16 products were found matching your search for Pont Samuel Valais Sound in 3 shops:

Widely viewed during the Revolutionary period as a champion of both republicanism and evangelical Calvinism, the College of New Jersey nonetheless experienced great inner turmoil as its leaders tried to support the stability of the new nation by integrating sound principles of science and faith. Focusing on three presidencies--those of John Witherspoon, Samuel Stanhope Smith, and Ashbel Green--Mark Noll relates the dramatic institutional history of what is now Princeton University, a history closely related to the intellectual development of the early republic. Noll examines in detail the student rebellions and the trustees' disillusionment with the college, which, despite Witherspoon's and Stanhope Smith's efforts to harmonize traditional Reformed faith with a moderate Scottish enlightenment, led to the establishment of a separate Presbyterian seminary in 1812. As a cultural and intellectual history of the early United States, this book deepens our understanding of how science, religion, and politics interacted during the period. Close attention is given to the Scottish philosophy of common sense, which Stanhope Smith developed into an educational vision that he hoped would encourage a stable social order.

Widely viewed during the Revolutionary period as a champion of both republicanism and evangelical Calvinism, the College of New Jersey nonetheless experienced great inner turmoil as its leaders tried to support the stability of the new nation by integrating sound principles of science and faith. Focusing on three presidencies--those of John Witherspoon, Samuel Stanhope Smith, and Ashbel Green--Mark Noll relates the dramatic institutional history of what is now Princeton University, a history closely related to the intellectual development of the early republic. Noll examines in detail the student rebellions and the trustees' disillusionment with the college, which, despite Witherspoon's and Stanhope Smith's efforts to harmonize traditional Reformed faith with a moderate Scottish enlightenment, led to the establishment of a separate Presbyterian seminary in 1812. As a cultural and intellectual history of the early United States, this book deepens our understanding of how science, religion, and politics interacted during the period. Close attention is given to the Scottish philosophy of common sense, which Stanhope Smith developed into an educational vision that he hoped would encourage a stable social order.

New Interpreter's® Bible offers critically sound biblical interpretations for the 1990s and beyond. Guided by scholars, pastors, and laity representing diverse traditions, academic experience, and involvement in the Church, this entirely new collection of writings is specifically prepared to meet the needs of preachers, teachers, and all students of the Bible. Easy-to-use Format: * Full texts and critical notes: NIV and NRSV * A detailed, critical Commentary providing an exegetical "close-reading" of the biblical text * Reflections that present a detailed exposition of issues raised in the discussion and dealt with in the Commentary Key Features: * The entire Bible (including the Apocrypha Deuterocanonical books) in twelve volumes * Introductions to each book that cover essential historical, sociocultural, literary, and theological issues * An ecumenical roster of contributors * Comprehensive, concise articles * Numerous visual aids (illustrations, maps, charts, timelines) enhance use. Download The NIB Vol. 2 Errata Sheet

'Pattern is as crucial to Beckett's eye as to his ear', writes Gontarski, 'and that patterning dominates his theatrical notes: motion is repeated to echo other motion, posture to echo other posture, gestures to echo other gestures, sounds to echo other sounds. The principle of analogy is fundamental.'Samuel Beckett directed two separate productions of Endgame, once with the Schiller Theater Company in Berlin in 1967, and again with the San Quentin Drama Workshop in 1980. For both productions he prepared detailed notes that are reproduced here in facsimile for the first time.Beckett's revisions for both his productions maintain a consistency - with minor variations to allow for strengths or weaknesses of particular actors - that make a 'corrected' (Beckett's word) text not only possible but desirable, a reflection of the substantial amount of thinking and theatrical testing the work has undergone since its publication. No previous edition - English, French or German - includes the complete production-generated changes. This text was approved by Samuel Beckett.

ISBN 9780881468588. Hardback. No dustjacket. First Printing as signified by descending number line on the copyright page going down to the number 1. Tight sound unmarked copy in Very Good to Near Fine condition. This book is Samuel Elbert and the Age of Revolution in Georgia, 1740-1788

'Pattern is as crucial to Beckett's eye as to his ear', writes Gontarski, 'and that patterning dominates his theatrical notes: motion is repeated to echo other motion, posture to echo other posture, gestures to echo other gestures, sounds to echo other sounds. The principle of analogy is fundamental.'Samuel Beckett directed two separate productions of Endgame, once with the Schiller Theater Company in Berlin in 1967, and again with the San Quentin Drama Workshop in 1980. For both productions he prepared detailed notes that are reproduced here in facsimile for the first time.Beckett's revisions for both his productions maintain a consistency - with minor variations to allow for strengths or weaknesses of particular actors - that make a 'corrected' (Beckett's word) text not only possible but desirable, a reflection of the substantial amount of thinking and theatrical testing the work has undergone since its publication. No previous edition - English, French or German - includes the complete production-generated changes. This text was approved by Samuel Beckett.

