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In his autobiography, Goethe half-apologetically admits the youthful enthusiasm he experienced for alchemical and mystical readings: Georg von Welling's obscure Opus Mago-Cabbalisticum et Theosophicum and the anonymously published Aurea Catena Homeri, as well as works by Paracelsus, Basilis Valentinus and van Helmont. Originally published in 1952, this study shows how the symbols and concepts of alchemy played a key role in the genesis of Goethe's later works, both scientific and literary. Author of, among other books on German literature, Goethe: A Critical Introduction (1967) and An Introduction to German Poetry (1965), Ronald D. Gray details Goethe's alchemical readings, and shows how these influences were processed and transformed into a unique blend of scientific and poetic accounts of reality. Unprecedented in its approach, this study will be of interest to readers of German literature, as well as to anyone interested in the history and evolution of mysticism.

This large print edition of Goethe's classic Faust is printed on high quality paper in an easy-to-read format. Illustrated throughout with art by Harry Clarke.

Examines Goethe's neglected but sizable body of scientific work, considers the philosophical foundations of his approach, and applies his method to the real world of nature.Though best known for his superlative poetry and plays, Johann Wolfgang von Goethe (1749-1832) also produced a sizable body of scientific work that focused on such diverse topics as plants, color, clouds, weather, and geology. Goethe’s way of science is highly unusual because it seeks to draw together the intuitive awareness of art with the rigorous observation and thinking of science. Written by major scholars and practitioners of Goethean science today, this book considers the philosophical foundations of Goethe’s approach and applies the method to the real world of nature, including studies of plants, animals, and the movement of water. Part I discusses the philosophical foundations of the approach and clarifies its epistemology and methodology; Part II applies the method to the real world of nature; and Part III examines the future of Goethean science and emphasizes its great value for better understanding and caring for the natural environment.

This immensely readable and absorbing book - the first of a three-volume series on understanding the human mind - concentrates on three major figures who have changed our image of human beings. Kaufmann drastically revises traditional conceptions of Goethe, Kant, and Hegel, showing how their ideas about the mind were shaped by their own distinctive mentalities.Kaufmann's version of psychohistory stays clear of gossip and is carefully documented. He offers us a radically new understanding of two centuries of intellectual history, but his primary focus is on self-knowledge. He is in a unique position to perform this task by virtue of being, according to Stephen Spender, "the best translator of Faust"; and in Sidney Hook's view, "unquestionably the most interesting and informative writer of Hegel in English."The foremost interpreter of Kant, Lewis White Beck, has called this book on Goethe, Kant, and.Hegel "fascinating" - a work which "will stir up a good many people by telling them things they have never heard, and providing an alternative to what is the accepted reading of that part of the history of philosophy. The story of how personality affects philosophy has never been better told." We are shown how Goethe advanced the discovery of the mind more than anyone before him, while Kant was in many ways a disaster. Hegel, like others between 1790 to 1990, tried to reconcile Kant and Goethe.Kaufmann shows this is impossible He paints a large picture, but he is always highly specific and details the major contributions of Goethe and Hegel as well as the ways in which Kant's immense influence proved catastrophic.

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For many readers in the English-speaking world, Goethe has somehow remained separate from the European intellectual and literary tradition. In this unique and wide-ranging study, Matthew Bell aims to correct this view by showing how Goethe portrayed human beings as part of a natural continuum, very much in the spirit of the Enlightenment. Bell's fresh readings of Goethe's major and lesser-known texts are set against the background of the science and philosophy of the age, and the writer's debts to other thinkers are analyzed. Placing Goethe in an anthropological context, Goethe and Naturalistic Anthropology demonstrates that eighteenth-century anthropological thought provides an essential, hitherto overlooked context for the understanding of Goethe's literary enterprise from Werther to Die Wahllverwandtschaften.

An anthology of Goethe's dramatic works in translation, including more than forty plays, fragments of plays, and rough outlines, also examines the German playwright's long association with the theater and his experiences as director and manager

In this collected handbook-type volume on Goethe´s famous "Wahlverwandschaften" [Elective Affinities] renowned scholars and Goethe-experts not only take stock of the present state of research, but also develop new questions and perspectives for the interpretation of this complex work. The volume is interdisciplinary in its orientation. The novel and its narrative art are examined and opened up both from within specific disciplines and across disciplines. Indexes of names and keywords, together with a research bibliography with partial commentary assist the reader navigating the book.

In his autobiography, Goethe half-apologetically admits the youthful enthusiasm he experienced for alchemical and mystical readings: Georg von Welling's obscure Opus Mago-Cabbalisticum et Theosophicum and the anonymously published Aurea Catena Homeri, as well as works by Paracelsus, Basilis Valentinus and van Helmont. Originally published in 1952, this study shows how the symbols and concepts of alchemy played a key role in the genesis of Goethe's later works, both scientific and literary. Author of, among other books on German literature, Goethe: A Critical Introduction (1967) and An Introduction to German Poetry (1965), Ronald D. Gray details Goethe's alchemical readings, and shows how these influences were processed and transformed into a unique blend of scientific and poetic accounts of reality. Unprecedented in its approach, this study will be of interest to readers of German literature, as well as to anyone interested in the history and evolution of mysticism.

