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This is a biography of one of the most original and one of the least understood seminal writers of the Baroque world, Jacob Boehme.In a period tormented by mysteries and controversies, Boehme’s visionary mysticism responded to the vexing quandaries confronting his contemporaries. His concerns included the apocalyptic religious disputes of his day, the havoc wrought by the Thirty Years’ War in his region, the disintegration of the Old Middle European order, the rise of new cosmic models from avant-garde heliocentrism to obscure esoteric theories, and his endeavor to express by means of codes and symbols a new sense of the human, divine, and natural realms.

Color/finish: multi Measures 9in long x 9in wide x 28in high Base: metal and resin; antique golden bronze finish Shade: multi hand rolled art glass (tiffany) Shade measures 9in deep x 6in high Requires 1 Med Base - E26 bulbs Installation hardware included UL approved Imported

Inspired by French Art Nouveau artist Emile Galle, this elegant buffet lamp, from our Boehme family will add a touch of 19th century French artistry to your home. The shade is double overlaid and etched in earthy green, yellow, orange, pink and beige tones set in a classic French fleur de lis pattern with a textured amber border and art glass jewel accents throughout. The uplit shade sits atop an artistically scrolled wrought iron base that is accented with a large amber art glass orb. Beautiful when displayed alone, this buffet lamp is simply magnificent when displayed in pairs on an elegant buffet, console or mantle.

Master violin Designed by master luthier Thomas Boehme "Made in Germany" Stradivari model Hand selected, nicely flamed sycamore back Solid s...

Master Cello Designed by master luthier Thomas Boehme "Made in Germany" Montagnana-model Hand selected, nicely flamed sycamore maple back Ma...

This is a biography of one of the most original and one of the least understood seminal writers of the Baroque world, Jacob Boehme.In a period tormented by mysteries and controversies, Boehme’s visionary mysticism responded to the vexing quandaries confronting his contemporaries. His concerns included the apocalyptic religious disputes of his day, the havoc wrought by the Thirty Years’ War in his region, the disintegration of the Old Middle European order, the rise of new cosmic models from avant-garde heliocentrism to obscure esoteric theories, and his endeavor to express by means of codes and symbols a new sense of the human, divine, and natural realms.

This is a biography of one of the most original and one of the least understood seminal writers of the Baroque world, Jacob Boehme.In a period tormented by mysteries and controversies, Boehme’s visionary mysticism responded to the vexing quandaries confronting his contemporaries. His concerns included the apocalyptic religious disputes of his day, the havoc wrought by the Thirty Years’ War in his region, the disintegration of the Old Middle European order, the rise of new cosmic models from avant-garde heliocentrism to obscure esoteric theories, and his endeavor to express by means of codes and symbols a new sense of the human, divine, and natural realms.

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Illumination on Jacob Boehme: The Work of Dionysius Andreas Freher 0.67

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Argues that the discourse of Jacob Boehme represents the return of Gnostic thought in modernity after a thousand year hiatus.Jacob Boehme, the seventeenth-century German speculative mystic, influenced the philosophers Hegel and Schelling and both English and German Romantics alike with his visionary thought. Gnostic Apocalypse focuses on the way Boehme’s thought repeats and surpasses post-reformation Lutheran thinking, deploys and subverts the commitments of medieval mysticism, realizes the speculative thrust of Renaissance alchemy, is open to esoteric discourses such as the Kabbalah, and articulates a dynamic metaphysics. This book critically assesses the striking claim made in the nineteenth century that Boehme’s visionary discourse represents within the confines of specifically Protestant thought nothing less than the return of ancient Gnosis. Although the grounds adduced on behalf of the “Gnostic return” claim in the nineteenth century are dismissed as questionable, O’Regan shows that the fundamental intuition is correct. Boehme’s visionary discourse does represent a return of Gnosticism in the modern period, and in this lies its fundamental claim to our contemporary philosophical, theological, and literary attention.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Argues that the discourse of Jacob Boehme represents the return of Gnostic thought in modernity after a thousand year hiatus.Jacob Boehme, the seventeenth-century German speculative mystic, influenced the philosophers Hegel and Schelling and both English and German Romantics alike with his visionary thought. Gnostic Apocalypse focuses on the way Boehme’s thought repeats and surpasses post-reformation Lutheran thinking, deploys and subverts the commitments of medieval mysticism, realizes the speculative thrust of Renaissance alchemy, is open to esoteric discourses such as the Kabbalah, and articulates a dynamic metaphysics. This book critically assesses the striking claim made in the nineteenth century that Boehme’s visionary discourse represents within the confines of specifically Protestant thought nothing less than the return of ancient Gnosis. Although the grounds adduced on behalf of the “Gnostic return” claim in the nineteenth century are dismissed as questionable, O’Regan shows that the fundamental intuition is correct. Boehme’s visionary discourse does represent a return of Gnosticism in the modern period, and in this lies its fundamental claim to our contemporary philosophical, theological, and literary attention.

