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A stunning, imaginative novel about the great architect of ParisBaron Georges-Eugène Haussmann, who demolished and rebuilt Paris in the middle of the nineteenth century, was the first urbanist of the modern era--and perhaps the greatest. He presided over two decades of riches, peace, and progress in a city the likes of which no one had ever seen before, with boulevards monumentally conceived and brilliantly lit, clean water, public transportation, and sewers that were the envy of every nation in the world. Yet there is a story that, on his deathbed, Haussmann wished all his work undone. "Would that it had died with me!" he is supposed to have said. What is the secret of the baron's last regret?To answer this question, Haussmann tells the story of Madeleine, a foundling who grew up in the magical, chaotic world that Haussmann destroyed; of de Fonce, one of the great artistes démolisseurs who tore Paris down and sold its rubble as antiques; and of a three-sided affair that pits love against ambition, architecture against flesh, and the living Parisians against Haussmann's unbuilt masterpiece, the Railroad of the Dead. Although steeped in history, Paul LaFarge's Haussmann, or the Distinction is a novel not bound by fact; it is an account of the hidden, sometimes fantastical life of the nineteenth century, a work that will make readers think of Borges as well as Balzac; it is a view of cities, of love, and of history itself from the other side of the mirror.

Paperback. Text in French. Minor wear to spine of wrappers & some warping to wrappers, otherwise very good.

Today's Paris is largely the legacy of Baron Haussmann, who created the 'City of Lights' during the last half of the nineteenth century. Although neither architect nor engineer, Haussmann reshaped France's capital during his seventeen years as Prefect of the Seine under Napoleon III. Haussmann demolished much of the crowded medieval Paris and replaced it with grand boulevards, majestic spaces, and triumphant monuments. Set against the political intrigue and social upheavals of the era of the Commune and the revolutions of 1848, Transforming Paris reveals how Haussmann came to have the power to remake the city.At once an elegantly written biography of Haussmann and an accessible history of Paris's transition into a modern city, this book will appeal to historians and delight anyone intrigued by Paris.

Stephane Kirkland gives an engrossing account of Napoleon III, Baron Haussmann, and one of the greatest transformations of a major city in modern historyTraditionally known as a dirty, congested, and dangerous city, 19th Century Paris, France was transformed in an extraordinary period from 1848 to 1870, when the government launched a huge campaign to build streets, squares, parks, churches, and public buildings. The Louvre Palace was expanded, Notre-Dame Cathedral was restored and the French masterpiece of the Second Empire, the Opéra Garnier, was built. A very large part of what we see when we visit Paris today originates from this short span of twenty-two years.The vision for the new Nineteenth Century Paris belonged to Napoleon III, who had led a long and difficult climb to absolute power. But his plans faltered until he brought in a civil servant, Georges-Eugène Haussmann, to take charge of the implementation. Heedless of controversy, at tremendous cost, Haussmann pressed ahead with the giant undertaking until, in 1870, his political enemies brought him down, just months before the collapse of the whole regime brought about the end of an era.Paris Reborn is a must-read for anyone who ever wondered how Paris, the city universally admired as a standard of urban beauty, became what it is.

A decade after the publication of Haussmann, or the Distinction, his acclaimed novel about nineteenth-century Paris, Paul La Farge turns his imagination to America at the dawn of the twenty-first century.In September 2000, a young programmer comes home from a fes­tival in the Nevada desert and learns that his grandfather has died, and that he has to return to Thebes, a town which is so isolated that its inhabitants have their own language, in order to clean out the house where his family lived for five generations. While he’s there, he runs into Yesim, a Turkish American woman whom he loved as a child, and begins a romance in which past and present are dangerously confused. At the same time, he remembers San Francisco in the wild years of the Internet boom, and mourns the loss of Swan, a madman who may have been the only person to understand what was happening to the city, and to the world.Luminous Airplanes has a singular form: the novel, complete in itself, is accompanied by an online “immersive text,” which continues the story and complements it. Nearly ten years in the making, La Farge’s ambitious new work considers large worlds and small ones, love, mem­ory, family, flying machines, dance music, and the end of the world.

In the two decades between 1850 and 1870 Napoleon III and his Prefect of the Seine, Baron Haussmann, created the modern city of Paris out of the congested and ill-equipped capital of the 18th century. They gave Paris many of its present major streets, its great municipal parks, the Central Markets, the Opera House and other well-known buildings, as well as a water supply system and a network of sewers that still serve the city. The various factors of the venture: the city's rapidly increasing population, the challenging engineering problems, the political complications, and the clash of personalitites involved are here considered. The author presents the whole undertaking in the perspective of French political and economic history, shows its relation to the public health movement of the mid-nineteenth century, and explains its significance in the history of city planning.Originally published in 1958.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century. Revisiting the sites of Marville’s photographs with a black cloth, tripod, and view camera, Peter Sramek creates here a visually stunning book that investigates how urban development, the use of photography as a documentary medium, and the representation of urban space reflect attitudes towards the city. The essays that run alongside these fascinating images discuss subjects such as the aesthetics of ruins and the documentation of the demolitions that preceded Haussmannization, as well as the different approaches taken by Marville and Atget to their work. The book also includes contemporary interviews with local Parisians, extracts from Haussmann’s own writing, and historical maps that allow for an intriguing look at the shifting city plan.Sure to be of interest to lovers of the city, be they Parisians or visitors, Piercing Time provides a unique snapshot of historical changes of the past 150 years. But it will also be of enduring value to scholars. The accurate cataloguing and high quality reproductions of the images make it a resource for a significant portion of the Marville collection in the Musée Carnavalet, and it will aid further research in urban history and change in Paris over the past century and a half. Photographers will also be drawn to the book for its new thinking in relation to documentary methodologies.

