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What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics.Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writing of Emmanuel Levinas, Roland Barthes, and J. Hillis Miller. Also included is a discussion of the recent reading of Derrida's philosophy as 'radical atheism', and the book ends with a conversation on deconstruction and place with the theorist and critic Jean-Michel Rabaté.Running throughout is a concern with the question of responsibility, as exemplified in Derrida's own readings of literary and philosophical texts: responsibility to the work being read, responsibility to the protocols of rational argument, and responsibility to the reader.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

This volume brings together the latest thinking in spatial research, foregrounding the importance of Deleuze and Guattari's contributions to the theory of space. It focuses on concepts produced to theorize the changing conditions of spatial phenomena in globalized systems and cultural forms. Chapters from noted scholars explore the pertinence of Deleuze and Guattari's concepts for the analysis of contemporary architecture, the environment, contemporary film and emerging political and cultural formations. The diversity of the contributors' areas of specialization distinguishes this volume from the many other collections on Deleuze and Guattari. The editors strike a balance between range, on the one hand, and highly recognized figures who have established the contemporary scholarship on Deleuze and Guattari on the other. In addition to the editors themselves, contributors include Reda Bensmaia, Tom Conley, Gregory Flaxman and Manuel De Landa.

David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.

This is the first book to use complexity theory to open up the 'geophilosophy' developed by Gilles Deleuze and Félix Guattari in A Thousand Plateaus, Anti-Oedipus and What is Philosophy?. Written by a philosopher and a geographer in a clear style, with a practical orientation and interdisciplinary focus, the Guide enables readers to grasp the basics of complexity theory (the study of self-organisation and emergence in material systems), while the Glossary eases the difficulty of applying this science to Deleuze and Guattari's often perplexing terminology. Deleuze and Geophilosophy is thoroughly pragmatic: it asks not what the earth means, but how it works. It provides a common conceptual framework within which physical and human geographers can work together alongside other social scientists, cultural studies practitioners, and philosophers in interdisciplinary teams to explore the entangled flows, lines, grids, and spaces of our world. The book will be of interest to all those working in discipline

16 chapters by new and established Deleuze scholars each explore one key figure in Deleuze's philosophical heritageFrom Lucretius to Schelling to Foucault, this book looks at 16 philosophers, writers and artists whose work influenced the philosophy of Gilles Deleuze. Each chapter introduces the thinker in question, explains the context in which Deleuze draws their work and discusses how it contributed to the development of Deleuze's own ideas.Deleuze's Philosophical Lineage II complements the original Deleuze's Philosophical Lineage volume by adding new voices to the discussion: looking at thinkers not covered by the first volume, intruducing well-known French philosophers to English-language Deleuze studies and reflecting the latest Deleuze scholarship.

Unread book in perfect condition.

These 13 essays address the broad territory of educational theory and philosophy of education. Moving from the formal to post-formal mode of education, the contributors explore education as an experimental and experiential process of becoming grounded in life that represents the becoming-Other of Deleuze's thought.

Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.

Deleuze and the Diagram charts Deleuze's corpus according to aesthetic concepts such as the map, the sketch and the drawing to bring out a comprehensive concept of the diagram. In his interrogation of Deleuze's visual aesthetic theory, Jakub Zdebik focuses on artists that hold an important place in Deleuze's system. The art of Paul Klee and Francis Bacon is presented as the visual manifestation of Deleuze's philosophy and yields novel ways of assessing visual culture. Zdebik goes on to compare Deleuze's philosophy with the visual theories of Foucault, Lyotard and Simondon, as well as the aesthetic philosophy of Heidegger and Kant. He shows how the visual and aesthetic elements of the diagram shed new light on Deleuze's writings.Deleuze conceptualized his theory as a form of painting, saying that, like art, it needed to shift from figuration to abstraction. This book focuses on the visual devices in Deleuze's work and uses the concept of the diagram to describe the relationship between philosophy and art and to formulate a way to think about philosophy through art.