Une apparition miraculeuse dans l'histoire de l'humanite et particulierement dans celle de l'esprit allemand: c'est en ces termes que Schelling, dans sa Philosophie de la Revelation, salue la figure de Jacob Boehme. Si l'on reconnait aujourd'hui a l'oeuvre du celebre cordonnier-philosophe une influence majeure sur le destin de la metaphysique allemande, la pensee du premier philosophe allemand, comme l'appelle Hegel dans son Histoire de la philosophie, demeure encore pour nous deroutante et au premier abord insaisissable. Or, a travers l'etude chronologique des principales oeuvres de Boehme (L'Aurore naissante; Les trois principes de l'essence divine; La triple vie de l'homme; etc.), c'est cette coherence et cette unite souvent tenues pour incertaines que le grand historien Alexandre Koyre parvient a retrouver dans la doctrine de Boehme. Pour le dire d'un mot, c'est la reprise du double probleme de l'existence du mal et de la nature des rapports de Dieu au monde, qui se revele etre le fil conducteur de la theosophie boehmienne. Reprise dont la profonde originalite repose autant sur une formulation inedite de la question que sur les solutions qui en decoulent: loin de reduire le mal a une simple negation, a un neant oppose a l'essence divine, comme le fera Leibniz, heritier de toute une tradition scolastique, Boehme s'efforce au contraire de le penser comme une qualite positive et reelle, montrant que ce n'est que si le mal est positif, donc contingent, que l'on peut esperer un jour sa defaite.

Une apparition miraculeuse dans l'histoire de l'humanite et particulierement dans celle de l'esprit allemand: c'est en ces termes que Schelling, dans sa Philosophie de la Revelation, salue la figure de Jacob Boehme. Si l'on reconnait aujourd'hui a l'oeuvre du celebre cordonnier-philosophe une influence majeure sur le destin de la metaphysique allemande, la pensee du premier philosophe allemand, comme l'appelle Hegel dans son Histoire de la philosophie, demeure encore pour nous deroutante et au premier abord insaisissable. Or, a travers l'etude chronologique des principales oeuvres de Boehme (L'Aurore naissante; Les trois principes de l'essence divine; La triple vie de l'homme; etc.), c'est cette coherence et cette unite souvent tenues pour incertaines que le grand historien Alexandre Koyre parvient a retrouver dans la doctrine de Boehme. Pour le dire d'un mot, c'est la reprise du double probleme de l'existence du mal et de la nature des rapports de Dieu au monde, qui se revele etre le fil conducteur de la theosophie boehmienne. Reprise dont la profonde originalite repose autant sur une formulation inedite de la question que sur les solutions qui en decoulent: loin de reduire le mal a une simple negation, a un neant oppose a l'essence divine, comme le fera Leibniz, heritier de toute une tradition scolastique, Boehme s'efforce au contraire de le penser comme une qualite positive et reelle, montrant que ce n'est que si le mal est positif, donc contingent, que l'on peut esperer un jour sa defaite.

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Hildegard of Bigen, Meister Eckhart, Jacob Boehme, and others

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Millions of nature lovers are familiar with Audubon's exquisite portraits of birds in his great masterpiece, The Birds of America. Less well known yet of immense significance is a second masterwork by the noted artist/naturalist-a series of illustrations devoted to the four-legged mammals of North America. This splendid volume-created to accompany a traveling exhibition organized by the Buffalo Bill Historical Society, Cody, Wyoming-is the most comprehensive study ever made of Audubon's mammal paintings. The superb draftsmanship and extensive field research that characterize Audubon's famous bird paintings are everywhere evident in the renderings of bison, foxes, deer, and much more. The text, by four noted Audubon scholars, places Audubon's mammals in the context of his life's work and evaluates his enduring scientific, artistic, and literary legacy. SARAH E. BOEHME is curator of the Whitney Gallery of Western Art at the Buffalo Bill Historical Center. ANNETTE BLAUGRUND is director of the National Academy of Design Museum and School of Fine Art, New York City. ROBERT PECK is a fellow of the Academy of Natural Sciences, Philadelphia. RON TYLER is director of the Texas State Historical Association, Austin. 180 illustrations, 80 in full color, 81/2 x 11"