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Jacques Derrida is undoubtedly one of the foremost figures in the development of twentienth-century literary theory. The school of 'deconstruction' that has grown out of his work has been either absorbed into the corpus of modern literary theory, or criticized for its departures from the original texts of Derrida in whose name it is practised. Timothy Clark's innovative book traces instead sources of Derrida's practice of 'literature' as a form of philosophical thinking, in the work of Heidegger and Blanchot. It offers a welcome stylistic clarity in a field beleaguered by its philosophical and linguistic difficulty. Clark gives close readings of key texts including Heidegger's Conversation on a Country Path, Blanchot's L'attente l'oubli, and Derrida's Pas and Signsponge, and widens the scope of his discussion of philosophical cultivation of 'literary' forms to include in addition the issues of creativity, influence and responsibility as they appear in the work of Lyotard and Levinas.

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French philosopher and father of "deconstruction" Jacques Derrida has single-handedly altered the way we look at history, language and art.

For more than forty years Jacques Derrida unsettled and challenged the presumptions underlying our most fundamental philosophical, political, and ethical conventions. In The Philosophy of Derrida, Mark Dooley and Liam Kavanagh provide a succinct overview of his core philosophical ideas and a balanced appraisal of their lasting impact. The authors' analysis of Derrida's writings, especially the objectives of deconstruction, make his work clearly accessible. Dooley and Kavanagh also situate Derrida within historicist, hermeneutic, and linguistic thought. From his early work on Husserl, Hegel, and de Saussure to his final writings on justice, hospitality, and cosmopolitanism, Derrida is shown to have been grappling with the question of national, cultural, and personal identity and the notion of whether a "pure" identity has any real efficacy. Rather than an iconoclast for whom deconstruction equalled destruction, the Derrida that emerges in this study sheds light on our historical constructions to reveal that there is much about ourselves that we do not know.

Jacques Derrida (born 1930) is undoubtedly the single most influential figure in current Anglo-American literary theory. Yet many scholars and students, not to mention general readers, would be hard put to give an account of Derrida’s own writings. In this admirably clear and intelligent introduction, Christopher Norris demonstrates that Derrida’s texts should be understood as belonging more to philosophy than to literature. Norris explains the significance of Derrida’s writing on texts in the Western philosophical tradition, from Plato to Kant, Hegel, and Husserl, placing him squarely within that tradition. He also discusses some of the reasons for the massive institutional resistance that has so far prevented philosophers from engaging seriously with Derrida’s work. This book will be welcomed by readers in search of an introduction to Derrida’s work that neither underrates its difficulties nor invests his ideas with a kind of protective mystique.

The full transcript of the award-winning film DERRIDA, along with essays by the filmmakers and Nicholas Royle, as well a Q and A session with the philosopher, in a lavishly designed and illustrated full colour large format volume

What does it mean to proclaim 'the end of history', as several thinkers have done in recent years? Francis Fukuyama, the American political theorist, created a considerable stir in The End of History and the Last Man (1992) by claiming that the fall of communism and the triumph of free market liberalism brought an 'end of history' as we know it. Prominent among his critics has been the French philosopher Jacques Derrida, whose Specters of Marx (1993) deconstructed the concept of 'the end of history' as an ideological confidence trick, in an effort to salvage the unfinished and ongoing project of democracy. "Derrida and the End of History" places Derrida's rejection of Fukuyama's claim within a wider tradition of 'endist' thought. Derrida's critique of endism is highlighted as one of his most valuable contributions to the postmodern debate - as well as being the most accessible entry to 'deconstruction', the controversial philosophical movement founded by him.

