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Offers an insightful account of the nineteenth-century Russian writer's evolution as a master of drama and the short story

In these fresh, vibrant new translations of Chekhov's four greatest plays—Seagull, Uncle Vanya, Three Sisters, and Cherry Orchard—the brilliant theatrical translator Curt Columbus recaptures the master's open-ended simplicity. Curt Columbus loves actors and his new translations of Chekhov's four major plays are his gift to them. These are wonderfully actable, clear, and concise, and Columbus has perfectly captured Chekhov's unique blend of comic and tragic sensibilities. —Robert Falls, Artistic Director, Goodman Theatre.

For a full understanding of any text, careful consideration must be given to its life in performance. In this rewarding study of four of Chekhov's major plays - Uncle Vanya, The Seagull, The Cherry Orchard and Three Sisters - J. L. Styan demonstrates the development of Chekhov's skills as a dramatist and discusses stage action, portrayal of character, differing twentieth-century productions and the audience reactions they evoked.

Traces the Russian master's life, from his nightmarish childhood, through his early career and his struggle with tuberculosis, to his last years, when he fell in love for the first time

372 pages. 9.00x6.00x0.81 inches. In Stock. This item is printed on demand.

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General light wear to jacket. Page ridges foxed. 1980 Hard Cover. xi, 225 pp. Argues that an understanding of Chekhov's works must depend on a systematic placing of the author in his social context, and he finds in genetic structuralism and the sociology of knowledge the most appropriate theoretical means to link together thext, author and social structure.

Describes the Russian master's life in a full portrait that describes his nightmarish childhood, his early twenties as a doctor and a writer and his struggle with tuberculosis, and his last years when he fell in love for the first time

Despite the abundant variety of Chekhov translations available in bookstores and libraries, American directors and actors have sought out these versions by Jean-Claude van Itallie to make them the most often performed renditions on the American stage today. This edition includes “The Seagull ” “Uncle Vanya ” “Three Sisters ” and “The Cherry Orchard.”

When poet Edward Sanders, founder of New York's famous Peace Eye Book Store as well as of the 60's folk-rock group The Fugs, undertook to write a drama based on the life of Anton Pavlovich Chekhov, he started with a poem. Hoping that a poem would engender dialogue and chorus refrains, Sanders' finished product was. . . a poem. Delving into the life of the classic Russian author, Sanders was so taken with his subject that he realized "a verse biography of Chekhov could extend to five or ten thousand pages" and his poem (really a series of short poems about the short life and revolutionary times of the author of "The Seagull") grew and grew.While Chekhov is slightly shorter than those five to ten thousand pages, it does contain "surprisingly detailed information about the social, political, and intellectual phenomena of Chekhov's Russia" (Booklist) and is written in verse that would do Pushkin proud. A must for any student of Chekhov, Russia or, for that matter, literature.

What made Chekhov tick? What served as a source of creative inspiration in his life? In answering these questions, Russian scholar Rosamund Bartlett focuses on the writer’s intimate relationship with the places where he lived and traveled Taganrog and the southern Russian steppes, Moscow, Petersburg, Siberia, the French Riviera, and Yalta. By looking at his life through the prism of these landscapes, it is possible to gain a far greater insight into one of the most enigmatic writers who ever lived. Chekhov: Scenes from a Life restores the humor and warmth to a man too often seen as merely melancholic, and reminds us why many consider him to be the greatest short-story writer of all time.

In his brief but distinguished life, Anton Chekhov was a doctor, a documentary essayist, an admired dramatist, and a humanitarian. He remains a nineteenth-century Russian literary giant whose prose continues to offer moral insight and to resonate with readers across the world. Chekhov experienced no conflict between art and science or art and medicine. He believed that knowledge of one complemented the other. Chekhov brought medical knowledge and sensitivity to his creative writing―he had an intimate knowledge of the world of medicine and the skills of doctoring, and he utilized this information in his approach to his characters. His sensibility as a medical insider gave special poignancy to his physician characters. The doctors in his engaging tales demonstrate a wide spectrum of behavior, personality, and character. At their best, they demonstrate courage, altruism, and tenderness, qualities that lie at the heart of good medical practice. At their worst, they display insensitivity and incompetency. The stories in Chekhov’s Doctors are powerful portraits of doctors in their everyday lives, struggling with their own personal problems as well as trying to serve their patients. The fifth volume in the acclaimed Literature and Medicine Series, Chekhov’s Doctors will serve as a rich text for professional health care educators as well as for general readers.

While the influence of Chekhov in modern theater worldwide, and especially in America, has been immense, translations into English have tended to be too literary and have not communicated the full emotional power and precise attention to detail of Chekhov's Russian. Milton Ehre began translating Chekhov's plays to provide professional theaters with performance texts that capture the feel and rhythms of spoken, rather than written, language. Chekhov for the Stage is the first publication of his revised versions of The Three Sisters, Uncle Vanya, The Cherry Orchard, and The Sea Gull. Ehre's sensitive renderings of these classics make this volume the translation of choice for performers and directors, teachers, and the general reading public.

This is the first cross-cultural study of Chekhov's plays in production. Many now consider Chekhov a playwright equal to Shakespeare, and this book studies how the reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to the most recent postmodern deconstructions of them. Particular attention is given to the staging of Chekhov in Russia before and after the Revolution, and under different regimes; in the English-speaking world, in Western and Eastern Europe, as well as in Japan.

Rosamund Bartlett is steeped in Chekhov's writings, having worked as a translator, and in the culture and history of 19th-century Russia. She has written not simply another biography of Chekhov but brought new understanding to the writings and character of Chekhov set amidst the landscape of Russia. This is a book of enormous detail about the places Chekhov visited and lived in, which is vital for a good understanding of the character of this unusual and complex man. Examining these locations also informs and widens interpretation of the short stories. The author examines with careful precision Chekhov's genius, and shows that he is not simply the gloomy writer of popular myth but one with profound humanity and humour.

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Chekhov's plays have become the most popular ones in Britain next to Shakespeare's. This is the first book to consider this phenomenon from its beginnings in 1909 to the present. It embodies the facts of Chekhov's progress on the British stage, which involves such giants of twentieth-century theater as Komisarjevsky, Bernard Shaw, Peggy Ashcroft and John Gielgud, but it also examines the highly contentious issues of directing, acting and translating Chekhov in Britain today. It is a book intended for those interested in the living British theater.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01

shelf wear, paperback Used - Good 2023 All purchases support Project HOME - ending homelessness in Philadelphia.

Anton Pavlovich Chekhov may be best known for his plays, the staples of modern theatre; yet he was also a master of the short story, of which he wrote more than four hundred. Gorky termed these masterpieces of compression and precision "exquisite as cut glass;" a mlange of naturalism and symbolism draft his bleak landscapes where an upper class stifles in despair.