13 products were found matching your search for Stifter in 1 shops:

Unread book in perfect condition.

Seiten; Sauber mit Gebrauchsspuren, Seiten und Bindung etwas abgenutzt. Knicke, Markierungen oder persönliche Notizen sind minimal (max. 5%). Arbeitsbuchantworten sind nicht ausgefüllt, Zusatzmaterialien (CDs, Zugangscodes) verwendbar. Möglicherweise Mängel- oder ausgebuchte Bibliotheksexemplare. Keine Post-Its. 9783222124228.3 Sprache: Deutsch Gewicht in Gramm: 2

Includes Adalbert Stifer's Preface to Many-Colored Stones, Granite and Limestone; Annette von Droste-Hulshoff's The Jews Beech; Jeremias Gotthelf's The Black Spider; Franz Grillparzer's The Poor Musician; and Eduard Morike's Mozart on the Way to Prague.

In Narratives Unsettled, Samuel Frederick proposes a new conception of narrativity that can accommodate unwieldy forms of digression. By way of close readings of three German-language writers from different historical periods, Frederick demonstrates that digression, far from being a non- or anti-narrative interruption, contributes to what makes these writers' works fundamentally narrative. In the process, the author counters several foundational assumptions of classical narratology, including the conviction--rooted in Aristotle--that narrative without plot is logically impossible, and that anything deviating from narrative's teleological imperative is either destructive or insignificant. Frederick's readings of the narrative experiments, utopian moments, and obsessions with the trivial in works by Walser, Bernhard, and Stifter point to new ways of approaching the ostensibly antinarrative as a productive element of narrativity. As a work that explores the often neglected crossroads of German studies and postclassical narratology, Narratives Unsettled will be of great interest to scholars in both of these fields, as well as to those working on literature and theory in general.

296 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. Guter Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature on spine. Good condition, some traces of use. 3929135132 Sprache: Deutsch Gewicht in Gramm: 650

This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Mühlbach, Friedrich Spielhagen, Louise von François, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth-century realism. The essays treat the following topics: Stifter's Brigitta and the lesson of realism; Mühlbach, Ranke, and the truth of historical fiction; regional histories as national history in Freytag's Die Ahnen; gender and nation in Louise von François's historical fiction; theory, reputation, and the career of Friedrich Spielhagen; Wilhelm Raabe and the German colonial experience; the poetics of work in Freytag, Stifter, and Raabe; Jewish identity in Berthold Auerbach's novels; Eugenie Marlitt's narratives of virtuous desire; the appeal of Karl May in the Wilhelmine Empire; Thomas Mann's portrayal of male-male desire in his early short fiction; and Fontane's Effi Briest and the end of realism. Contributors: Robert C. Holub, Brent O. Petersen, Lynne Tatlock, Thomas C. Fox, Jeffrey L. Sammons, John Pizer, Hans J. Rindisbacher, Irene S. Di Maio, Kirsten Belgum, Nina Berman, Robert Tobin, Russell A. Berman. Todd Kontje is professor of German at the University of California, San Diego.

This is one of Stifter’s great epic works, a most sensitive account of the formative years in the life of Heinrich, a student of natural sciences, born into a bourgeois environment, but influenced and gently guided by a nobleman, the old Baron von Risach. It is in fact the baron’s own reminiscences which give the book its title. Comparable in some ways to Gottfried Keller’s Der grüne Heinrich this novel, nevertheless, reflects Stifter’s own moral values, his ethical thinking and his deep reverence for nature.

This is one of Stifter’s great epic works, a most sensitive account of the formative years in the life of Heinrich, a student of natural sciences, born into a bourgeois environment, but influenced and gently guided by a nobleman, the old Baron von Risach. It is in fact the baron’s own reminiscences which give the book its title. Comparable in some ways to Gottfried Keller’s Der grüne Heinrich this novel, nevertheless, reflects Stifter’s own moral values, his ethical thinking and his deep reverence for nature.

This is one of Stifter’s great epic works, a most sensitive account of the formative years in the life of Heinrich, a student of natural sciences, born into a bourgeois environment, but influenced and gently guided by a nobleman, the old Baron von Risach. It is in fact the baron’s own reminiscences which give the book its title. Comparable in some ways to Gottfried Keller’s Der grüne Heinrich this novel, nevertheless, reflects Stifter’s own moral values, his ethical thinking and his deep reverence for nature.

Die Illusion des Ich. Westliche Wissenschaft und Zivilisation in der Krise. Versuch einer Neuorientierung. von Alan Watts (Autor), Wolfgang Stifter (Übersetzer) Alan Watts wurde im Jahre 1915 in England geboren. 1939 siedelte er in die USA über und wurde Professor für Theologie und Rektor an der Amerikanischen Akademie für Asiatische Studien. Intensiv beschäftigte er sich über Jahre hin mit Musik, Tanz und östlicher Philosophie. Dies, sowie ausgedehnte Studienreisen nach Japan ließen Alan W. Watts als einen der umfassenden Kenner des Zen-Buddhismus, aber auch der indischen und chinesischen Philosophie bekannt werden. In deutscher Sprache. 159 pages. 17,8 x 11,4 x 1,4 cm

This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Mühlbach, Friedrich Spielhagen, Louise von François, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth-century realism. The essays treat the following topics: Stifter's Brigitta and the lesson of realism; Mühlbach, Ranke, and the truth of historical fiction; regional histories as national history in Freytag's Die Ahnen; gender and nation in Louise von François's historical fiction; theory, reputation, and the career of Friedrich Spielhagen; Wilhelm Raabe and the German colonial experience; the poetics of work in Freytag, Stifter, and Raabe; Jewish identity in Berthold Auerbach's novels; Eugenie Marlitt's narratives of virtuous desire; the appeal of Karl May in the Wilhelmine Empire; Thomas Mann's portrayal of male-male desire in his early short fiction; and Fontane's Effi Briest and the end of realism. Contributors: Robert C. Holub, Brent O. Petersen, Lynne Tatlock, Thomas C. Fox, Jeffrey L. Sammons, John Pizer, Hans J. Rindisbacher, Irene S. Di Maio, Kirsten Belgum, Nina Berman, Robert Tobin, Russell A. Berman. Todd Kontje is professor of German at the University of California, San Diego.

This is one of Stifter's great epic works, a most sensitive account of the formative years in the life of Heinrich, a student of natural sciences, born into a bourgeois environment, but influenced and gently guided by a nobleman, the old Baron von Risach. It is in fact the baron's own reminiscences which give the book its title. Comparable in some ways to Gottfried Keller's Der grüne Heinrich this novel, nevertheless, reflects Stifter's own moral values, his ethical thinking and his deep reverence for nature.

David Stifter’s Sengoídelc (SHAN-goy-delth) provides a comprehensive introduction to Old Irish grammar and metrics. Ideally suited for use as a course text and as a guide for the independent learner, this exhaustive handbook is also an invaluable reference work for students of Indo-European philology and historical linguistics. The author’s step-by-step presentation in an engaging styles lead the novice through the idiosyncracies of the language, such as initial mutations and the double inflection of verbs. Filled with translation exercises based on selections from Old Irish texts, the book provides a practical introduction to the language and its rich history. Sengoídelc opens the door to the fascinating world of Old Irish literature, famous not only for such gems as the Táin Bó Cúailgne (The Cattle Raid of Cúailgne) or lyrical nature poetry but also as a major source for the political and legal history of Ireland.