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The world of maps of the world in the Middle Ages is fascinating. This volume includes individual examinations and illustrations of numerous mappae mundi. German text.

This little book takes a unique approach relying on inspiration from a different source, six classics of spiritual literature--three modern, three many centuries old . . . There are enough meditations here to cover the longest possible Advent . . . Follow the quotations, the meditation, and/or the little prayer for each day wherever they may lead you.

Wie hat die Luftwaffe die politisch-strategischen Zusammenhänge beeinflusst und wie die operativ-taktischen Vorgänge auf der Erde und zur See im Einzelnen bestimmt? Diese Kriterien haben - wie beim umfassenden Charakter des Luftkrieges nicht anders möglich - die Untersuchung zu einer weitgespannten Darstellung aller Aspekte und Abläufe im Mittelmeer werden lassen. Koalitionspolitische Probleme, zwischenmenschliche Beziehungen und Führungsfragen der Wehrmachtteile wurden dabei ebensowenig vergessen, wie der Einfluss, den der Luftkrieg im Mittelmeer schliesslich auf den Niedergang der Luftwaffe als Ganzes genommen hat.

Athenäum, Frankfurt am Main, 1988. 328p. Hard bound. Series: Beiträge zur klassischen Philologie, Band 188. 'Hammerstaedt?s monograph presents the sixteen surviving fragments of Oenomaus? ?goeton phora? (?) and one further unassigned fragment from Julian, together with extensive commentary, four appendixes on particular textual difficulties, bibliography, list of variant readings, concordance of oracles, and indexes of quotations and proper names. There is much here to be welcomed. H. and his publishers have performed a real service in making the fragments of Oenomaus available in an accessible form (?). Good use has been made of editorial work on Eusebius to present the text of the fragments in a more informative way than has been done before. And the notes too contain much useful matter: H. has worked his way very carefully through the wording and thought of the fragments, and in many places succeeds in correcting lax or mistaken interpretations on the part of his predecessors; his discussion of textual problems are full if not always decisive; he is assiduous in his collection of parallel passages; and he has made good use of recent work on Delphic and other oracles. It is all the more to be regretted that the overall impression given is that of a study released prematurely, and therefore failing to be as useful or as elegant as it could have been.? (M.B. TRAPP in The classical Review (New Series), 1990, pp.18-19). Antiquarian

2 Bde. 8vo. XI, 514; VII, (515-) 1089 S. Originale Verlagsleinen. (Ius Commune. Veröffentlichungen des Max-Planck-Instituts für Europäische Rechtsgeschichte, Frankfurt am Main. Sonderhefte, Texte und Monographien, 23: Repertorien zur Frühzeit der gelehrten Rechte). Beim Verlag vergriffen!

The classic crime novel featuring blind detective Max Carrados, whose popularity rivalled that of Sherlock Holmes, complete with a new introduction and an extra short story.In his dark little curio shop Julian Joolby is weaving an extravagant scheme to smash the financial machinery of the world by flooding the Oriental market with forged banknotes. But this monster of wickedness has not reckoned on Max Carrados, the suave and resourceful investigator whose visual impairment gives him heightened powers of perception that ordinary detectives overlook.Max Carrados was a blind detective whose stories by Ernest Bramah appeared from 1914 alongside Sherlock Holmes in the Strand Magazine, in which they often had top billing. Described by George Orwell as among ‘the only detective stories since Poe that are worth re-reading’, the 25 stories were collected in three hugely popular volumes, culminating in a full-length novel, The Bravo of London (1934), in which Carrados engages in a battle of wits against a fiendish plot that threatens to overthrow civilisation itself.This Detective Club classic is introduced by Tony Medawar, who investigates the impact on the genre of Bramah’s blind detective and the relative obscurity of this, the only Max Carrados novel. This edition also includes the sole uncollected short story ‘The Bunch of Violets’.As well as on the page, the Max Carrados stories have been a firm favourite on television and film, played over the years by (among others) Robert Stephens, Simon Callow and Pip Torrens, and read on audio by Arthur Darvill and Stephen Fry.

Veröffentlichungen der Bibliotheca Hertziana (Max-Planck-Institut) in Rom. Hrsg. von Christoph Luitpold Frommel und Matthias Winner. Redaktion: Christof Thoenes und Julian Kliemann. Neun Aufsätze, davon vier in englischer Sprache. 369 Seiten mit 267 Abb., Großformat, Leinen (Römisches Jahrbuch der Bibliotheca Hertziana; Band 29/Wasmuth Verlag 1994). Früher EUR 151,50. Gewicht: 2455 g - Gebunden/Gebundene Ausgabe - Sprachen: Deutsch, Englisch

Meinem Kinde, German soprano Ute Ziemer's third album, brings into focus the theme of the child. Joined by pianist Julian Riem, an equal master of the song repertoire, Ms. Ziemer performs romantic works from the Volks-Kinderlieder by Johannes Brahms, Robert Schumann, Max Reger and Hugo Wolf, as well as other selected children's songs and lullabies by W.A. Mozart, Franz Schubert and Felix Mendelssohn-Bartholdy. Also included are less well-known children's songs and lullabies by Hermann Zilcher, Y