Neu -Dieses Buch - wie stets bei der Autorin auf der Grundlage akribischer Recherchen erarbeitet - enthüllt vor dem Hintergrund von Kriegen und Wirrnissen, von Kongruenz und Widerstreit zwischen den benachbarten Fürstenhöfen Gotha und Weimar ein weitgehend unbekanntes Kapitel in Goethes Biographie und fügt ihr eine neue, aufregende Farbe hinzu. 239 pp. Deutsch

This is a concise survey and criticism of Goethe's work, for the general reader and the student. It is intended as a useful first book from which the reader can proceed to more specialised studies. Here Goethe's work is seen as a whole, and from the point of view of literary criticism. The first chapter summarises Goethe's life. The other chapter discuss the works, singly and in groups. Much attention is given to the poems; and there are two long chapters on Faust. Werther, Wilhelm Meister, Elective Affinities, and the Divan are given a chapter each; so are the dramatic works, the autobiographical writings, and the scientific work. A refreshing aspect of the book is that while Dr Gray takes account of earlier criticism he also seeks to see Goethe's work entirely afresh, and to reappraise it; by questioning the value of some works, he enhances the valuation of others. Quotation is in German, but English translations are given in footnotes. There is a useful comparative table of biographical dates, which shows what was happening, politically and culturally, in Europe while Goethe lived. There are references at the end of the book, a select bibliography and an index. The book can be used in conjunction with Dr Gray's selection of the poems. The two books together are the best possible introduction to one the greatest European men of letters.

1144 Seiten Ca. 30 S. mit Bleistiftanstreichungen. ISBN: 9783618605003 Sprache: Deutsch Gewicht in Gramm: 638

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Excerpt from Goethe's Faust: Second Part, a Commentary on the Literary Bible of the OccidentThe chief Mythologies of this poem are the Greek and Teutonic, or Classic and Romantic.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Goethe's creative spirit is examined in connection with his attitude to love. The young Rudolf Steiner said of this book: "The honor of showing that love was not merely one attribute of Goethe's being among many others, but rather the very foundation of his entire poetry and thought, that it was his religion, and that all his creations can only be correctly understood when considered from this point of view. This honor belongs to this book of Schröer's."

Goethe's creative spirit is examined in connection with his attitude to love. The young Rudolf Steiner said of this book: "The honor of showing that love was not merely one attribute of Goethe's being among many others, but rather the very foundation of his entire poetry and thought, that it was his religion, and that all his creations can only be correctly understood when considered from this point of view. This honor belongs to this book of Schröer's."

of him in like measure within myself, that is my highest wish. This noble individual was not conscious of the fact that at that very moment the divine within him and the divine of the universe were most intimately united. So, for Goethe, the resonance with a natural rationality seems part of the genius of modern science. Einstein's 'cosmic religion', which reflects Spinoza, also echoes Goethe's remark (Ibid. , Item 575 from 1829): Man must cling to the belief that the incomprehensible is comprehensible. Else he would give up investigating. But how far will Goethe share the devotion of these cosmic rationalists to the beautiful harmonies of mathematics, so distant from any pure and 'direct observation'? Kepler, Spinoza, Einstein need not, and would not, rest with discovery of a pattern within, behind, as a source of, the phenomenal world, and they would not let even the most profound of descriptive generalities satisfy scientific curiosity. For his part, Goethe sought fundamental archetypes, as in his intuition of a Urpjlanze, basic to all plants, infinitely plastic. When such would be found, Goethe would be content, for (as he said to Eckermann, Feb. 18, 1829): . . . to seek something behind (the Urphaenomenon) is futile. Here is the limit. But as a rule men are not satisfied to behold an Urphaenomenon. They think there must be something beyond. They are like children who, having looked into a mirror, turn it around to see what is on the other side.

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This book explains the background and rationale of the German poet Johann Wolfgang von Goethe's notorious attack on Isaac Newton's classic theory of white light and colors. Though the merits of Goethe's color science, as advanced in his massive Zur Farbenlehre, have often been acknowledged, it has been almost unanimously proclaimed invalid as physics. How could Goethe have been so mistaken? In his book, Dennis Sepper shows that the condemnation of Goethe's attacks on Newton has been based on erroneous assumptions about the history of Newton's theory and the methods and goals of Goethe's color science. By illuminating the historical background and the experimental, methodological, and philosophical aspects of Goethe's work, the author shows that his color theory is in an important sense genuinely physical and that, as simultaneously poet, scientist, historian, and philosopher, Goethe managed to anticipate important twentieth-century research not only in the history and philosophy of science, but even in color science itself.