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Since the mid-nineteenth century, artists have compulsively rejected received ideas in order to test and subvert morality, law, society, and even art itself. But what happens when all boundaries have been crossed, all taboos broken, all limits violated?Transgressions is the first book to address this controversial subject. Here Anthony Julius traces the history of subversion in art from the outraged response to Manet's Le Déjeuner sur l'Herbe to the scandal caused by the grant programs of the National Endowment for the Arts a century and a half later. Throughout the book, and supported by the work of such artists as Marcel Duchamp, the Chapman brothers, Andres Serrano, Damien Hirst, Gilbert & George, Paul McCarthy, Jeff Koons, Hans Haacke, and Anselm Kiefer, Julius shows how the modern period has been characterized by three kinds of transgressive art: an art that perverts established art rules; an art that defiles the beliefs and sentiments of its audience; and an art that challenges and disobeys the rules of the state.The evidence assembled, Julius concludes his hard-hitting dissection of the landscapes of contemporary art by posing some important questions: what is art's future when its boundary-exceeding, taboo-breaking endeavors become the norm? And is anything of value lost when we submit to art's violation?Transgressions is not a comfortable—still less a comforting—read, but it has a powerful urgency that makes it an essential document for anyone involved in our cultural life at the beginning of the twenty-first century.

"In this dark, when we all talk at once, some of us must learn to whistle" In this comprehensive collection of his work, Craig Keen's voice emerges as that of a theologian who has indeed learned to whistle. In a day when much of what passes for academic "theology" is careful to maintain a safe distance from any determinate act of faith or work of praise, Keen evinces a single-minded determination to think and to speak, to write and to live doxologically. And whether writing or lecturing, teaching or conversing, Keen understands theology to be nothing less than an invitation to work out one's faith with fear and trembling. Throughout this volume Keen argues that the life, death, and resurrection of Jesus disrupt all metaphysical attempts to determine the reality of "God" and suggests instead that theology is to be done liturgically and eucharistically-as the work of a people whose labor is carried out with open hands, free from all attempts to grasp and control. Keen discusses doctrinal issues-the Trinity, incarnation, creation-as well as a number of critical theological concerns-church and culture, justice, holiness, Christian education-in this light. The result is a profound set of reflections on the ways in which the word of the cross simultaneously transgresses our constructions of "God" and gives us to live transgressively in love.

New York Times bestsellers and thriller legends John Farris and Stephen King each provided a brand-new, never-before-published tale for this unique collection of stories edited by New York Times bestselling author and mystery legend Ed McBain.The Ransome Women by John Farris: A psychological thriller that questions the role beauty plays in society and the cult of celebrity. A young and beautiful, starving artist catches a break when her idol, the reclusive portraitist John Ransome offers her a lucrative modeling contract. But how long will her excitement last when she discovers the fate shared by all Ransome's past subjects? The Things They Left Behind by Stephen King: A hauntingly moving tale of survival guilt in New York City after 9/11. Scott Staley called in sick for his job at the World Trade Center that Tuesday morning. Now in the aftermath of 9/11, he must face his guilty conscience as he begins to find the things his deceased coworkers left behind.

A contemporary philosopher of Tunisian origin, Mehdi Belhaj Kacem is here published in English for the first time. His new book, Transgression and the Inexistent: A Philosophical Vocabulary, is a comprehensive foray into Kacem's elaborate philosophical system in twenty-seven discreet chapters, each dedicated to a single concept. In each chapter, he explicates a critical re-thinking of ordinary lived experiences - such as desire, irony, play - or traditional philosophical ideas – such as catharsis, mimesis, techne – in light of 'the spirit of nihilism' that marks the contemporary human condition. Kacem gained notoriety in the domain of critical theory amid his controversial break with his mentor and leading contemporary philosopher, Alain Badiou. Transgression and the Inexistent lays out the essential concepts of his philosophical system: it is the most complete and synthetic book of his philosophical work, as well as being one of the most provocative in its claims. As a Francophone author engaging with contemporary world thought, he is able to develop novel philosophical perspectives that reach beyond the Middle East or the Continental, and the East/West binary. This is the book's first publication in any language, constituting a much-awaited first translation of Kacem into English.

"In this dark, when we all talk at once, some of us must learn to whistle" In this comprehensive collection of his work, Craig Keen's voice emerges as that of a theologian who has indeed learned to whistle. In a day when much of what passes for academic "theology" is careful to maintain a safe distance from any determinate act of faith or work of praise, Keen evinces a single-minded determination to think and to speak, to write and to live doxologically. And whether writing or lecturing, teaching or conversing, Keen understands theology to be nothing less than an invitation to work out one's faith with fear and trembling. Throughout this volume Keen argues that the life, death, and resurrection of Jesus disrupt all metaphysical attempts to determine the reality of "God" and suggests instead that theology is to be done liturgically and eucharistically-as the work of a people whose labor is carried out with open hands, free from all attempts to grasp and control. Keen discusses doctrinal issues-the Trinity, incarnation, creation-as well as a number of critical theological concerns-church and culture, justice, holiness, Christian education-in this light. The result is a profound set of reflections on the ways in which the word of the cross simultaneously transgresses our constructions of "God" and gives us to live transgressively in love.

