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Sevastopol in December In Sevastopol in December, Tolstoy uses second person narrative (with the pronoun 'you') in an introductory tour of life in Sevastopol. The detailed tour is arguably similar to one Tolstoy may have been given upon arrival in Sevastopol in November, 1854. As part of the tour, the narrator takes you through the dressing station, which is a makeshift hospital in the Assembly Hall. Here you find wounded soldiers, amputees, "some of them on camp beds, but most of them lying on the floor". Tolstoy also uses Sevastopol in December to introduce the reader to the settings, mannerisms, and background he uses in Sevastopol in May and Sevastopol in August. For example, when referring to the enemy, either the British or the French, only the French are featured in the Sketches; they are referred to as "'him', as both soldiers and sailors say" (Tolstoy 198).Sevastopol in May In Sevastopol in May, Tolstoy examines the senselessness and vanity of war. The story examines many aspects of the psychology of war, heroism, and the misleading presence of humanism in truces (misleading because countries continuously go to war with one another, despite past truces). Tolstoy concludes by declaring that the only hero of his story is truth.Sevastopol in AugustTolstoy during the Crimean War, c. 1854. Sevastopol in August depicts the conclusion of the siege of Sevastopol and the eventual defeat and withdrawal of the Russian forces. The narrative alternates between following Mikhail and Vladimir Kozeltsov, two brothers who both fight and eventually die for the Russian side of the conflict.

In the Sevastopol Sketches, Leo Tolstoy evocatively recollects his experiences at the Siege of Sevastopol in 1854-1855, over the course of three short stories. Although the trio of tales which comprise the Sevastopol Sketches are ostensibly fictional and written in the second person, they accurately recall Tolstoy's experiences as a young man witnessing the Crimean War. All three possess philosophical overtones, with the overarching theme being a vilification of war as a wasteful, senseless and foolish expenditure of human life. The Sevastopol Sketches establish Tolstoy as a pacifist who considered war to be one of the most depraved and lamentable events characterizing mankind. Years after publishing these sketches, Tolstoy would draw upon the Siege of Sevastopol as a critical supplement to the narrative of his epic novel - War and Peace.

Founded by Catherine the Great, the maritime city of Sevastopol has been fought over for centuries. Crucial battles of the Crimean War were fought on the hills surrounding the city, and the memory of this stalwart defense inspired those who fruitlessly battled the Germans during World War II. Twice the city has faced complete obliteration, yet twice it has risen, phoenix-like, from the ashes.In this groundbreaking volume, award-winning author Mungo Melvin explores how Sevastopol became the crucible of conflict over three major engagements--the Crimean War, the Russian Civil War, and World War II--witnessing the death and destruction of countless armies, yet creating the indomitable "spirit of Sevastopol." By weaving together first-hand interviews, detailed operational reports and battle analysis, Melvin manages to create a rich tapestry of history.

In late July 1941, Hitler ordered Army Group South to seize the Crimea as part of its operations to secure the Ukraine and the Donets Basin, in order to protect the vital Romanian oil refineries at Ploesti from Soviet air attack. After weeks of heavy fighting, the Germans breached the Soviet defenses and overran most of the Crimea. By November 1941 the only remaining Soviet foothold in the area was the heavily fortified naval base at Sevastopol. Operation Sturgeon Haul, the final assault on Sevastopol, was one of the very few joint service German operations of World War II, with two German corps and a Romanian corps supported by a huge artillery siege train, the Luftwaffe's crack VIII Flieger Korps and a flotilla of S-Boats provided by the Kriegsmarine. This volume closely examines the impact of logistics, weather and joint operational planning upon the last major German victory in World War II (1939-1945).

In the Sevastopol Sketches, Leo Tolstoy evocatively recollects his experiences at the Siege of Sevastopol in 1854-1855, over the course of three short stories. Although the trio of tales which comprise the Sevastopol Sketches are ostensibly fictional and written in the second person, they accurately recall Tolstoy's experiences as a young man witnessing the Crimean War. All three possess philosophical overtones, with the overarching theme being a vilification of war as a wasteful, senseless and foolish expenditure of human life. The Sevastopol Sketches establish Tolstoy as a pacifist who considered war to be one of the most depraved and lamentable events characterizing mankind. Years after publishing these sketches, Tolstoy would draw upon the Siege of Sevastopol as a critical supplement to the narrative of his epic novel - War and Peace.

Blood and Iron tells the story of one of the most dramatic campaigns of World War II, the German conquest of the Crimean Peninsula and the port of Sevastopol in 1941–42. Sevastopol was the world’s most strongly fortified city and home of the Soviet Black Sea fleet. As German forces penetrated deeper and deeper into Soviet Russia, their supply lines became vulnerable to attack from this Soviet stronghold on the Crimea. To remove the threat, Hitler sent one of his best field commanders, Col. Gen. Erich von Manstein, to lead the offensive. German forces, aided by Axis allies, fought a series of daring and bloody battles that nearly resulted in defeat. Manstein eventually outfoxed his Soviet opponents, and the campaign culminated in the epic siege of Sevastopol. To break Sevastopol’s formidable defenses, the Germans used massive siege guns, including the incredible 80cm “Dora,” the largest artillery piece ever constructed. With the fall of Sevastopol in July 1942, Hitler’s forces appeared to be well-positioned to deal the Soviets a knockout blow, but the war’s momentum would radically shift a few months later at Stalingrad. C. G. Sweeting’s account of this important but little-known campaign contains more than one hundred rare photographs and other illustrations, and his narrative brings to life the experiences of the soldiers who fought the battles. World War II buffs will appreciate his in-depth descriptions of German and Soviet weapons and equipment. This fast-paced, gripping history is essential reading for anyone interested in the war on the Eastern Front.

