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Today’s ever-expanding communications technologies force us to relate to more people and institutions than ever before, challenging the way we view ourselves and our relationships. This powerful and provocative book draws from a wide range of disciplines—from anthropology to psychoanalysis, from film and fiction to literary theory—to explore these profound changes in our understanding of self-identity and their implications for cultural and intellectual life.

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This ready to hang, gallery-wrapped wall decor living room canvas by Trademark Fine Art features a painterly depiction of cattle in a field. that'll look great in any bedroom, kitchen, bathroom, or apartment. Whether it's contemporary, rustic, modern, or traditional style wall decor, Trademark Fine Art offers a variety of high-quality, carefully built wall art that will surely complement any style with art themes that range from fascinating abstracts to breathtaking landscapes. Each bathroom wall art canvas is printed on durable cotton poly blended canvas using Giclee, a process for creating high-quality fine art reproductions that are nearly indistinguishable from the original piece. From the bedroom to the living room, or even the office, Trademark Fine Art makes professionally handcrafted, ready to hang wall decor that will be admired for years to come. Color: Multi-Colored.

This ready to hang, gallery-wrapped wall decor living room canvas by Trademark Fine Art features a painterly depiction of cattle in a field. that'll look great in any bedroom, kitchen, bathroom, or apartment. Whether it's contemporary, rustic, modern, or traditional style wall decor, Trademark Fine Art offers a variety of high-quality, carefully built wall art that will surely complement any style with art themes that range from fascinating abstracts to breathtaking landscapes. Each bathroom wall art canvas is printed on durable cotton poly blended canvas using Giclee, a process for creating high-quality fine art reproductions that are nearly indistinguishable from the original piece. From the bedroom to the living room, or even the office, Trademark Fine Art makes professionally handcrafted, ready to hang wall decor that will be admired for years to come. Color: Multi-Colored.

This ready to hang, gallery-wrapped wall decor living room canvas by Trademark Fine Art features a painterly depiction of cattle in a field. that'll look great in any bedroom, kitchen, bathroom, or apartment. Whether it's contemporary, rustic, modern, or traditional style wall decor, Trademark Fine Art offers a variety of high-quality, carefully built wall art that will surely complement any style with art themes that range from fascinating abstracts to breathtaking landscapes. Each bathroom wall art canvas is printed on durable cotton poly blended canvas using Giclee, a process for creating high-quality fine art reproductions that are nearly indistinguishable from the original piece. From the bedroom to the living room, or even the office, Trademark Fine Art makes professionally handcrafted, ready to hang wall decor that will be admired for years to come. Color: Multi-Colored.

The ideal pre-saturated cleaner for on-the-go cleaning of hands, tools, parts and non-porous work surfaces. The alcohol-free natural citrus solvents cut through grease, grime and oil, while soothing ingredients moisturize the skin. The specially designed cleaning fabric incorporates a textured surface on one side to increase scrubbing action for more thorough cleaning (even a tool with grime caked on), while being thin and flexible enough to get into tight spaces. The other side features a smooth surface, which wipes away dirt from your hand or a work surface. The middle absorbent layer soaks up and holds the dirt. These wipers are truly a must-have for any dirty job and cleaning on the go. When effectiveness and value top your list of criteria, you can trust WypAll to deliver. Value Pack-Stock up and save! Towel/Wipe Type: Hand/Body Wet Wipe; Application: General Purpose; Hand Washing; Material(s): Cloth; Chemical Compound: Alcohol-Free. Color: Green. Material: Paper.

This ready to hang, gallery-wrapped wall decor living room canvas by Trademark Fine Art features a painterly depiction of cattle in a field. that'll look great in any bedroom, kitchen, bathroom, or apartment. Whether it's contemporary, rustic, modern, or traditional style wall decor, Trademark Fine Art offers a variety of high-quality, carefully built wall art that will surely complement any style with art themes that range from fascinating abstracts to breathtaking landscapes. Each bathroom wall art canvas is printed on durable cotton poly blended canvas using Giclee, a process for creating high-quality fine art reproductions that are nearly indistinguishable from the original piece. From the bedroom to the living room, or even the office, Trademark Fine Art makes professionally handcrafted, ready to hang wall decor that will be admired for years to come. Color: Multi-Colored.

Henry 181 Repair Fabric is a woven fabric, made of flexible filaments of pure glass saturated with asphalt. It has tensil strength of 75 lbs. per in., giving it stability and durability. It is also acid and heat resistant, and won't rot or decay. The fabric is leak resistant, and helps you easily repair your roof. Material: Fiberglass.

