14 products were found matching your search for chermayeff in 1 shops:

Book containing images of collage works exhibited by Ivan Chermayeff.

Ivan Chermayeff dunyanin dort bir yaninda calistigi ve gezdigi yerlerden topladigi gundelik nesneleri kullanarak kirk yili askin bir suredir kolajlar ve birlestirmeler uretiyor. Ona eski eldivenler, atilmis karamela kagitlari ve baska gorsel hosluklar gonderen dost ya da meslektaslarinin zarflarini sakliyor; dunyanin sokaklarindan topladigi seylere bunlari da ekliyor. Chermayeff 1950'lerin ortalarindan beri New York'ta, ortagi Tom Geismar'la birlikte calisan bir grafik tasarimcisidir. Kolajlari bugune dek ABD, Avrupa ve Japonya'da sergilenmis ve kitaplastirilmistir. Ivan Chermayeff has been producing collages and assemblages for over forty years, utilizing the everyday ephemera collected in different parts of the world where he has worked and traveled. He saves the envelopes received from friends and colleagues, who send him abandoned gloves, discarded candy wrappers and other visual delights to add to those he has picked up on the streets of the world. Since the mid 1950s, Chermayeff has been practicing as a graphic designer, in New York with his partner Tom Geismar. His collages have been exhibited and published in the United States, Europe and Japan.

Book containing images of collage works exhibited by Ivan Chermayeff.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.85

This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:1859460755

The NBC peacock, the PBS "everyman," the Chase Bank octagon, and hundreds of other outstanding trademarks have been created by one design firm, Chermayeff & Geismar Inc. Their logos and identity programs for high-profile corporations such as Mobil, Time Warner, Viacom, and Xerox, and for preeminent institutions such as the New York Public Library, Alvin Ailey Dance, the Smithsonian Institution, and the Museum of Modern Art, are instantly recognizable hallmarks of design. TM collects over 200 trademarks created over the 40-year history of the firm, which is led by Ivan Chermayeff, Tom Geismar, and Steff Geissbuhler. The variety and vitality of their work is reflected in this visually rich book, which serves an inspiration for designers as well as a reference to the best in trademark design.

Ivan Chermayeff dunyanin dort bir yaninda calistigi ve gezdigi yerlerden topladigi gundelik nesneleri kullanarak kirk yili askin bir suredir kolajlar ve birlestirmeler uretiyor. Ona eski eldivenler, atilmis karamela kagitlari ve baska gorsel hosluklar gonderen dost ya da meslektaslarinin zarflarini sakliyor; dunyanin sokaklarindan topladigi seylere bunlari da ekliyor. Chermayeff 1950'lerin ortalarindan beri New York'ta, ortagi Tom Geismar'la birlikte calisan bir grafik tasarimcisidir. Kolajlari bugune dek ABD, Avrupa ve Japonya'da sergilenmis ve kitaplastirilmistir. Ivan Chermayeff has been producing collages and assemblages for over forty years, utilizing the everyday ephemera collected in different parts of the world where he has worked and traveled. He saves the envelopes received from friends and colleagues, who send him abandoned gloves, discarded candy wrappers and other visual delights to add to those he has picked up on the streets of the world. Since the mid 1950s, Chermayeff has been practicing as a graphic designer, in New York with his partner Tom Geismar. His collages have been exhibited and published in the United States, Europe and Japan.

Chermayeff and Geismar Inc. Making a mark. A retrospective collection of trademarks designed by a single firm or forty years. For all kinds of organizations large and small, television networks, cultural institutions. Founded in 1960, a leader in identity design.

This design compendium features more than 30 0 examples of the best work of six of the greatest names in modern design. These are the artists who created the identie s of Warner, AT&T, IBM and UPS, and whose work has influence d an entire culture. '

The NBC peacock. Chase Bank's blue octagon. Mobil Oil's arresting red O. PBS's poetic silhouettes of "Everyman."Chermayeff & Geismar's visual identities are instantly recognizable by countless millions around the world (one identity--the official logo for the U.S. Bicentennial--even sits on Mars) and set the standard for what a successful trademark is.In Identify, celebrated designers Tom Geismar and Ivan Chermayeff, and partner, rising star Sagi Haviv (called a "logo prodigy" by The New Yorker) open up their studio for the first time in the firm's 55-year history and reveal the creative process that lead to the firm's iconic visual identities, from the oldest (Chase Bank and Mobil Oil in the 1960s) to the more recent (Armani Exchange and the Library of Congress in the 2000s).The team demonstrates how their approach to design has remained unaltered by cultural and technological change and is in fact more successful than ever in today's online and digital applications, due to the powerful simplicity that is the hallmark of the firm's work.A showcase of some of the world's most famous and enduring trademarks, an account of how they came to be, and an unprecented insider's peek into a legendary branding and graphic design firm. Identify: Basic Principles of Identity Design in the Iconic Trademarks of Chermayeff & Geismar unveils the thinking and the process behind identity design that works.