Paul Patton brings together an outstanding collection of appraisals by French- and English-speaking scholars of Gilles Deleuze (1925-1995), one of the most important post-war French philosophers. A number of these pieces address Deleuze's original interpretations of key figures in the history of philosophy, including Spinoza, Kant, Hegel and Bergson. Others discuss his work on mathematics, and the relevance of his conceptual creativity for art criticism, feminist, literary, and cultural studies. Several of the contributors here have not been previously published.

What can a theologian do with Deleuze? While using philosophy as a resource for theology is nothing new, Gilles Deleuze (1925-1995) presents a kind of limit-case for such a theological appropriation of philosophy: a thoroughly "modern" philosophy that would seem to be fundamentally hostile to Christian theology--a philosophy of atheistic immanence with an essentially chaotic vision of the world. Nonetheless, Deleuze's philosophy can generate many potential intersections with theology opening onto a field of configurations: a fractious middle between radical Deleuzian theologies that would think through theology and reinterpret it from the perspective of some version of Deleuzian philosophy and other theologies that would seek to learn from and respond to Deleuze from the perspective of confessional theology--to take from the encounter with Deleuze an opportunity to clarify and reform an orthodox Christian self-understanding.

The philosophy of Gilles Deleuze is increasingly gaining the prestige that its astonishing inventiveness calls for in the Anglo-American theoretical context. His wide-ranging works on the history of philosophy, cinema, painting, literature and politics are being taken up and put to work across disciplinary divides and in interesting and surprising ways. However, the backbone of Deleuze's philosophy - the many and varied sources from which he draws the material for his conceptual innovation - has until now remained relatively obscure and unexplored.This book takes as its goal the examination of this rich theoretical background. Presenting essays by a range of the world's foremost Deleuze scholars, and a number of up and coming theorists of his work, the book is composed of in-depth analyses of the key figures in Deleuze's lineage whose significance - as a result of either their obscurity or the complexity of their place in the Deleuzean text - has not previously been well understood. This work will prove indispensable to students and scholars seeking to understand the context from which Deleuze's ideas emerge. Included are essays on Deleuze's relationship to figures as varied as Marx, Simondon, Wronski, Hegel, Hume, Maimon, Ruyer, Kant, Heidegger, Husserl, Reimann, Leibniz, Bergson and Freud.

The first collaborative effort of Gilles Deleuze and Felix Guattari, Anti-Oedipus is an exemplary critique of orthodox Psychoanalysis which revolutionized postmodernism.

In 1971, Deleuze and Guattari's collaborative work, Anti-Oedipus: Capitalism and Schizophrenia caused an international sensation by fusing Marx with a radically rewritten Freud to produce a new approach to critical thinking, which they provocatively called "schizoanalysis." Deleuze and the Schizoanalysis of Cinema explores the possibilities of using this concept to investigate cinematic works in both the Hollywood and non-Hollywood tradition. It attempts to define what a schizoanalysis of cinema might be and introduces a variety of ways in which a schizoanalysis might be applied. This collection opens up a fresh field of inquiry for Deleuze scholars and poses an exciting challenge to cinema studies in general. Featuring some of the most important cinema studies scholars working on Deleuze and Guattari today, Deleuze and the Schizoanalysis of Cinema is a cutting edge collection that will set the agenda for future work in this area.Contributors include: Gregory Flaxman, Amy Herzog, Joe Hughes, Gregg Lambert, Patricia MacCormack, Bill Marshall, David Martin-Jones, Elena Oxman, Patricia Pisters, Anna Powell and Mark Riley.

A new translation of two essential works on Deleuze, written by one of his contemporariesThis edition makes a new translation of two of Zourabichvili's most important writings on the philosophy of Gilles Deleuze available in a single volume. Deleuze: A Philosophy of the Event (1994) is an exposition of Deleuze's philosophy as a whole, while the complementary Deleuze's Vocabulary (2003) approaches Deleuze's work through an analysis of key concepts in a dictionary form.From the publication of Deleuze: A Philosophy of the Event to his untimely death in 2006, François Zourabichvili was regarded as one of the most important new voices of contemporary philosophy in France. His work continues to make an essential contribution to Deleuze scholarship today, and this new translation is set to become an event within Deleuze Studies for many years to come.