Coming from behind (derrière)—how else to describe a volume called “Derrida and Queer Theory”? — as if arriving late to the party, or, indeed, after the party is already over. After all, we already have Deleuze and Queer Theory and, of course, Saint Foucault. And judging by Annamarie Jagose’s Queer Theory: An Introduction, in which there is not a single mention of “Derrida” (or “deconstruction”) — even in the sub-chapter titled “The Post-Structuralist Context of Queer” — one would think that Derrida was not only late to the party, but was never there at all.This untimely volume, then, with wide-ranging essays from key thinkers in the field, addresses, among other things, what could be called the disavowed debt to “Derrida” in canonical “queer theory.”TABLE OF CONTENTS //The Gift from (of the) “Behind” (Derrière): Intro-extro-duction — Christian HitePreposturous Preface: Derrida and Queer Discourse — J. Hillis MillerImpossible Uncanniness: Deconstruction and Queer Theory — Nicholas RoyleNo Kingdom of the Queer — Calvin ThomasDerrida and the Question of “Woman” — Sarah DillonLes chats de Derrida — Carla FrecceroDerrida’s Queer Root(s) — Jarrod HayesDeco-pervo-struction — Èamonn DunneA Man For All Seasons: Derrida-cum-“Queer Theory,” or the Limits of “Performativity” — Alexander García Düttmann“Practical Deconstruction”: A Note on Some Notes by Judith Butler — Martin McQuillanPerforming Friendship — Linnell SecombPostface: Just Queer — Geoffrey BenningtonAppendix: Supreme Court (1988) — David Wills

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Jacques Derrida: a name to strike fear into the hearts of theologians. His ideas have been hugely influential in shaping postmodern philosophy, and its impact has been felt across the humanities from literary studies to architecture. However, he has also been associated with the specters of relativism and nihilism. Some have suggested he undermines any notion of objective truth and stable meaning. Derrida is now increasingly seen as a major contributor to thinking about the complexity of truth, responsibility and witnessing. Theologians and biblical scholars are engaging as never before with Derrida's own deep-rooted reflections on religious themes. From the nature of faith to the name of God, from Messianism to mysticism, from forgiveness to the impossible, he has broken new ground in thinking about religion in our time. His ideas and writing style remain highly complex, however, and can be a forbidding prospect for the uninitiated. This book examines his philosophical approach, his specific work on religious themes, and the ways in which theologians have interpreted, adopted, and disputed them.

Jacques Derrida is, arguably, the foremost philosopher of the humanities and their place in the university. Over his long career he was concerned with the humanities’ fate, status, place, and contribution. Through his deconstructive readings and writings, Derrida reinvented the Western tradition by attending closely to those texts which constitute it. He redefined its procedures and protocols, questioning and commenting upon the relationship between commentary and interpretation, the practice of quotation, the delimitation of a work and its singularity, its signature, and its context: the whole form of life of literary culture, together with the textual practices and conventions that shape it. From early in his career, Derrida occupied a marginal in-between space – simultaneously textual, literary, philosophical, and political – a space that permitted him a freedom to question, to speculate, and to draw new limits to humanitas. With an up-to-date synopsis, review, and critique of his writings, this book demonstrates Derrida’s almost singular power to reconceptualize and reimagine the humanities, and examines his humanism in relation to politics and pedagogy.

Fun activities for children to complete independently.

Jacques Derrida and Jürgen Habermas have long represented opposite camps in contemporary thought. Derrida, who pioneered the intellectual style of inquiry known as deconstruction, ushered in the postmodern age with his dramatic critique of reason; Habermas, on the other hand, has consistently argued in defense of reason, modernity, and the legacy of the Enlightenment. Their many differences led to a long-standing, if scattered, dialogue, evidence of which has been available in only bits and pieces. But now, for the first time, TheDerrida-Habermas Reader brings these pieces together, along with a collection of essays documenting the intellectual relationship between two of the twentieth century’s preeminent thinkers. Taken together, Derrida and Habermas’s writings—combined here with contributions by other prominent philosophers and social theorists—tell the story of the two thinkers’ provocative engagement with each other’s ideas. Beyond exploring the conflict between Derrida’s deconstruction and Habermas’s communicative rationality, they show how the Derrida-Habermas encounter changed over the years, becoming more theoretically productive without ever collapsing into mutual rejection or simple compromise.Lasse Thomassen has divided the essays—including works on philosophy and literature, ethics, politics, and international law—into four parts that cover the full range of thought in which Derrida and Habermas engaged. The last of these sections fittingly includes the thinkers’ jointly signed work on European solidarity and the Iraq War, highlighting the hopes they held in common despite their differences. The wide breadth of this book, along with Thomassen’s lucid introductions to each section, makes The Derrida-Habermas Reader an ideal starting point for anyone interested in one of the most dynamic intellectual debates of our time.

