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This is a history of Jean-Paul Sartre's monthly review Les Temps Modernes, an immensely influential publication launched in 1945. The journal set out from the beginning to effect a revolutionary redefinition of psychology, sociology, political theory and anthropology, in order to assist in the socialist transformation of France and the world. Dr Davies is the first author to examine the review from a multidisciplinary viewpoint. The result is a panorama of forty years of French intellectual history, of debate and rivalry informed by and influencing the political struggles of the time - the Cold War, the Algerian revolution, the Gaullist era, May 1968, the Maoism of the 1970s. It is also an important chapter in the biography of Sartre which offers a new sense of the magnitude of his philosophical and moral aspirations and a revaluation of his work and status.

Sartre on Sin: Between Being and Nothingness argues that Jean-Paul Sartre's early, anti-humanist philosophy is indebted to the Christian doctrine of original sin. On the standard reading, Sartre's most fundamental and attractive idea is freedom: he wished to demonstrate the existence of human freedom, and did so by connecting consciousness with nothingness. Focusing on Being and Nothingness, Kate Kirkpatrick demonstrates that Sartre's concept of nothingness (le neant) has a Christian genealogy which has been overlooked in philosophical and theological discussions of his work. Previous scholars have noted the resemblance between Sartre's and Augustine's ontologies: to name but one shared theme, both thinkers describe the human as the being through which nothingness enters the world. However, there has been no previous in-depth examination of this 'resemblance'. Using historical, exegetical, and conceptual methods, Kirkpatrick demonstrates that Sartre's intellectual formation prior to his discovery of phenomenology included theological elements-especially concerning the compatibility of freedom with sin and grace. After outlining the French Augustinianisms by which Sartre's account of the human as 'between being and nothingness' was informed, Kirkpatrick offers a close reading of Being and Nothingness which shows that the psychological, epistemological, and ethical consequences of Sartre's le neant closely resemble the consequences of its theological predecessor; and that his account of freedom can be read as an anti-theodicy. Sartre on Sin illustrates that Sartre' s insights are valuable resources for contemporary hamartiology.

Jean-Paul Sartre (1905-1980) was one of the most influential thinkers of the twentieth century. Regarded as the father of existentialist philosophy, he was also a political critic, moralist, playwright, novelist, and author of biographies and short stories. Thomas R. Flynn provides the first book-length account of Sartre as a philosopher of the imaginary, mapping the intellectual development of his ideas throughout his life, and building a narrative that is not only philosophical but also attentive to the political and literary dimensions of his work. Exploring Sartre's existentialism, politics, ethics, and ontology, this book illuminates the defining ideas of Sartre's oeuvre: the literary and the philosophical, the imaginary and the conceptual, his descriptive phenomenology and his phenomenological concept of intentionality, and his conjunction of ethics and politics with an 'egoless' consciousness. It will appeal to all who are interested in Sartre's philosophy and its relation to his life.

First published in 1961, Sartre: The Origins of a Style is a striking attempt not merely to analyze Sartre's work formally, from an aesthetic perspective but above all to replace Sartre in literary history itself. As a study of Sartre's writings this work articulates the antagonism between the modernist tradition and Sartrean narrative or stylistic procedures. From the broader methodological perspective, Jameson turns around the relationship between narrative and narrative closure, the possibility of storytelling, and the kinds of experience-- social and existential--structurally available in a given social formation.

Expedition soignee en 24/48h. Le livre peut montrer des signes d'usure dus à son utilisation, etre marque ou presenter plusieurs dommages esthetiques mineurs.

In 1952, Jean-Paul Sartre engaged Albert Camus in a celebrated and bitter public confrontation that had wide-ranging cultural significance. The year before, Camus had challenged the prevailing political wisdom in his renowned work, The Rebel. In response he was attacked in print, first by Francis Jeanson writing in Les Temps Modernes, a journal edited by Sartre, and then by Sartre himself. In a series of highly publicized articles, these literary and cultural titans locked horns over human values, social and political policy, the nature of human freedom, the meaning of history, and the direction that Western civilization should take. This book contains the first English translation of the five texts constituting this famous philosophical quarrel. Personally animated, passionately argued, polemically focused, this confrontation was as much a personal encounter as it was a theoretical debate. Alternating between stylistic brilliance and stinging sarcasm, each draws upon their years of past involvement as former friends both to make their criticisms more pointed and their theoretical critique more challenging. At the same time, their views serve as lightning rods for the wider cultural forces of which they are partial expressions. In addition to the two Camus and Jeanson articles, and a revised and corrected version of Sartre's article, the volume includes a detailed biographical and critical introduction, which sets the historical context, plus two new essays by contemporary scholars presenting both a "Sartrean" and a "Camusian" perspective on the cultural and philosophical significance of this historic confrontation. Readers will not only be drawn into the issues raised by these two great thinkers but realize that their debate is still with us, perhaps more forcefully than ever.

