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Regarding the significance of Gilberto Freyre’s 1933 Casa-grande e senzala, Antonio Candido referred to it as nothing less than an "earthquake". From Dubois to Genovese, from Braudel to Barthes, not to mention decades of Brazilian and Lusophone cultural reflection, Freyre’s impact has been felt around the globe. Thomas Skidmore has recently called Freyre’s oeuvre a "unique world" that will "take many decades to explore". This volume represents a contribution to that process by offering a set of new critical readings from a range of disciplinary perspectives. These essays show that Freyre is worth considering anew today precisely because of the way in which his legacy serves, often silently, as a foundational presence within so many of the debates that are increasing in both volume and intensity across a number of fields of inquiry. The interesting project embedded in the realization that seemingly new trends appear throughout Freyre’s work is not to simply show how he raised a number of issues precociously. Rather, the crucial task is to ask after the ways in which his work still inhabits our own. In other words, the question is not to ask in which ways we have improved upon Freyre’s theses, or transcended his errors; the question is to ask how those "errors" force us to confront our own work in unexpected ways.

Small folio (26.5 x 19.5 cm.), original illustrated wrappers. As new. 493 pp., 16 ll. plates printed on both sides, footnotes, index of names. *** FIRST and ONLY EDITION.José-Augusto [Rodrigues] França (Tomar, 1922-Jarzé-Villages, 2021) was one of Portugal's most distinguished art and cultural historians, as well as an important critic, literary figure, and intellectual. He was a leader in the introduction of surrealism to Portugal. After a long absence, he returned to writing fiction; between 2002 and 2010 he produced eight new novels or novellas and three collections of stories. *** See Álvaro Manuel Machado, Dicionário de literatura portuguesa, pp. 201-2; Dicionário cronológico de autores portugueses, V, 203-6; and Fernando J.B. Martinho in Biblos, II, 677-8.

Regarding the significance of Gilberto Freyre’s 1933 Casa-grande e senzala, Antonio Candido referred to it as nothing less than an "earthquake". From Dubois to Genovese, from Braudel to Barthes, not to mention decades of Brazilian and Lusophone cultural reflection, Freyre’s impact has been felt around the globe. Thomas Skidmore has recently called Freyre’s oeuvre a "unique world" that will "take many decades to explore". This volume represents a contribution to that process by offering a set of new critical readings from a range of disciplinary perspectives. These essays show that Freyre is worth considering anew today precisely because of the way in which his legacy serves, often silently, as a foundational presence within so many of the debates that are increasing in both volume and intensity across a number of fields of inquiry. The interesting project embedded in the realization that seemingly new trends appear throughout Freyre’s work is not to simply show how he raised a number of issues precociously. Rather, the crucial task is to ask after the ways in which his work still inhabits our own. In other words, the question is not to ask in which ways we have improved upon Freyre’s theses, or transcended his errors; the question is to ask how those "errors" force us to confront our own work in unexpected ways.

2010 release from the Swedish Electronic outfit. Rupesh Cartel have been compared to modern bands such as the Knife/Fever Ray and Ryksopp, but also to '80s legends like Ultravox and the Human League.. Includes the hit singles 'Oh No Oh No!' and the fantastic 'Kick Me Into Action'. Megahype.