The NBC peacock. Chase Bank's blue octagon. Mobil Oil's arresting red O. PBS's poetic silhouettes of "Everyman."Chermayeff & Geismar's visual identities are instantly recognizable by countless millions around the world (one identity--the official logo for the U.S. Bicentennial--even sits on Mars) and set the standard for what a successful trademark is.In Identify, celebrated designers Tom Geismar and Ivan Chermayeff, and partner, rising star Sagi Haviv (called a "logo prodigy" by The New Yorker) open up their studio for the first time in the firm's 55-year history and reveal the creative process that lead to the firm's iconic visual identities, from the oldest (Chase Bank and Mobil Oil in the 1960s) to the more recent (Armani Exchange and the Library of Congress in the 2000s).The team demonstrates how their approach to design has remained unaltered by cultural and technological change and is in fact more successful than ever in today's online and digital applications, due to the powerful simplicity that is the hallmark of the firm's work.A showcase of some of the world's most famous and enduring trademarks, an account of how they came to be, and an unprecented insider's peek into a legendary branding and graphic design firm. Identify: Basic Principles of Identity Design in the Iconic Trademarks of Chermayeff & Geismar unveils the thinking and the process behind identity design that works.

Book by Chermayeff Ivan Geismar Tom

Spanning a fifty-year period, these writings exhibit much of the variety of form and scale found in Serge Chermayeff's designs, which range from city plans or the total environment to the individual house, from a seashore park to an item of furniture. Chermayeff's generation brought forth a number of outstanding innovators in design, architecture, and planning, but standing apart from most of his contemporaries, Chermayeff has also produced a body of writing that equals and complements his work in design. The forty essays, articles, and lectures are grouped under three general headings: Pathology of Environment; The Professional Condition; and Education for Design. They reveal Chermayeff at the height of his intensity. Throughout his life he has been at the center of the kind of controversy that resolves itself into a higher level of understanding, a new direction of endeavor. Many of these concerns are addressed here; for example, Chermayeff's fear that modernism was deteriorating into just another "style" rather than serving as a means for resolving social and environmental conflicts. The book as a whole preserves the creative tension and tone of Chermayeff's career by presenting his views on particular issues as he saw them at specific moments, conveying the passion and immediacy of the original occasion. One of the notable teachers of his generation, Chermayeff was also a critic and reformer of the educational process. Like the best of that breed, he teaches even as he entertains or muses aloud, and he continues to do so throughout this book. Serge Chermayeff was born in the Russian Caucasus in 1900, but from the age of ten he has lived, studied, taught, and created in England and (since 1940) in the United States. He has practiced architecture on both sides of the Atlantic and his formal teaching was centered at the Chicago Institute of Design, MIT, Harvard, and Yale. Richard A. Plunz is Associate Professor of Architecture at Columbia University.

Spanning a fifty-year period, these writings exhibit much of the variety of form and scale found in Serge Chermayeff's designs, which range from city plans or the total environment to the individual house, from a seashore park to an item of furniture. Chermayeff's generation brought forth a number of outstanding innovators in design, architecture, and planning, but standing apart from most of his contemporaries, Chermayeff has also produced a body of writing that equals and complements his work in design. The forty essays, articles, and lectures are grouped under three general headings: Pathology of Environment; The Professional Condition; and Education for Design. They reveal Chermayeff at the height of his intensity. Throughout his life he has been at the center of the kind of controversy that resolves itself into a higher level of understanding, a new direction of endeavor. Many of these concerns are addressed here; for example, Chermayeff's fear that modernism was deteriorating into just another "style" rather than serving as a means for resolving social and environmental conflicts. The book as a whole preserves the creative tension and tone of Chermayeff's career by presenting his views on particular issues as he saw them at specific moments, conveying the passion and immediacy of the original occasion. One of the notable teachers of his generation, Chermayeff was also a critic and reformer of the educational process. Like the best of that breed, he teaches even as he entertains or muses aloud, and he continues to do so throughout this book. Serge Chermayeff was born in the Russian Caucasus in 1900, but from the age of ten he has lived, studied, taught, and created in England and (since 1940) in the United States. He has practiced architecture on both sides of the Atlantic and his formal teaching was centered at the Chicago Institute of Design, MIT, Harvard, and Yale. Richard A. Plunz is Associate Professor of Architecture at Columbia University.