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Solipsism Joep Beving - LP 028947974703

Limited LP version with bonus 12". Solipsism is an archival release of music from Mike Simonetti's tenure as owner of Italians Do It Better Records, spanning from 2006-2013. During that time Mike wrote a lot of music. Some of it was used for films, some for TV commercials, some for fashion shows and he even released a record or two. Influenced by the intersection of '80s arena rock bands like AC/DC and Judas Priest, glam rock/dance bands like Rockets and Supermax, and especially the underground

From our ongoing Global Classics Priority, Joep Beving, comes Solipsism for the first time available on CD! Solipsism was recorded at home in the still of night. The album is filled with introspective and often filmic piano compositions. Bevings sound could be described as the opposite to over-produced and complexly layered music styles. His ambition for Solipsism is to keep the music stripped back to its essence: simple sounds to express complex emotions. Solipsism refers to the philosophi

"The specter haunting modern philosophy is not the ghost in the machine: it is solipsism."

LP version. Solipsism is an archival release of music from Mike Simonetti's tenure as owner of Italians Do It Better Records, spanning from 2006-2013. During that time Mike wrote a lot of music. Some of it was used for films, some for TV commercials, some for fashion shows and he even released a record or two. Influenced by the intersection of '80s arena rock bands like AC/DC and Judas Priest, glam rock/dance bands like Rockets and Supermax, and especially the underground Italian producer Piero

Solipsism indicates an epistemological position that denies the existence of ‘others’ by asserting that the ‘self’ is the only thing that can be known to exist. For sophist philosophers, the belief that “we can not know anything, and even if we do so, we cannot communicate it” is central to this theory.  However, until now there has been little academic scholarship that has tried to provide answers to the pressing issues raised by solipsism. In Solipsist Ontology: Physical Things and Personal Perceptual Space, Ural aims to redefine solipsism by analyzing and elaborating on traditional philosophical problems, such as empiricism and rationalism, as well as discussing problems of language, communication, and meaning. Ural reveals where solipsism has been previously ignored, pseudo-problems have arisen that disguise the sources of the problems with prejudices that concern the philosophical problems in question. Notably, many current, as well as traditional problems of ontology, epistemology, and language are bound up in discourses of solipsism.  Ural argues that discarding solipsism as a philosophical discourse hinders new interpretations of traditional philosophical thought. This book offers a fresh perspective to solipsism by defining it in relation to concepts such as ‘physical things,’ ‘personal perceptual space’ and ‘identity.’ Importantly, Ural proposes that an understanding of ‘identity’ is not necessary in order to redefine solipsism. By building a logical system that fashions communication and solipsism as interrelated, it is possible to reject ‘identity’ as a useless concept and thus overcome the classic solipsist dilemma of “we are not able to communicate.”  This original piece of research is an important and timely contribution to the field of philosophy that will be of great interest to teachers, researchers, and students. 

Solipsism indicates an epistemological position that denies the existence of ‘others’ by asserting that the ‘self’ is the only thing that can be known to exist. For sophist philosophers, the belief that “we can not know anything, and even if we do so, we cannot communicate it” is central to this theory.  However, until now there has been little academic scholarship that has tried to provide answers to the pressing issues raised by solipsism. In Solipsist Ontology: Physical Things and Personal Perceptual Space, Ural aims to redefine solipsism by analyzing and elaborating on traditional philosophical problems, such as empiricism and rationalism, as well as discussing problems of language, communication, and meaning. Ural reveals where solipsism has been previously ignored, pseudo-problems have arisen that disguise the sources of the problems with prejudices that concern the philosophical problems in question. Notably, many current, as well as traditional problems of ontology, epistemology, and language are bound up in discourses of solipsism.  Ural argues that discarding solipsism as a philosophical discourse hinders new interpretations of traditional philosophical thought. This book offers a fresh perspective to solipsism by defining it in relation to concepts such as ‘physical things,’ ‘personal perceptual space’ and ‘identity.’ Importantly, Ural proposes that an understanding of ‘identity’ is not necessary in order to redefine solipsism. By building a logical system that fashions communication and solipsism as interrelated, it is possible to reject ‘identity’ as a useless concept and thus overcome the classic solipsist dilemma of “we are not able to communicate.”  This original piece of research is an important and timely contribution to the field of philosophy that will be of great interest to teachers, researchers, and students. 