THE NEW AMERICAN COMMENTARY is for the minister or Bible student who wants to understand and expound the Scriptures. Notable features include:* commentary based on THE NEW INTERNATIONAL VERSION;* the NIV text printed in the body of the commentary;* sound scholarly methodology that reflects capable research in the original languages;* interpretation that emphasizes the theological unity of each book and of Scripture as a whole;* readable and applicable exposition.

Voodoo Rhythm Records is proud to present the third full length album by The Jackets, a truly mind blowing, hip shaking, FREAKY FUZZ-GARAGE POWER TRIO from BERN SWITZERLAND formed in 2007 by Jackie Brutsche, Chris Rosales and Samuel Schmidiger (former members of: THE GET LOST, MAD COWGIRL DISEASE, REVEREND & LIGHTNING BEAT-MAN to name a few!). Their first two albums where released on the fantastic SOUNDFLAT RECORDS, Germany (2012) and SUBVERSIV RECORDS, Switzerland (2009). Singer and guitar play

“God is reawakening and reviving an old truth in His Church ... the musical prophets are rising again!” – SEAN FEUCHT 1 Samuel 10:5 paints a vivid picture of a band of prophet-musicians playing their instruments and prophesying whilst walking boldly across enemy territory.In this current season, similar bands of prophetic musicians are being commissioned by God to carry His presence and His word into many similarly, unlikely places.Steve Abley inspires us with a compelling vision of how we can bring Heaven to Earth, prophesying the life of God into our communities through the power of sound. Anointed music has the ability to change atmospheres and transcend barriers. Find out how in this ground breaking book. About the authorSteve Abley is the Director of Burn 24-7, Winchester, and a manager of Changing Tunes, a charity providing rehabilitation through music to prisoners/ex-prisoners. He is married with a daughter and a member of Winchester Vineyard Church.

Voodoo Rhythm Records is proud to present the third full length album by The Jackets, a truly mind blowing, hip shaking, FREAKY FUZZ-GARAGE POWER TRIO from BERN SWITZERLAND formed in 2007 by Jackie Brutsche, Chris Rosales and Samuel Schmidiger (former members of: THE GET LOST, MAD COWGIRL DISEASE, REVEREND & LIGHTNING BEAT-MAN to name a few!). Their first two albums where released on the fantastic SOUNDFLAT RECORDS, Germany (2012) and SUBVERSIV RECORDS, Switzerland (2009). Singer and guitar play

Thirty miles west of Philadelphia in the historic Brandywine Valley of southeastern Pennsylvania blooms Longwood Gardens, one of the world's great horticultural centers. The original arboretum was planted beginning about 1800 by a Quaker family named Peirce. Industrialist Pierre Samuel du Pont (1870-1954) bought the property in 1906 to save its historic trees and make it a place where he could entertain his friends and the public. For three decades, he created an astounding collection of gardens, conservatories, and fountains and a perfect setting for the performing arts. Since du Pont's death in 1954, Longwood Gardens has continued to evolve from a private estate to a very public garden, with renowned designers creating new landscapes to enhance the enjoyment of more than a million guests each year.

A tour de force of exotic sounds and emotional design, this major work from Samuel Hazo will leave your audiences breathless. Based on the haunting...

The multi-channel sound work Just Dead Stars For Dead Eyes is the result of Samuel Savenberg's two-week-long artist residency at Lucerne's Sdpol in the summer of 2015. Originally available as a small-run cassette release through the Italian Haunter Records imprint (2015), Just Dead Stars For Dead Eyes has been carefully mastered for a vinyl issue by Room40 founder Lawrence English. During his residency, Savenberg explored the sonic environment of Sdpol, doing field recordings around the buildi

You and your students will get the feeling of flying in this lush and delightful new piece from composer David Samuel. It will make your band sound...

This book presents much of Wordsworth's poetic output from the last three decades of his life. Approximately two hundred poems are featured, including On the Power of Sound, the sequence of Evening Voluntaries, and the poet's tributes to the dead, such as those to Sir George Beaumont, Samuel Taylor Coleridge, and James Hogg. The volume excludes longer works written during this period, which appear in other volumes in The Cornell Wordsworth. Last Poems provides reading texts of all the poems in their earliest finished versions, an apparatus criticus of all variant readings from all surviving manuscript and print forms over which the poet exercised control, Wordsworth's―and the editors―notes to each of the poems, and photographs and transcriptions of selected manuscripts. The poems display a wide range of verse forms, including examples from most of the classes and types that Wordsworth himself used to organize his oeuvre as well as poems best described as efforts to shape poetic forms in new ways. Chronologically arranged, the poems explore themes both perennial and topical as Wordsworth endeavored to come to terms with a rapidly changing world by exploring the past, the present, and the links between them.

The distinctively hued scoring of high voices in combination with viols was an ensemble sound much favored in seventeenth-century Germany-here enhanced by abundant ornamentation. The featured composer is the Bohemian, Samuel Capricornus, whose few extant works deserve a present-day revival. 'O Traurigkeit, O Herzelied' is a profound Good Friday lament. It is followed by 'Ein Lmmlein geht und trgt die Schuld' which uses the Lamb to symbolize Jesus' martyrdom. These two pieces comprise his 'Zwei