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The play was intended as a tragedy on the purposeless of life imposed on the women of his time, both by their upbringing and by the social conventions which limited their activities. When it was first produced it met with misunderstanding and abuse. It has nevertheless become one of the most popular of Ibsen's plays.

The Norwegian National Ballet's Hedda Gabler is Henrik Ibsen's drama retold in a way you've never seen it before. After the premiere in 2017, both Norwegian and international critics praised director Marit Moum Aune's dance production, set to music by Nils Petter Molv'r. Hedda is furious, on the verge of being consumed with disappointment. After a six-month honeymoon in Europe she has returned home to set up home with her husband, Jrgen - but nothing has turned out the way she intended. And whe

The Norwegian National Ballet's Hedda Gabler is Henrik Ibsen's drama retold in a way you've never seen it before. After the premiere in 2017, both Norwegian and international critics praised director Marit Moum Aune's dance production, set to music by Nils Petter Molv'r. Hedda is furious, on the verge of being consumed with disappointment. After a six-month honeymoon in Europe she has returned home to set up home with her husband, Jrgen - but nothing has turned out the way she intended. And whe

Since its publication in 1890, Ibsen's Hedda Gabler has been a recurring point of fascination for readers, theater audiences, and artists alike. Newly married, yet utterly bored, the character of Hedda Gabler evokes reflection on beauty, love, passion, death, nihilism, identity, and a host of other topics of an existential nature. It is no surprise that Ibsen's work has gained the attention of philosophically-minded readers from Nietzsche, Lou Andreas-Salomé, and Freud, to Adorno, Cavell, and beyond. Once staged at avant-garde theaters in Paris, London, and Berlin, Ibsen is now a global phenomenon. The enigmatic character of Hedda Gabler remains intriguing to ever-new generations of actors, audiences, and readers. Hedda Gabler occupies a privileged place in the history of European drama and as a work of literature, and, as this volume demonstrates, invites profound and worthwhile philosophical questions. Through ten newly commissioned chapters, written by leading voices in the fields of drama studies, European philosophy, Scandinavian studies, and comparative literature, this volume brings out the philosophical resonances of Hedda Gabler in particular and Ibsen's drama more broadly.

Since its publication in 1890, Ibsen's Hedda Gabler has been a recurring point of fascination for readers, theater audiences, and artists alike. Newly married, yet utterly bored, the character of Hedda Gabler evokes reflection on beauty, love, passion, death, nihilism, identity, and a host of other topics of an existential nature. It is no surprise that Ibsen's work has gained the attention of philosophically-minded readers from Nietzsche, Lou Andreas-Salomé, and Freud, to Adorno, Cavell, and beyond. Once staged at avant-garde theaters in Paris, London, and Berlin, Ibsen is now a global phenomenon. The enigmatic character of Hedda Gabler remains intriguing to ever-new generations of actors, audiences, and readers. Hedda Gabler occupies a privileged place in the history of European drama and as a work of literature, and, as this volume demonstrates, invites profound and worthwhile philosophical questions. Through ten newly commissioned chapters, written by leading voices in the fields of drama studies, European philosophy, Scandinavian studies, and comparative literature, this volume brings out the philosophical resonances of Hedda Gabler in particular and Ibsen's drama more broadly.

Four dramas by the nineteenth-century Norwegian playwright probe the hypocrisies and peccadilloes of society, the role of women, and the ways in which individuals seek to assert dominance and control over others.

Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler, and The Master Builder.

This volume contains Ibsen's two most famous and frequently read, studied and performed plays about women: A Doll's House (1879), his first international success, which 'exploded like a bomb into contemporary life', and Hedda Gabler (1890), now one of his most popular plays, but greeted at first with bewilderment and outrage ('The play is simply a bad escape of moral sewage-gas' Pictorial World). Also included is An Enemy of the People (1883), whose central character was the actor Konstantin Stanislavski's favourite role.Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)

