne, am unteren Rücken. Achtung: erhöhte Versandkosten!

This item is printed on demand - it takes 3-4 days longer - Neuware -Ob als 15jähriger Luftwaffenhelfer, 17jähriger Soldat oder 18jähriger Schwarzmarkthändler, Hubert Buss schlägt sich mit viel Glück durch den Krieg und die Jahre danach. Leider ergattert er keinen Studienplatz und landet als einfacher Buchhalter bei der Metallgesellschaft. Doch dort macht er mit Tatendrang und Geschick eine ungewöhnliche Karriere. Glück gehabt! ist eine informative und humorvolle Zeitreise durch das Leben eines rastlosen Frankfurters. 112 pp. Deutsch