Describes the different types of dietaty oils and how they affect health. Includes a health program with testimonials.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.32

The Saturated World: Aesthetic Meaning, Intimate Objects, Women’s Lives, 1890–1940 explores the way middle-class American women in the late nineteenth and early twentieth centuries added meaning to their lives through their “domestic amusements”—leisure pursuits that took place in and were largely focused on the home. This pathbreaking study by Beverly Gordon demonstrates that these women elaborated on their everyday tasks and responsibilities by transforming them into playful, emotionally satisfying amusements. In doing so, they cultivated a heightened, aesthetically charged “saturated” state and created self-contained, enchanted worlds. Gordon explores a variety of female leisure activities of the era, including scrapbooking (collage making) party giving, dress-up, dollmaking, and collecting. Each chapter serves as a case study, and taken as a whole, the chapters provide a holistic overview of late nineteenth and early twentieth century women’s saturated worlds. In challenging the dismissal of domestic amusements, Gordon seeks to redress the assumption that women’s domestic activities were of less value than work done outside the home. In The Saturated World, Gordon seeks to restore women’s agency—to defy the assumption that women were passive pawns who acted only out of a lack of choice or power. Women chose these pursuits on their own, Gordon argues. She contends that they were operating out of a different paradigm of culturally invested meaning, based on domestic rather than workplace values. This did not in any way diminish their achievements. Richly illustrated, The Saturated World is an unusual combination of women’s history and material culture analysis that offers fascinating insight into women’s leisure activities. It is an ideal book for students of American studies, women’s studies, material culture, and popular culture.

The Saturated World: Aesthetic Meaning, Intimate Objects, Women’s Lives, 1890–1940 explores the way middle-class American women in the late nineteenth and early twentieth centuries added meaning to their lives through their “domestic amusements”—leisure pursuits that took place in and were largely focused on the home. This pathbreaking study by Beverly Gordon demonstrates that these women elaborated on their everyday tasks and responsibilities by transforming them into playful, emotionally satisfying amusements. In doing so, they cultivated a heightened, aesthetically charged “saturated” state and created self-contained, enchanted worlds. Gordon explores a variety of female leisure activities of the era, including scrapbooking (collage making) party giving, dress-up, dollmaking, and collecting. Each chapter serves as a case study, and taken as a whole, the chapters provide a holistic overview of late nineteenth and early twentieth century women’s saturated worlds. In challenging the dismissal of domestic amusements, Gordon seeks to redress the assumption that women’s domestic activities were of less value than work done outside the home. In The Saturated World, Gordon seeks to restore women’s agency—to defy the assumption that women were passive pawns who acted only out of a lack of choice or power. Women chose these pursuits on their own, Gordon argues. She contends that they were operating out of a different paradigm of culturally invested meaning, based on domestic rather than workplace values. This did not in any way diminish their achievements. Richly illustrated, The Saturated World is an unusual combination of women’s history and material culture analysis that offers fascinating insight into women’s leisure activities. It is an ideal book for students of American studies, women’s studies, material culture, and popular culture.

Type: Book Small plain label inside cover.

Unread book in perfect condition.

In the third book in the trilogy that includes Reduction and Givenness and Being Given. Marion renews his argument for a phenomenology of givenness, with penetrating analyses of the phenomena of event, idol, flesh, and icon. Turning explicitly to hermeneutical dimensions of the debate, Marion masterfully draws together issues emerging from his close reading of Descartes and Pascal, Husserl and Heidegger, Levinas and Henry. Concluding with a revised version of his response to Derrida, In the Name: How to Avoid Speaking of It, Marion powerfully re-articulates the theological possibilities of phenomenology.

288 pages. 8.31x5.83x1.22 inches. In Stock.

In the voluminous and unsystematic notebooks that the artist Sam Francis kept throughout his life, an array of highly introspective and short writings appear alongside his records of dreams, lists of paints to be prepared, possible titles for paintings, quotations from books being read, and reminders about the minutiae of the day.Sam Francis did not craft these short stanzas and phrases of self-examination as fixed literary objects. Impossible to categorize within any single genre, they are thoughts that needed to be written down for the most personal of reasons. Like the unfixed and contradictory region of interiority itself, the mode of expression is both precise and elliptical, abbreviated but utterly expansive. The method and the temper reflect his love of the poetry of Holderlin, the psychic cosmology of Jung, the fragments of Heraclitus, and the writings of Nietzsche and of William Blake, especially their most aphoristic works.These writings reveal a temperament that was inventive in the extreme, convinced that the action of creating should never be confined merely to a canvas but be incorporated within every aspect of living.The edition is illustrated with Sam Francis's rarely reproduced self-portraits and mandalas, which he used as interconnected modes of personal reflection and generation. The book concludes with an afterword by Pontus Hulten.

In the third book in the trilogy that includes Reduction and Givenness and Being Given. Marion renews his argument for a phenomenology of givenness, with penetrating analyses of the phenomena of event, idol, flesh, and icon. Turning explicitly to hermeneutical dimensions of the debate, Marion masterfully draws together issues emerging from his close reading of Descartes and Pascal, Husserl and Heidegger, Levinas and Henry. Concluding with a revised version of his response to Derrida, In the Name: How to Avoid Speaking of It, Marion powerfully re-articulates the theological possibilities of phenomenology.

This edited collection aims to reimagine and extend ethnography for a data-saturated world. The book brings together leading scholars in the social sciences who have been interrogating and collaborating with data scientists working in a range of different settings. The book explores how a repurposed form of ethnography might illuminate the kinds of knowledge that are being produced by data science. It also describes how collaborations between ethnographers and data scientists might lead to new forms of social analysis