Disinterest has been a major concept in Western philosophy since Descartes. Its desirability and importance have been disputed, and its definition reworked by such pivotal figures as Nietzsche, Shaftesbury, Locke and Kant. In this groundbreaking book, Sean Gaston looks at the treatment of disinterest in the work of two major modern Continental philosophers: Jacques Derrida and Emmanuel Levinas. He identifies both as part of a tradition, obscured since the eighteenth-century, that takes disinterest to be the opposite of self-interest, rather than the absence of all interest. Such a tradition locates disinterest at the centre of thinking about ethics. The book argues that disinterest plays a significant role in the philosophy of both thinkers and in the dialogue between their work. In so doing it sheds new light on their respective contributions to moral and political philosophy. Moreover, it traces the history of disinterest in Western philosophy from Descartes to Derrida, taking in the contributions of major philosophers in both the analytic, Anglo-American and Continental traditions: Locke; Shaftesbury; Hume; Smith; Nietzsche; Kant; Hegel; Heidegger. Derrida and Disinterest offers a new reading of Derrida, a stimulating account of the role and importance of disinterest in the history of Western philosophy and a provocative and original contribution to Continental ethics.

Attention : quelques rares passages souligns en rouge. Exemplaire du philosophe Bernard Sichre, avec son tampon d'ex-libris. In-8, broch, couverture rabats, 217 pp.

This book explores the thought of Jacques Derrida as it relates to the tradition of apophatic thought―negative theology and philosophy―in both Western and Eastern traditions. Following the Introduction by Toby Foshay, two of Derrida’s essays on negative theology, Of an Apocalyptic Tone Newly Adopted in Philosophy and How to Avoid Speaking: Denials, are reprinted here. These are followed by essays from a Western perspective by Mark C. Taylor and Michel Despland, and essays from an Eastern perspective by David Loy, a Buddhist, and Harold Coward, a Hindu. In the Conclusion, Jacques Derrida responds to these discussions.

Disinterest has been a major concept in Western philosophy since Descartes. Its desirability and importance have been disputed, and its definition reworked by such pivotal figures as Nietzsche, Shaftesbury, Locke and Kant. In this groundbreaking book, Sean Gaston looks at the treatment of disinterest in the work of two major modern Continental philosophers: Jacques Derrida and Emmanuel Levinas. He identifies both as part of a tradition, obscured since the eighteenth-century, that takes disinterest to be the opposite of self-interest, rather than the absence of all interest. Such a tradition locates disinterest at the centre of thinking about ethics. The book argues that disinterest plays a significant role in the philosophy of both thinkers and in the dialogue between their work. In so doing it sheds new light on their respective contributions to moral and political philosophy. Moreover, it traces the history of disinterest in Western philosophy from Descartes to Derrida, taking in the contributions of major philosophers in both the analytic, Anglo-American and Continental traditions: Locke; Shaftesbury; Hume; Smith; Nietzsche; Kant; Hegel; Heidegger. Derrida and Disinterest offers a new reading of Derrida, a stimulating account of the role and importance of disinterest in the history of Western philosophy and a provocative and original contribution to Continental ethics.

This Dictionary offers points of entry into Derrida’s complex and extensive works. This Dictionary offers points of entry into Derrida’s complex and extensive works. From ‘aporia’ to ‘yes’, the Dictionary suggests ways into Derrida that show what is at stake in his work. Demonstrates that Derrida is not just about philosophy, but also about politics and pop music. Explains why deconstruction matters, and how Derrida can change the way you think. The A-Z entries are framed by essays on the inherent interdisciplinarity of Derrida’s work and on Derrida’s relationship to a range of other thinkers.

Published in 1967, Voice and Phenomenon marked a crucial turning point in Derrida's thinking: the culmination of a 15-year-long engagement with the phenomenological tradition. It also introduced the concepts and themes that would become deconstruction.Voice and Phenomenon is a short book, but it can be an overwhelming text, particularly for inexperienced readers of Derrida's work. This is the first guide to clearly explain the structure of his argument, step by step.