Transgression is truly a key idea for our time. Society is created by constraint and boundaries, but as our culture is increasingly subject to uncertainty and flux we find it more and more difficult to determine where those boundaries lie. In this fast moving study, Chris Jenks ranges widely over the history of ideas, the major theorists, and the significant moments in the formation of the idea of transgression. He looks at the definition of the social and its boundaries by Durkheim, Douglas and Freud, at the German tradition of Hegel and Nietzsche and the increasing preoccupation with transgression itself in Baudelaire, Bataille and Foucault. The second half of the book looks at transgression in action in the East End myth of the Kray twins, in Artaud's theatre of cruelty, the spectacle of the Situationists and Bakhtin's analysis of carnival. Finally Jenks extends his treatment of transgression to its own extremity.

A contemporary philosopher of Tunisian origin, Mehdi Belhaj Kacem is here published in English for the first time. His new book, Transgression and the Inexistent: A Philosophical Vocabulary, is a comprehensive foray into Kacem's elaborate philosophical system in twenty-seven discreet chapters, each dedicated to a single concept. In each chapter, he explicates a critical re-thinking of ordinary lived experiences - such as desire, irony, play - or traditional philosophical ideas – such as catharsis, mimesis, techne – in light of 'the spirit of nihilism' that marks the contemporary human condition. Kacem gained notoriety in the domain of critical theory amid his controversial break with his mentor and leading contemporary philosopher, Alain Badiou. Transgression and the Inexistent lays out the essential concepts of his philosophical system: it is the most complete and synthetic book of his philosophical work, as well as being one of the most provocative in its claims. As a Francophone author engaging with contemporary world thought, he is able to develop novel philosophical perspectives that reach beyond the Middle East or the Continental, and the East/West binary. This is the book's first publication in any language, constituting a much-awaited first translation of Kacem into English.

Since the mid-nineteenth century, artists have compulsively rejected received ideas in order to test and subvert morality, law, society, and even art itself. But what happens when all boundaries have been crossed, all taboos broken, all limits violated?Transgressions is the first book to address this controversial subject. Here Anthony Julius traces the history of subversion in art from the outraged response to Manet's Le Déjeuner sur l'Herbe to the scandal caused by the grant programs of the National Endowment for the Arts a century and a half later. Throughout the book, and supported by the work of such artists as Marcel Duchamp, the Chapman brothers, Andres Serrano, Damien Hirst, Gilbert & George, Paul McCarthy, Jeff Koons, Hans Haacke, and Anselm Kiefer, Julius shows how the modern period has been characterized by three kinds of transgressive art: an art that perverts established art rules; an art that defiles the beliefs and sentiments of its audience; and an art that challenges and disobeys the rules of the state.The evidence assembled, Julius concludes his hard-hitting dissection of the landscapes of contemporary art by posing some important questions: what is art's future when its boundary-exceeding, taboo-breaking endeavors become the norm? And is anything of value lost when we submit to art's violation?Transgressions is not a comfortable—still less a comforting—read, but it has a powerful urgency that makes it an essential document for anyone involved in our cultural life at the beginning of the twenty-first century.

This volume brings together an innovative set of readings of complex interactions between Australian Aboriginal people and colonisers. The underlying theme is that of 'transgression', and Michel Foucault's account of the necessary dynamic that exists between transgression and limit. We know what constitutes the limit, not by tracing or re-stating the boundaries, but by crossing over them. By exploring the mechanisms by which limits are set and maintained, unexamined cultural assumptions and dominant ideas are illuminated. We see the expectations and the structures that inform and support them revealed, often as they unravel. Such illuminations and revelations are at the core of the Australian Indigenous histories presented in this collection.

Transgression is truly a key idea for our time. Society is created by constraint and boundaries, but as our culture is increasingly subject to uncertainty and flux we find it more and more difficult to determine where those boundaries lie. In this fast moving study, Chris Jenks ranges widely over the history of ideas, the major theorists, and the significant moments in the formation of the idea of transgression. He looks at the definition of the social and its boundaries by Durkheim, Douglas and Freud, at the German tradition of Hegel and Nietzsche and the increasing preoccupation with transgression itself in Baudelaire, Bataille and Foucault. The second half of the book looks at transgression in action in the East End myth of the Kray twins, in Artaud's theatre of cruelty, the spectacle of the Situationists and Bakhtin's analysis of carnival. Finally Jenks extends his treatment of transgression to its own extremity.