If your friends would describe your personality as colorful, Emma is for you! She features a small geometric diamond pattern on our 300 thread count, long staple cotton sateen sheeting. Traditionally a fan of all white bedding, our founder Mary Ella Gabler, created Emma in a search for a pattern that could be both colorful and fun while also timeless. Available in flat sheets, fitted sheets, pillowcases and as a sheet set 100% Long staple cotton 300 Thread count sateen sheeting Finished with a single row satin stitch on the hem of the flat sheet and pillowcases Set Includes: 1 flat sheet, 1 fitted sheet, 2 pillowcases Made in Portugal Dimensions Flat Sheet Twin Flat - 72" x 112" Queen Flat - 96" x 115" King Flat - 115" x 115" Fitted Sheet Twin Fitted - 39" x 75" Queen Fitted - 60" x 80" King Fitted - 78" x 80" *All sizes of our fitted sheets fit up to a 17" gusset. Pillowcases Standard - 20" x 30" King - 20" x 40" *Two pillowcases included per sheet set. Care Machine wash cold, gentle cycle. Do not mix colors, do not bleach or use fabric softener. Tumble dry low, remove promptly. Warm iron, if needed. May also be professionally cleaned. Due to the natural fiber content in this product, please allow between 5%-8% shrinkage of this item upon laundering. Shrinkage can be reduced by always washing in cold water and drying in low heat. Product Certification Standard 100 by OEKO-TEX® Certified Toxin-free and made to the highest standard, every component of this product complies with the rigorous OEKO-TEX® standards that test for harmful substances and textile safety. Learn More

L-O-V-E Arranger: Bert Kaempfert, Milt Gabler arr. Kirby Shaw Publisher: Category: Choral Series: Jazz Chorals Format: Voicing: SSA No ...

L-O-V-E Composer: Bert Kaempfert, Milt Gabler arr. Kirby Shaw Publisher: Category: Choral Series: Jazz Chorals Format: Voicing: SAB No ...

L-O-V-E Arranger: Bert Kaempfert, Milt Gabler arr. Kirby Shaw Publisher: Category: Choral Series: Jazz Chorals Format: Voicing: SATB No...

This recording is not only an excursion into the "organ no-man's-land" between baroque and rococo, it is also an excellent portrait of the Gabler organ in the Basilica in Weingarten. All the composers presented here were pupils of Johann Sebastian Bach, including the Erfurth organist Joh. Christian Kittel, whose choral arrangements point clearly towards Mendelssohn. a big compliment to the player, whose stylistic competence never gets tedious for an instant. (FonoForum)

His classic films illuminated everyone's childhood. The theme parks are on every tourist itinerary. The movie empire is one of Hollywood's biggest. Walt Disney is one of the few men who unquestionably changed our culture. And Neal Gabler is the first author to have had complete access to the Disney Archives, enabling him to write the definitive biography of this remarkable man. Gabler charts Disney's journey from running a fledgling studio with short cartoons featuring Mickey Mouse and Donald Duck, to the reinvention of animation with full-length films like Snow White, Pinocchio, Bambi and Dumbo. Chronicling Walt's profligacy and expansionism, as well as his obsessive perfectionism when working on the briefest of sequences in Fantasia, Gabler describes how it was left to Walt's brother Roy to keep the business solvent. The successes speak for themselves - Disney then moved beyond animation with huge hits like Mary Poppins, and mixed utopianism and merchandising to conceive the world's first modern theme park, Disneyland. In addition to the towering achievements, Gabler shows the dark side of Walt Disney - ruthless towards long-serving staff, cavalier with contracts, neglectful of his family - but also the vulnerability, born of loneliness and ill health, in an admirably balanced portrait.

The book is a beautifully illustrated memoir of Mary Ella Gabler, the founder of Peacock Alley. It's a tale of a female entrepreneur, making her way in the 1960s into the world-class brand she owns today. She introduced America to fine linens in a time when we didn't even know we should care, and she's stayed true to a palette of understated elegance from day one to today, 40 years later, in 2013.

(A corrected text, first published in 1984 after seven years textual research. Professor Gabler and his team of scholars returned to the original manuscripts, drafts and proofs in order to reconstruct as closely as possible the creative process by which Joyce wrote Ulysses)

Gathers the Norwegian writer's most important dramas, including A Doll's House, An Enemy of the People, Hedda Gabler, and Ghosts

A magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.

(A corrected text, first published in 1984 after seven years textual research. Professor Gabler and his team of scholars returned to the original manuscripts, drafts and proofs in order to reconstruct as closely as possible the creative process by which Joyce wrote Ulysses)

"Ma'am, I'm not one of the bad guys."So says the handsome man Martha Gabler encounters near her isolated mountain cabin. Tristan Sinclair claims he's an ATF agent working undercover. And that if she doesn't play along as his unexpected girlfriend, they'll both end up dead. Nursing a broken heart, Martha knows a thing or two about love that isn't real. Still, she calls up all her faith and turns her shaky trust over to Tristan. Soon she's hoping he'll take on a new mission: guarding her for the rest of her life.