During the Second Empire (1852-1870), Baron Haussmann and Emperor Napoleon III reconstructed Paris into the "City of Light". The government and other public institutions commissioned many photographers - among them Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustav Le Gray - to record the old Parisian architecture and to document the demolition and reconstruction. Shelly Rice explores not only the literal connections between photography and the transformation of Paris but also the metaphorical ones. All of the essays revolve around a central theme - the creation of modern urban space, in both two and three demensions, and the impact of this space on the lives of those who walked the streets of the 19th century.

The ultimate goal of urban planning must always be utopian--to improve the lives of citizens, at work or at play. The course of history shows that notions of civic "happiness" as expressed in urban design can take many different forms, from Baron Haussmann's Parisian boulevards in the nineteenth century to the many urban experiments of the twentieth century. Not that the ideals of planners always match the needs of the inhabitants; as we know, all too often the opposite occurs, and the actual usages of urban space end up undermining the intentions of their original conceptions. Urban Planning and the Pursuit of Happiness assembles 12 case studies culled from various countries and eras, from the Enlightenment to late Modernism, that compare the perspectives of state planners and users of urban space.

Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century. Revisiting the sites of Marville’s photographs with a black cloth, tripod, and view camera, Peter Sramek creates here a visually stunning book that investigates how urban development, the use of photography as a documentary medium, and the representation of urban space reflect attitudes towards the city. The essays that run alongside these fascinating images discuss subjects such as the aesthetics of ruins and the documentation of the demolitions that preceded Haussmannization, as well as the different approaches taken by Marville and Atget to their work. The book also includes contemporary interviews with local Parisians, extracts from Haussmann’s own writing, and historical maps that allow for an intriguing look at the shifting city plan.Sure to be of interest to lovers of the city, be they Parisians or visitors, Piercing Time provides a unique snapshot of historical changes of the past 150 years. But it will also be of enduring value to scholars. The accurate cataloguing and high quality reproductions of the images make it a resource for a significant portion of the Marville collection in the Musée Carnavalet, and it will aid further research in urban history and change in Paris over the past century and a half. Photographers will also be drawn to the book for its new thinking in relation to documentary methodologies.

Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary “rephotographs” taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century. Revisiting the sites of Marville’s photographs with a black cloth, tripod, and view camera, Peter Sramek creates here a visually stunning book that investigates how urban development, the use of photography as a documentary medium, and the representation of urban space reflect attitudes towards the city. The essays that run alongside these fascinating images discuss subjects such as the aesthetics of ruins and the documentation of the demolitions that preceded Haussmannization, as well as the different approaches taken by Marville and Atget to their work. The book also includes contemporary interviews with local Parisians, extracts from Haussmann’s own writing, and historical maps that allow for an intriguing look at the shifting city plan.Sure to be of interest to lovers of the city, be they Parisians or visitors, Piercing Time provides a unique snapshot of historical changes of the past 150 years. But it will also be of enduring value to scholars. The accurate cataloguing and high quality reproductions of the images make it a resource for a significant portion of the Marville collection in the Musée Carnavalet, and it will aid further research in urban history and change in Paris over the past century and a half. Photographers will also be drawn to the book for its new thinking in relation to documentary methodologies.

During the Second Empire (1852-1870), Baron Haussmann and Emperor Napoleon III reconstructed Paris into the "City of Light". The government and other public institutions commissioned many photographers - among them Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustav Le Gray - to record the old Parisian architecture and to document the demolition and reconstruction. Shelly Rice explores not only the literal connections between photography and the transformation of Paris but also the metaphorical ones. All of the essays revolve around a central theme - the creation of modern urban space, in both two and three demensions, and the impact of this space on the lives of those who walked the streets of the 19th century.

London is one of the world’s greatest cities, and its architecture is a unique heritage.  The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris.In London, it is the variety of the streets, buildings, and parks that strikes the visitor. No king or government has ever set its mark here. Private ownership has shaped the city, and architects have served a wide variety of clients. London’s Classical era produced an elegant townscape between 1600 and 1830, but medieval, Tudor, and Victorian London were a potpourri of buildings large and small, each making its own design statement.In London: An Architectural History Anthony Sutcliffe takes the reader through two thousand years of architecture from the sublime to the mundane. With over 300 color illustrations the book is intended for the general reader and especially those visiting London for the first time.

A sparkling account of the nineteenth-century reinvention of Paris as the most beautiful, exciting city in the world In 1853, French emperor Louis Napoleon inaugurated a vast and ambitious program of public works in Paris, directed by Georges-Eugène Haussmann, the prefect of the Seine. Haussmann transformed the old medieval city of squalid slums and disease-ridden alleyways into a "City of Light" characterized by wide boulevards, apartment blocks, parks, squares and public monuments, new rail stations and department stores, and a new system of public sanitation. City of Light charts this fifteen-year project of urban renewal which--despite the interruptions of war, revolution, corruption, and bankruptcy--set a template for nineteenth and early twentieth-century urban planning and created the enduring landscape of modern Paris now so famous around the globe. Lively and engaging, City of Light is a book for anyone who wants to know how Paris became Paris.