Debut full-length album by Polish/Irish Death Metal band. Hybrid of technique, melody and aggression embodied in inhuman speed. Mixture of Death and Thrash Metal bringing out the best in each genre over the course of 9 songs! Recommended for fans of: Morbid Angel, Nile, Hate Eternal, Pestilence, Vader, Sarcofago and more!!

Caught in the middle of political unrest on Patria I, Captain Kirk and the crew of the U.S.S. "Enterprise" must fight for their lives amidst a deadly group of terrorists and the Patrian telepathic police force

From pornography to autobiography, from the Cold War to the sexual revolution, from rural roots and mythologies to the queer meccas of Vancouver, Toronto, and Montreal, The Romance of Transgression in Canada is a history of sexual representation on the large and small screen in English Canada and Quebec. Thomas Waugh identifies the queerness that has emerged at the centre of our national sex-obsessed cinema, filling a gap in the scholarly literature. In Part One he explores the explosive canon of artists such as Norman McLaren, Claude Jutra, Colin Campbell, Paul Wong, John Greyson, Patricia Rozema, Lea Pool, Bruce Labruce, Esther Valiquette, Marc Paradis, and Mirha-Soleil Ross. Part Two is an encyclopaedia of short essays covering 340 filmmakers, video artists, and institutions. The Romance of Transgression in Canada is both a scholarly account and a celebration of Canadian LGBTQ films - moving images that have scandalized conservative politicans, but are the envy of queer cultural festivals around the world.

This volume deals with the female dynasty of the House of David and its influence on the Jewish Messianic Myth. It provides a missing link in the chain of research on the topic of messianism and contributes to the understanding of the connection between female transgression and redemption, from the Bible through Rabbinic literature until the Zohar. The discussion of the centrality of the mother image in Judeo-Christian culture and the parallels between the appearance of Mary in the Gospels and the Davidic Mothers in the Hebrew Bible, stresses mutual representations of "the mother of the messiah" in Christian and Jewish imaginaire. Through the prism of gender studies and by stressing questions of femininity, motherhood and sexuality, the subject appears in a new light. This research highlights the importance of intertwining Jewish literary study with comparative religion and gender theories, enabling the process of filling in the ‘mythic gaps’ in classical Jewish sources. The book won the Pines, Lakritz and Warburg awards.

This commentary on the action and argument of Sophocles' Antigone is meant to be a reflection on and response to Hegel's interpretation in the Phenomenology (VI.A.a-b), and includes, in addition, two appendixes dealing with Aeschylus' Septem. It thus moves within the principles Hegel discovers in the play but reinserts them into the play as they show themselves across the eccentricities of its plot. Wherever plot and principles do not match, there is a glimmer of the argument: Haemon speaks up for the city and Tiresias for the divine law but neither for Antigone. The guard who reports the burial and presents Antigone to Creon is as important as Antigone or Creon for understanding Antigone. The Chorus too in their inconsistent thoughtfulness have to be taken into account, and in particular how their understanding of the canniness of man reveals Antigone in their very failure to count her as a sign of man's uncanniness: She who is below the horizon of their awareness is at the heart of their speech. Megareus, the older son of Creon, who sacrificed his life for the city, looms as large as Eurydice, whose suicide has nothing in common with Antigone's. She is "all-mother": Antigone is anti-generation.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.52

Transgression suggests operating beyond accepted norms and radically reinterpreting practice by pushing at the boundaries of both what architecture is, and what it could or even should be. The current economic crisis and accompanying political/social unrest has exacerbated the difficulty into which architecture has long been sliding: challenged by other professions and a culture of conservatism, architecture is in danger of losing its prized status as one of the pre-eminent visual arts. Transgression opens up new possibilities for practice. It highlights the positive impact that working on the architectural periphery can make on the mainstream, as transgressive practices have the potential to reinvent and reposition the architectural profession: whether they are subverting notions of progress; questioning roles and mechanisms of production; aligning with political activism; pioneering urban interventions; advocating informal or incomplete development; actively destabilising environments or breaking barriers of taste. In this new dispersed and expanded field of operation, the balance of architectural endeavour is shifted from object to process, from service to speculation, and from formal to informal in a way that provides both critical and political impetus to proactively affect change. Contributors: Can Altay, Edward Denison and Guangyu Ren, Kim Dovey, Chris Jenks, David Littlefield, Silvia Loeffler, Alistair Parvin, Louis Rice, Patrik Schumacher and Robin Wilson Featured architects: atelier d’architecture autogérée, Lina Bo Bardi, Construire/La Machine, EXYZT, Didier Faustino/Bureau des Mésarchitectures, Lacaton & Vassal, N55, Catie Newell/*Alibi Studio, Wang Shu, Superflex and Bernard Tschumi

Brandon has had a rough day. His boss fired him and nearly murdered his wife. But will Brandon's revenge really bring him peace? This tale is an exploration of the logic of revenge - in what circumstance is violence justified?

Book is in NEW condition. 0.52

Unread book in perfect condition.