The first book to present Gilles Deleuze's philosophy in language the nonphilosopher can understand.This book is a map of the work of Gilles Deleuze―the man Michel Foucault would call the "only real philosophical intelligence in France." It is not only for professional philosophers, but for those engaged in what Deleuze called the "nonphilosophical understanding of philosophy" in other domains, such as the arts, architecture, design, urbanism, new technologies, and politics. For Deleuze's philosophy is meant to go off in many directions at once, opening up zones of unforeseen connections between disciplines.Rajchman isolates the logic at the heart of Deleuze's philosophy and the "image of thought" that it supposes. He then works out its implications for social and cultural thought, as well as for art and design―for how to do critical theory today. In this way he clarifies the aims and assumptions of a philosophy that looks constantly to invent new ways to affirm the "free differences" and the "complex repetitions" in the histories and spaces in which we find ourselves. He looks at the particular realism and empiricism that this affirmation implies and how they might be used to diagnose new forces confronting us today. In the process, he explores the many connections that Deleuze himself constructs in working out his philosophy, with the arts, political movements, even the neurosciences and artificial intelligence.

16 chapters by new and established Deleuze scholars each explore one key figure in Deleuze's philosophical heritageFrom Lucretius to Schelling to Foucault, this book looks at 16 philosophers, writers and artists whose work influenced the philosophy of Gilles Deleuze. Each chapter introduces the thinker in question, explains the context in which Deleuze draws their work and discusses how it contributed to the development of Deleuze's own ideas.Deleuze's Philosophical Lineage II complements the original Deleuze's Philosophical Lineage volume by adding new voices to the discussion: looking at thinkers not covered by the first volume, intruducing well-known French philosophers to English-language Deleuze studies and reflecting the latest Deleuze scholarship.

Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Gilles Deleuze is undoubtedly one of the seminal figures in modern Continental thought. However, his philosophy makes considerable demands on the student; his major works make for challenging reading and require engagement with some difficult concepts and complex systems of thought. Deleuze: A Guide for the Perplexed is the ideal text for anyone who needs to get to grips with Deleuzian thought, offering a thorough, yet approachable account of the central themes in his work: sense; univocity; intuition; singularity; difference. His ideas related to language, politics, ethics and consciousness are explored in detail and - most importantly - clarified. The book also locates Deleuze in the context of his philosophical influences and antecedents and highlights the implications of his ideas for a range of disciplines from politics to film theory. Throughout, close attention is paid to Deleuze's most influential publications, including the landmark texts The Logic of Sense and Difference and Repetition.

Are your students baffled by Baudrillard? Dazed by Deleuze? Confused by Kristeva? Other beginners’ guides can feel as impenetrable as the original texts to students who ""think in images."" Contemporary Thinkers Reframed instead uses the language of the arts to explore the usefulness in practice of complex ideas. Short, contemporary and accessible, these lively books utilize actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers. Conceived specifically for the visually-minded, the series will prove invaluable to students right across the visual arts.Deleuze disdains easy answers. Yet easy answers to Deleuze are what students need. Without reducing Deleuze’s complex body of thought to simplistic solutions, this very contemporary guide leads the reader into the world of Deleuze’s spiralling thought through concrete examples from art, film, TV and even computer games. From Eternal Sunshine of the Spotless Mind and The Cell to Pac Man and Doom, and from the work of Robert Mapplethorpe, Coco Fusco and Rachel Whiteread to Lost and Doctor Who, this easily digestible introduction looks at the key ideas promoted by Deleuze, both in his own work and in his notoriously difficult collaborations with Felix Guattari, to make them both fresh and relevant to the visual arts today.