Sartre on Sin: Between Being and Nothingness argues that Jean-Paul Sartre's early, anti-humanist philosophy is indebted to the Christian doctrine of original sin. On the standard reading, Sartre's most fundamental and attractive idea is freedom: he wished to demonstrate the existence of human freedom, and did so by connecting consciousness with nothingness. Focusing on Being and Nothingness, Kate Kirkpatrick demonstrates that Sartre's concept of nothingness (le neant) has a Christian genealogy which has been overlooked in philosophical and theological discussions of his work. Previous scholars have noted the resemblance between Sartre's and Augustine's ontologies: to name but one shared theme, both thinkers describe the human as the being through which nothingness enters the world. However, there has been no previous in-depth examination of this 'resemblance'. Using historical, exegetical, and conceptual methods, Kirkpatrick demonstrates that Sartre's intellectual formation prior to his discovery of phenomenology included theological elements-especially concerning the compatibility of freedom with sin and grace. After outlining the French Augustinianisms by which Sartre's account of the human as 'between being and nothingness' was informed, Kirkpatrick offers a close reading of Being and Nothingness which shows that the psychological, epistemological, and ethical consequences of Sartre's le neant closely resemble the consequences of its theological predecessor; and that his account of freedom can be read as an anti-theodicy. Sartre on Sin illustrates that Sartre' s insights are valuable resources for contemporary hamartiology.

Offers a reconstruction of the Sartrean system, and in particular Sartre's analysis of the nature of language, consciousness, knowledge, self, and values. A new postscript takes into account investigations into the life, work and philosophy of France's greatest post-war philosopher.

First published in 1961, Sartre: The Origins of a Style is a striking attempt not merely to analyze Sartre's work formally, from an aesthetic perspective but above all to replace Sartre in literary history itself. As a study of Sartre's writings this work articulates the antagonism between the modernist tradition and Sartrean narrative or stylistic procedures. From the broader methodological perspective, Jameson turns around the relationship between narrative and narrative closure, the possibility of storytelling, and the kinds of experience-- social and existential--structurally available in a given social formation.

First published in 1961, Sartre: The Origins of a Style is a striking attempt not merely to analyze Sartre's work formally, from an aesthetic perspective but above all to replace Sartre in literary history itself. As a study of Sartre's writings this work articulates the antagonism between the modernist tradition and Sartrean narrative or stylistic procedures. From the broader methodological perspective, Jameson turns around the relationship between narrative and narrative closure, the possibility of storytelling, and the kinds of experience-- social and existential--structurally available in a given social formation.

Jean Paul Sartre is still widely regarded as FranceÆs most famous and influential philosopher. Yet, to many, his work has been superseded by the work of subsequent poststructuralist and postmodernist philosophers such as Michel Foucault, Jacques Derrida, Jean Baudrillard and Gilles Deleuze. The New Sartre presents a radical reassessment of SartreÆs work, the first systematic study of SartreÆs relationship to postmodernism.This fundamental revaluation of one of the central figures of 20th Century thought highlights the critical value and enduring relevance of SartreÆs work to our postmodern times.

Jean-Paul Sartre (1905-1980) was one of the most influential thinkers of the twentieth century. Regarded as the father of existentialist philosophy, he was also a political critic, moralist, playwright, novelist, and author of biographies and short stories. Thomas R. Flynn provides the first book-length account of Sartre as a philosopher of the imaginary, mapping the intellectual development of his ideas throughout his life, and building a narrative that is not only philosophical but also attentive to the political and literary dimensions of his work. Exploring Sartre's existentialism, politics, ethics, and ontology, this book illuminates the defining ideas of Sartre's oeuvre: the literary and the philosophical, the imaginary and the conceptual, his descriptive phenomenology and his phenomenological concept of intentionality, and his conjunction of ethics and politics with an 'egoless' consciousness. It will appeal to all who are interested in Sartre's philosophy and its relation to his life.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Jean-Paul Sartre (1905-1980) was one of the most influential thinkers of the twentieth century. Regarded as the father of existentialist philosophy, he was also a political critic, moralist, playwright, novelist, and author of biographies and short stories. Thomas R. Flynn provides the first book-length account of Sartre as a philosopher of the imaginary, mapping the intellectual development of his ideas throughout his life, and building a narrative that is not only philosophical but also attentive to the political and literary dimensions of his work. Exploring Sartre's existentialism, politics, ethics, and ontology, this book illuminates the defining ideas of Sartre's oeuvre: the literary and the philosophical, the imaginary and the conceptual, his descriptive phenomenology and his phenomenological concept of intentionality, and his conjunction of ethics and politics with an 'egoless' consciousness. It will appeal to all who are interested in Sartre's philosophy and its relation to his life.

First edition. Clean. Dust jacket slightly worn.

First published in 1961, Sartre: The Origins of a Style is a striking attempt not merely to analyze Sartre's work formally, from an aesthetic perspective but above all to replace Sartre in literary history itself. As a study of Sartre's writings this work articulates the antagonism between the modernist tradition and Sartrean narrative or stylistic procedures. From the broader methodological perspective, Jameson turns around the relationship between narrative and narrative closure, the possibility of storytelling, and the kinds of experience-- social and existential--structurally available in a given social formation.

A novel introduction to Jean-Paul Sartre’s existentialist phenomenology. Draws parallels between Sartre’s work and the work of Wittgenstein Stresses continuities rather than conflict between Sartre and Merleau-Ponty, and between Sartre and post-structuralist/post-modernist thinkers, thus corroborating ‘new Sartre’ readings Exhibits the influence of Gestalt psychology in Sartre’s descriptions of the life-world Forms part of the Blackwell Great Minds series, which outlines the views of the great western thinkers and captures the relevance of these figures to the way we think and live today

From a description of Sartre's hitherto unknown father to the painful last moments of Sartre's declining years, this biography incorporates previously untold aspects of Sartre's private and political life

Clean, tight book. Unclipped dust jacket. 158pp. Remainder mark on edge.

This product is not a traditionally bound book. Many ProQuest UMI products are black-and-white reproductions of original publications produced through the Books On Demand ® program. Alternately, this product may be a photocopy of a dissertation or it may be a collection reproduced on microfiche or microfilm if it is intended for library purchase.