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*Espadrille dress sandal from Rieker *Synthetic upper with ornament detail *Elastic slingback strap *Comfort footbed *2" heel height *Please see size drop-down menu for brand-specific Euro conversion chart

*Espadrille dress sandal from Rieker *Synthetic upper with ornament detail *Elastic slingback strap *Comfort footbed *2" heel height *Please see size drop-down menu for brand-specific Euro conversion chart

*Espadrille dress sandal from Rieker *Synthetic upper with ornament detail *Elastic slingback strap *Comfort footbed *2" heel height *Please see size drop-down menu for brand-specific Euro conversion chart

Pinkcourtesyphone sends you a Sentimental Something from the depths of it's obsessed heart. A sonic love note of smudged ink. Joined by the otherwordly Evelina Domnitch, friend and former cover model and vocalist on the acclaimed 2014 Description of Problem CD, which also featured contributions from Cosey Fanni Tutti, Kid Congo Powers, AGF, and William Basinski. On the central core, Tears of Modernism, Miss Domnitch wields her dark magic on theremin, weaving a mournful kiss on the envelope from

The long-awaited deluxe special edition reissue of Cosey Fanni Tutti's Time To Tell, originally recorded and released on cassette in 1982, sees a timely release after the success of Cosey's recent autobiography Art Sex Music (published by Faber & Faber). Available now for the first time on vinyl, this deluxe special edition has been remastered and edited from the original audio tapes for this exclusive vinyl release. It is presented here on super clear vinyl, in a gatefold sleeve incorporating a

A pioneering figure in Industrial/experimental music and performance art, Cosey Fanni Tutti has embodied many roles since her early days as one half of COUM Transmissions, alongside Genesis P-Orridge. COUM’s first art exhibition, Prostitution, at the ICA London in 1976, outraged the public with its inclusion of bloodied tampons and photographs of Cosey modeling for porn magazines, and was closed after four days. Cosey and Genesis went on to cofound Throbbing Gristle, the band that pioneered and named Industrial music as a genre; when they split in 1981 she formed the electronica duo Chris & Cosey with TG keyboardist Chris Carter. In 2010, Cosey returned to the ICA for an all-day celebration of her work, arranged by editor and author Maria Fusco. Arising from that occasion, this volume is the first major publication on Cosey, and features contributions by Martin Bax, Gerard Byrne, Cosey Fanni Tutti, Daniela Cascella, Diedrich Diederichsen, Graham Duff, John Duncan, Chris Kraus and many others.

Vinyl LP pressing. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter Sleazy' Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music a journey which has continued through his releases as one half of Chris & Cosey and Carter Tutti and a third of Carter Tutti Void as well as with his own solo and collaborative releases. He is also credited with the invention and production of groundbreaking electron

Vinyl LP pressing. Throbbing Gristle's second full-length, originally released in 1978, captures alienation in its purest form. The line-up of Chris Carter, Peter Christopherson, Genesis P-Orridge and Cosey Fanni Tutti was a vehicle for everything bizarre, extreme and controversial. From the ravaged live track "Blood On The Floor" to the hostile phone recording on "Death Threats," TG lobotomized convention, whether musical or ideological. The lingering "Hamburger Lady" pulses with a story of a b

2019 repress on purple vinyl. Originally released to much acclaim in 1981 by Rough Trade, Heartbeat was the first in a long line of groundbreaking albums by Chris Carter and Cosey Fanni Tutti. This early example of Chris & Cosey features cut-up sampled voices, Cosey's disto-guitar, industrial sequences, melodious synths, and cinematic sweeps. Includes a 12" B/W double-sided insert of archive photos, clippings, and texts. "There are moments of great beauty like 'Moorby' and, equally, many moments

Vinyl LP pressing. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter Sleazy' Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music a journey which has continued through his releases as one half of Chris & Cosey and Carter Tutti and a third of Carter Tutti Void as well as with his own solo and collaborative releases. He is also credited with the invention and production of groundbreaking electron

This first monograph on the influential underground conceptual and sound artist features essays by Mike Kelley, Paul McCarthy, Cosey Fanni Tutti and others. It spans from Duncan's early days making performance-based work in Los Angeles in the late 1970s to his years in Japan and Amsterdam, where he focused on experimental sound, film and radio work, and continues to the mature multimedia installations and performances he is currently making in Italy. Investigative and probing, Duncan's work has always been at the forefront of experimental culture, encompassing noise music and extreme physical experience, often rendered in surprisingly beautiful ways. Duncan's art has the ability to enthrall and terrify, and this book documents all of his most important projects, creating a critical and intimate portrait of the artist and his uncompromising work.

