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This book is focused on the objects and materials in the collection of the Bauhaus Dessau campus from all the phases of the renowned institution, including student works by Marianne Brandt, Josef Albers and Marcel Breuer, as well as works by Paul Klee, Wassily Kandinsky and Gunta Stölzl.The vast breadth of creation in the short-lived school's history is represented in works by Anni Albers, Alfred Arndt, Herbert Bayer, Max Bill, Franz Ehrlich, Friedrich Engemann, Lyonel Feininger, Carl Fieger, Walter Gropius, Ludwig Hirschfeld-Mack, Johannes Itten, Peter Keler, Benita Koch-Otte, Otto Lindig, Gerhard Marcks, Hannes Meyer, Ludwig Mies van der Rohe, Lucia Moholy, László Moholy-Nagy, Walter Peterhans, Grete Reichardt, Hajo Rose, Reinhold Rossig, Hinnerk Scheper, Oskar Schlemmer, Joost Schmidt and Wilhelm Wagenfeld.

Jacket is worn on edges, with a stain on front outer edge. Cover is worn on corners. Spine is shaken, but binding is secure. Inside is clean and unmarked.

Octavo, 207 pages, illustrated. A New copy.

240 S., 180 Abb., brosch., 23 x 31 cm in German. Der Behang gehört zu den bedeutendsten Zeugnissen früher Bibelillustration. In der Publikation wird er mit einer kunsthistorischen Erörterung sowie mit Beiträgen über die mal- und kunsttechnologische Untersuchung und die Restaurierung vorgestellt.

311 pages : chiefly colour illustrations ; 31 cm. Glossary in English and Chinese. The richly illustrated exhibition catalogue presents unique silk garments and accessories of the Liao-dynasty (907 1125). Questions regarding the coherence of the group of garments, their manner of wear and the person for whom they were originally intended are addressed. A separate chapter is devoted to the extensive conservation work and the insights gained from it. The significance of textiles of Liao culture and the present state of research are discussed in individual essays.

Gr.4°, Sprache Englisch,311 Seiten mit vielen Abbildungen, sehr guter Zustand

Text: English Introduction: French, German

The upsurge in publishing in the sixteenth century turned the Reformation into a media event, and printed products of every kind superseded the communication methods used thus far. Flyers were particularly successful in reaching their audiences as an easily affordable information medium. Renowned artists such as Hans Sebald Beham, Lucas Cranach Sr, Albrecht Dürer and Michael Ostendorfer produced the woodcuts for these single-sheet prints, which thematised the political, religious and societal happenings of the time. Portraits of protagonists, such as Luther and Karl V., but also fables and proverbs as well as reports on miracles and celestial phenomena, catastrophes and crime all found their platform in these pages. One of the largest collections of illustrated single-sheet prints in the Palace Museum of the Stiftung Schloss Friedenstein in Gotha provides a rich treasure trove of prints that informed the Reformation. The Gotha inventory of around 700 flyers from 1480 to 1599 is today considered unprecedented. Now for the first time it has been published in its entirety.Text in German.

Format Hardcover Subject Philosophy

4°, 225 S. mit 168 Abb., OPpbd. Tadellos.

520 pages : ill. 'Neben den monumentalen spätantiken Behängen, die zu den bekanntesten Kunstwerken im Besitz der Abegg-Stiftung zählen, präsentiert der Katalog viele bisher unveröffentlichte Objekte. Der reiche Bestand spiegelt die ikonographische und technische Vielfalt dieser frühen Textilien wider.'

Dating from 2015, this work was a commission from the London Philharmonic Orchestra, Stiftung Berliner Philharmoniker, Swedish RadioSymphony Orches...

Harald Genzmer hat seine Stiftung im Jahr 1992 gegrundet mit dem Zweck der Forderung der Neuen Musik. Dies geschieht durch die Verleihung von Preis...

The Glass of the Architects: Vienna 1900-1937 is the second exhibition dedicated to international developments in 20th-century glass, after Glass from Finland in the Bischofberger Collection. The exhibitions are part of the “Le Stanze del Vetro” project jointly run by the Fondazione Giorgio Cini and Pentagram Stiftung for the purpose of studying and promoting the art of glassmaking in the 20th and 21st centuries.Published on the occasion of the exhibition in Venice, this volume presents over 300 works from the collection of the MAK Austrian Museum of Applied Arts / Contemporary Art in Vienna and private collections. It focuses for the first time on the history of glassmaking in Austria from 1900 to 1937, a period spanning the last decades of the Austro-Hungarian Empire and the First Republic.In the early 20th century a group of young architects, designers, and fine arts and architecture students developed a special interest in the process of glassmaking. Many of them were to win fame as leading figures in Viennese Modernism, such as Josef Hoffmann (1870-1956), Koloman Moser (1868-1918), Joseph Maria Olbrich (1867-1908), Leopold Bauer (1872-1938), Otto Prutscher (1880-1949), Oskar Strnad (1879-1935), Oswald Haerdtl (1899-1959) and Adolf Loos (1870-1933). They paved the way to the first pioneering developments in 20th-century glass production as they worked with the furnaces in order to gain a thorough understanding of the material. The collaboration between architects and designers and the introduction of their innovations to production created the style of Viennese Glass, found in new projects such as the Wiener Werkstätte or the Austrian Werkbund.