Take charge of Operation Barbarossa and drive towards Moscow or command the steadfast defenders of the Soviet Union. From the early battles for Leningrad and Sevastopol to the tank clash of Kursk and the bitter urban warfare of Stalingrad, this new theatre supplement for Bolt Action provides players with new scenarios and special rules that give them everything they need to focus their gaming on the Eastern Front.

Operation Barbarossa was the largest invasion in history. Almost 3.5 million men smashed into Stalin’s Red Army, reaching the gates of Leningrad, Moscow, and Sevastopol. But not all of this vast army was German; by the summer of 1942, over 500,000 were Romanians, Italians, Hungarians, Slovaks, and Croatians—Hitler’s Axis allies. As part of the German offensive that year, more than four allied armies advanced to the Don, only to be annihilated in the Red Army’s Saturn and Uranus winter offensives. Hundreds of thousands were killed, wounded, or captured, and the German Sixth Army was left dying in the rubble of Stalingrad. Poorly equipped and totally unprepared for the war, they were asked to fight. Drawing on first-hand accounts from veterans and civilians, as well as previously unpublished source material, this is the story of one of the greatest military disasters of World War II.

Take charge of Operation Barbarossa and drive towards Moscow or command the steadfast defenders of the Soviet Union. From the early battles for Leningrad and Sevastopol to the tank clash of Kursk and the bitter urban warfare of Stalingrad, this new theatre supplement for Bolt Action provides players with new scenarios and special rules that give them everything they need to focus their gaming on the Eastern Front.

After a surveillance mission in Sevastopol goes badly wrong, Stratton finds himself doing penance at MI16, the government's clandestine organisation that creates weapons equipment for special forces and the secret service. But Sevastopol has started something. In the North Sea a team of hijackers take over the giant Morpheus oil platform. They are demanding two billion dollars. Inside twenty-four hours. Or the bodies will start falling. With the SBS overstretched and its surveillance team locked down, there is only one option: Stratton and a team of unproven operatives from MI16. Stratton knows he has to redeem himself and he also has his own agenda. One of the men on the rig is an old friend. And Stratton intends to save him. But one of Stratton's team is not what they appear to be. A traitor. With a deadly agenda of their own. And Morpheus is just the beginning. This is the incendiary sixth thriller in the Stratton series by the UK's leading ex-SF professional.

Operation Barbarossa was the largest invasion in history. Almost 3.5 million men smashed into Stalin’s Red Army, reaching the gates of Leningrad, Moscow, and Sevastopol. But not all of this vast army was German; by the summer of 1942, over 500,000 were Romanians, Italians, Hungarians, Slovaks, and Croatians—Hitler’s Axis allies. As part of the German offensive that year, more than four allied armies advanced to the Don, only to be annihilated in the Red Army’s Saturn and Uranus winter offensives. Hundreds of thousands were killed, wounded, or captured, and the German Sixth Army was left dying in the rubble of Stalingrad. Poorly equipped and totally unprepared for the war, they were asked to fight. Drawing on first-hand accounts from veterans and civilians, as well as previously unpublished source material, this is the story of one of the greatest military disasters of World War II.

In 1854, a quarter of a million British soldiers headed east to fight in the Crimean War. Together with their French and Turkish allies, the goal was to destroy the Russian Navy, together with their naval and military facilities in Sevastopol, thus keeping them from the seizing control of the Black Sea and thence the Mediterranean. They succeeded, but not without considerable hardship, suffering and loss of life - over twenty-one thousand British men fell to enemy fire, accidents and disease. Many first-hand accounts of the war were penned by British officers, but few were written by the common soldiers, as most were illiterate. As such, this account by Private Richard Barnham offers a rare insight into the daily lives of the soldiers serving in the Crimea. The passages he recorded during the war are not always an easy read, detailing as they do many of the hardships of campaign life, the devastation of the cholera outbreak (which killed almost twice the number of those who died in battle) and the horrors of the military engagements. But Richard also gives great insight into the richness of the Crimean countryside and its people, together with the camaraderie of the soldiers themselves and the patriotic fervour that propelled such men to fight for their country.

AT HER SERVICE   Hugh D’Abernon, Marquis of Darley, was in Sevastopol for one reason only: to reconnoiter the town for the British Secret Service. So if he encounters a woman of unparalleled beauty in need of his help, he will do his duty and smartly escort her back to town—then continue on his way. He will not consider being diverted from the task at hand. No matter how tempting the lady...   Aurore Clement was unaccustomed to being so susceptible to a man’s good looks. From afar, prudence is simple enough, but in close proximity, it is quite a different matter. She would have to keep her distance and focus on more important concerns—like her work with the French command. But when the two meet again, there is no stopping the fierce passion that ignites between them...

Osprey's study of the Battle of Inkerman (1854), which was part of the Crimean War (1853-1856). On 5 November 1854 the Russians marched out of the besieged city of Sevastopol to throw off the allied British and French forces by mounting a joint attack with their troops from outside the city. Despite outnumbering their enemies five to one the Russians failed to achieve victory in what looked to be almost a foregone conclusion. The third major action of the Crimean War (following Alma and Balaclava), the battle fought in heavy fog at Inkerman proved to be a testament to the skill and initiative of the individual men and officers of the British Army of the day.

This is a classic account by one of the officers who took part in one of the great escapades of WWII. In 1943 W. Stanley Moss and Patrick Leigh-Fermor, both serving with Special Forces in the Middle East, decided on a plan to kidnap General Kreipe, Commander of the Sevastopol Division in Crete, and bring him back to Allied occupied Cairo. This is the story of their adventures, working with a fearsome band of partisans, as they daringly capture the General in an ambush and struggle to evade pursuing German troops in the mountainous Cretan landscape to reach their rendezvous for evacuation to safety.