Rae Langton here draws together her ground-breaking work on pornography and objectification. On pornography she argues from uncontroversial liberal premises to the controversial feminist conclusions that pornography subordinates and silences women, and that women have rights against pornography. On objectification she begins with the traditional idea that objectification involves treating a person as a thing, but then shows that it is through a kind of self-fulfilling projection of beliefs and perceptions of women as subordinate that women are made subordinate and treated as things. These controversial essays in feminist philosophy will be stimulating reading for anyone interested in the status of women in society.

Rae Langton here draws together her ground-breaking work on pornography and objectification. On pornography she argues from uncontroversial liberal premises to the controversial feminist conclusions that pornography subordinates and silences women, and that women have rights against pornography. On objectification she begins with the traditional idea that objectification involves treating a person as a thing, but then shows that it is through a kind of self-fulfilling projection of beliefs and perceptions of women as subordinate that women are made subordinate and treated as things. These controversial essays in feminist philosophy will be stimulating reading for anyone interested in the status of women in society.

Joep Beving "Prehension" New to the DG label, contemporary Dutch composer/pianist Joep Beving is already a leading streamed neoclassical artist with his first album Solipsism garnering 51 million streams worldwide since its release last year. His major label debut, Prehension, is sure to appeal to streaming fans with its warm and contemplative acoustic atmosphere.

Epistemology: New Essays offers a cutting-edge overview of the current state of the field. It presents twelve new essays from several of the philosophers who have most influenced the course of debates in recent years. The selections cover a wide range of topics including epistemic justification, solipsism, skepticism, and modal, moral, naturalistic, and probabilistic epistemology. In addition, the philosophers who pioneered such approaches as reliabilism, evidentialism, infinitism, and virtue epistemology further develop these perspectives in this volume.

The mall is so old school―these days kids are hanging out on YouTube, and depending on whom you ask, they're either forging the digital frontier or frittering away their childhoods in anti-intellectual solipsism. Kids on YouTube cuts through the hype, going behind the scenes to understand kids' everyday engagement with new media. Debunking the stereotype of the self-taught computer whiz, new media scholar and filmmaker Patricia G. Lange describes the collaborative social networks kids use to negotiate identity and develop digital literacy on the 'Tube. Her long-term ethnographic studies also cover peer-based and family-driven video-making dynamics, girl geeks, civic engagement, and representational ethics. This book makes key contributions to new media studies, communication, science and technology studies, digital anthropology, and informal education.

Joep Beving "Conatus" Streaming sensation Joep Beving releases Conatus, an album of reworks of pieces from his two albums, Solipsism and Prehension, by both acclaimed and up-and-coming artists, including five-time Grammy nominee Suzanne Ciani and Grammy-nominated CFCF (Michael Silver). Album also includes a rework of an as-yet-unreleased track from Bevings upcoming new album.

Epistemology: New Essays offers a cutting-edge overview of the current state of the field. It presents twelve new essays from several of the philosophers who have most influenced the course of debates in recent years. The selections cover a wide range of topics including epistemic justification, solipsism, skepticism, and modal, moral, naturalistic, and probabilistic epistemology. In addition, the philosophers who pioneered such approaches as reliabilism, evidentialism, infinitism, and virtue epistemology further develop these perspectives in this volume.

Available for the first time in 20 years, here are two important works from the 1920s by the best-known representative of the Vienna Circle. In The Logical Structure of the World, Carnap adopts the position of methodological solipsism” and shows that it is possible to describe the world from the immediate data of experience. In his Pseudoproblems in Philosophy, he asserts that many philosophical problems are meaningless.