First Edition, First Printing. Published by Stiftung Niedersachsen, 1999. Quarto. Pictorial boards. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Boards have very light shelf wear. 123 pages. ISBN: 3883753963. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Studienarbeit aus dem Jahr 2009 im Fachbereich Geschichte Europa - Deutschland - Nachkriegszeit, Kalter Krieg, Note: 1,0, Universität Hildesheim (Stiftung) (Geschichte), Sprache: Deutsch, Abstract: Im Friedensvertrag von Versailles diktierten die Siegermächte der Friedensdelegation des unterlegenen Deutschen Reichs Gebietsabtretungen, weitgehende Entwaffnung und Reparationsleistungen auf. Die Siegermächte leiteten diese Berechtigung insbesondere aus der vermeintlichen, aus ihrer Sicht allerdings unzwei¬felhaften Alleinschuld Deutschlands am Ausbruch des Krieges ab un nehmen gar den sogenannten Kriegsschuldartikel (Art. 231) in den Versailler Vertrag auf.

'..".gedankenreichen, schvn edierten Band...'Henryk Kupiszewski, "Zeitschrift der Savigny-Stiftung f]r Rechtsgeschichte, 1993.'"...gedankenreichen, schon edierten Band..."' Henryk Kupiszewski, "Zeitschrift der Savigny-Stiftung fur Rechtsgeschichte", 1993."'."..gedankenreichen, schon edierten Band..."' Henryk Kupiszewski, "Zeitschrift der Savigny-Stiftung fur Rechtsgeschichte," 1993."'...gedankenreichen, schon edierten Band...' Henryk Kupiszewski, Zeitschrift der Savigny-Stiftung fur Rechtsgeschichte, 1993."

Color illustrated wraps with black letterings, 110 pp, profusely illustrated in mostly color. Catalog of an exhibition at the Kunsthalle in Emden, Stiftung Henri und Eske Nannen, Feb. 1-Apr. 13, 1997; the Von der Heydt-Museum Wuppertal in der Kunsthalle Barmen im Haus der Jugend, Apr. 20-June 1, 1997; and the Daniel-Pöppelmann-Haus Herford, June 14-Aug. 10, 1997. Includes bibliographical references (pages 109-110). VG (corners bumped, light shelfwear)

Hrsg. für die Stiftung Bauhaus Dessau von Lutz Schöbe, Wolfgang Thöner und Claudia Perren. Mit Texten von Peter Bernhard, Torsten Blume, Alexander Farenholtz, Monika Markgraf, Lutz Schöbe, Josipa Spehar, Wolfgang Thöner, Hortensia Völckers und Sylvia Ziegner. Übersetzung: James Bell, Cressida Joyce, Amy Klement, Wendy Wallis und Rebecca Michelle Williams. In diesem Band wird die zweitgrößte Bauhaussammlung weltweit umfassend präsentiert. Gezeigt werden Objekte aus allen Phasen und Bereichen der berühmten Institution, wie Schülerarbeiten von Marianne Brandt, Josef Albers oder Marcel Breuer und Werke von Paul Klee, Wassily Kandinsky oder Gunta Stölzl. Auch Gegenstände und Materialien der in Dessau befindlichen Bauhausbauten werden gezeigt: des Bauhausgebäudes, der Meisterhäuser, des Arbeitsamtes sowie der Siedlung Dessau-Törten. Darüber hinaus stellt der Band eine Einführung in die Geschichte und Entwicklung der Schule dar. Gezeigt werden Künstler wie Anni Albers, Josef Albers, Alfred Arndt, Herbert Bayer, Max Bill, Marianne Brandt, Marcel Breuer, Franz Ehrlich, Friedrich Engemann, Lyonel Feininger, Carl Fieger, Walter Gropius, Ludwig Hirschfeld-Mack, Johannes Itten, Wassily Kandinsky, Peter Keler, Paul Klee, Benita Koch-Otte, Otto Lindig, Gerhard Marcks, Hannes Meyer, Ludwig Mies van der Rohe, Lucia Moholy, László Moholy-Nagy, Walter Peterhans, Grete Reichardt, Hajo Rose, Reinhold Rossig, Hinnerk Scheper, Oskar Schlemmer, Joost Schmidt, Lotte Stam-Beese, Gunta Stölzl, Otto Umbehr und Wilhelm Wagenfeld. 519 Seiten mit 456 Farb- und 88 s/w-Abb., Großformat, Leinen (Kerber Culture/Edition Bauhaus; Band 55/Kerber Verlag 2019) oberer Teil des Einbandes nachgedunkelt, Schutzumschlag zur Schnittkante abgeschnitten. Früher EUR 59,00. Gewicht: 2549 g - Gebunden/Gebundene Ausgabe - Sprache: Deutsch

The Glass of the Architects: Vienna 1900-1937 is the second exhibition dedicated to international developments in 20th-century glass, after Glass from Finland in the Bischofberger Collection. The exhibitions are part of the “Le Stanze del Vetro” project jointly run by the Fondazione Giorgio Cini and Pentagram Stiftung for the purpose of studying and promoting the art of glassmaking in the 20th and 21st centuries.Published on the occasion of the exhibition in Venice, this volume presents over 300 works from the collection of the MAK Austrian Museum of Applied Arts / Contemporary Art in Vienna and private collections. It focuses for the first time on the history of glassmaking in Austria from 1900 to 1937, a period spanning the last decades of the Austro-Hungarian Empire and the First Republic.In the early 20th century a group of young architects, designers, and fine arts and architecture students developed a special interest in the process of glassmaking. Many of them were to win fame as leading figures in Viennese Modernism, such as Josef Hoffmann (1870-1956), Koloman Moser (1868-1918), Joseph Maria Olbrich (1867-1908), Leopold Bauer (1872-1938), Otto Prutscher (1880-1949), Oskar Strnad (1879-1935), Oswald Haerdtl (1899-1959) and Adolf Loos (1870-1933). They paved the way to the first pioneering developments in 20th-century glass production as they worked with the furnaces in order to gain a thorough understanding of the material. The collaboration between architects and designers and the introduction of their innovations to production created the style of Viennese Glass, found in new projects such as the Wiener Werkstätte or the Austrian Werkbund.