LP version. Triumvirate = the combined power of a group of three in creative collaboration. Carter Tutti Void (Chris Carter, Cosey Fanni Tutti, and Nik Void) have announced their third and final studio album. Containing all new studio recordings, Triumvirate brings Chris Carter, Cosey Fanni Tutti, and Nik Void's collaborative partnership as Carter Tutti Void to a conclusion. The trio first came together as a collective for a live performance, invited by Mute for the Short Circuit Festival in 201

Vinyl LP pressing. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter Sleazy' Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music a journey which has continued through his releases as one half of Chris & Cosey and Carter Tutti and a third of Carter Tutti Void as well as with his own solo and collaborative releases. He is also credited with the invention and production of groundbreaking electron

Edited by Anke Bangma et al - // A special screening programme accompanying the launch of the publication Resonant Bodies, Voices, Memories at Piet Zwart Institute, with films and audio works by amongst others Samuel Beckett, Lina Issa & Fanni Futterknecht, Alvin Lucier, Anri Sala, Imogen Stidworthy, Katarina Zdjelar, and Artur Zmijewski. - Resonant Bodies, Memories, Voices orbits around the subjects of memory, voice and the body - more specifically around instances where our habitual abilities to sense, remember, and speak are somehow disrupted or suspended. Such shifts and ruptures may occur through experiences such as living under an oppressive regime, migration, trying to make oneself understood in a foreign language, or through physical inhibitions like aphasia or stuttering. It is exactly at moments when we struggle with memory, when language fails us or our voice breaks, when our bodies are affected by inhibitions or prohibitions, that it becomes pertinent what values we attach to memory, voice and the body, and what roles they have in shaping our subjectivity and our status as subjects. - It has become common to understand memory, voice and even bodily knowledge and sensations as something we not simply have, but something we do. But when the ability to remember, feel or speak gets disrupted, even this sense that we are engaged in doing - in interacting with and acting in the world - becomes a question. What happens to our sense of self and our relation to others when we try to relate to places where we are not, to a voice that does not seem to be our own, or to a body that we don`t seem to be in control of? - // Sprache : Englisch (Sehr gut erhalten - vermutlich ungelesen, der weisse Umschlag mit kleinen Lagerspuren / in very good condition - cover with small signs of shelve-wear) Sprache: Englisch Gewicht in Gramm: 1100 Broschur m. Schutzumschlag / Softcover with dust-jacket.

Fanni podala cyjanek swojemu synowi Jurkowi. Mama Biety, dziewczynki urodzonej w warszawskim getcie, uspila ja luminalem, umiescila w drewnianej skrzynce i w ten sposób przemycila na aryjska strone. Do skrzynki wlozyla jeszcze srebrna lyzeczke z wygrawerowanym imieniem i data urodzin. Inna matka w czasie likwidacji lódzkiego getta zazyla cyjanek, a córke wyrzucila za okno - miala tylko jedna porcje trucizny.Dziewczynka przezyla, bo spódniczka zahaczyla o latarnie. Hane trzy razy ratowala sluzaca rodziców, Zosia. Potem, gdy dobrze sytuowani krewni chcieli wziac Hane do siebie, nie potrafila porzucic polskiej matki.Patrycja Dolowy wydobywa - bo kopanie w takich wspomnieniach to ciezka praca - historie zydowskich matek, które by ratowac swoje dzieci, stawaly przed tragicznymi wyborami, przybranych matek, które nie zawsze potrafily rozstac sie z ocalonymi dziecmi, i dzieci, czesto juz na zawsze rozdartych pomiedzy dwiema tozsamosciami, dwiema rodzinami, miedzy poczuciem winy, wdziecznoscia i zalem.,,Ta ksiazka jest o szczesciu w nieszczesciu. Autorka przynosi nam historie ludzi, którzy zyja, bo ponad siedemdziesiat lat temu zostali obdarowani druga mama. Po raz kolejny troszczaca sie o swoich bohaterów Patrycja Dolowy zacheca do zrozumienia dlugoterminowych skutków Zaglady." Mikolaj Grynberg

Tim Book Two is the follow-up to Telling Stories, the hugely successful memoir of Tim Burgess, singer of the Charlatans. It tells of his lifelong passion for vinyl and the shops that sell them. Tim asked a stellar cast of friends — from Iggy Pop to Cosey Fanni Tutti to Paul Weller — for recommendations, which he's tracked down in breaks from touring across the world. What emerges is a funny, affectionate quest, and a moving account of a life in records.

This first monograph on the influential underground conceptual and sound artist features essays by Mike Kelley, Paul McCarthy, Cosey Fanni Tutti and others. It spans from Duncan's early days making performance-based work in Los Angeles in the late 1970s to his years in Japan and Amsterdam, where he focused on experimental sound, film and radio work, and continues to the mature multimedia installations and performances he is currently making in Italy. Investigative and probing, Duncan's work has always been at the forefront of experimental culture, encompassing noise music and extreme physical experience, often rendered in surprisingly beautiful ways. Duncan's art has the ability to enthrall and terrify, and this book documents all of his most important projects, creating a critical and intimate portrait of the artist and his uncompromising work.

Austrian director Daniel Hoesl takes the reins for this eccentric comedy with a satirical edge. Fanni (Johanna Orsini-Rosenberg) is a middle-aged Viennese woman with a familial scandal in her past that is never fully explained. She develops an utter disregard for all material comforts, one so strong that even after her landlords stop by and indicate same-day eviction, she scarcely takes notice. After they forcibly lock her out of her building, she steals an automobile from a dealership, retreats

As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter "Sleazy" Christopherson and Genesis Breyer P-Orridge, Carter has had a significant role in the development of electronic music a journey which has continued through his releases as one half of Chris & Cosey, Carter Tutti and a third of Carter Tutti Void, as well as with his own solo and collaborative releases. He is also credited with the invention and production of ground-breaking electronics from the legendary Gri