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A New York Times Book Review Editor's Choice and Nominated for the 2017 PEN/Bograd Weld Prize for BiographyA captivating exploration of A. E. Housman and the influence of his particular brand of EnglishnessA. E. Housman’s A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influenced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey. Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical.

A New York Times Book Review Editor's Choice and Nominated for the 2017 PEN/Bograd Weld Prize for BiographyA captivating exploration of A. E. Housman and the influence of his particular brand of EnglishnessA. E. Housman’s A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English coun - tryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influ - enced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey. Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical.

A.E. Housman (1859-1936) was a man of many apparent contradictions, most of which remain unresolved 150 years after his birth. At once a deeply emotive lyric poet and a precise and dedicated classical scholar, he achieved fame in both of these diverse disciplines. Although his poetic legacy has received much scholarly analysis, and yet more attention has been devoted to reconstructing his private life, no previous work has focused on Housman the classical scholar; yet it is upon scholarship that Housman most wished to leave his mark. This timely collection of papers by leading scholars reassesses the breadth and significance of Housman's contribution to classical scholarship in both his published and unpublished writings, and discusses how his mantle has been passed on to later generations of classicists.

This is a collection of essays which shows that academic interest in Housman is still strong. There are contributions from the UK, the USA and Israel focusing on close readings, historical and bibliographical studies, and comparisons with other writers. Housman is seen as man and poet, classicist and inspiration for song-writers. Not since 1968, when Christopher Ricks edited the volume A.E. Housman: A Collection of Critical Essays , has there been such a wide-ranging assessment of the life and work of a great classical scholar and popular poet.

Unread book in perfect condition.

Lovers of Housman's poetry and admirers of his scholarship have long been aware, from the Introductory Lecture of 1892 and The Name and Nature of Poetry, 1933, that he was also master of a highly individual prose style; and others besides classical students have relished the pungency of the famous preface to his edition of Manilius. Here, in addition to these, is a selection of Housman's writings, both scholarly and general, gathered from periodicals and other out-of-the-way sources, which decisively confirms his reputation as a prose stylist. The prefaces, the adversaria and the reviews, in particular, give the layman an idea of the precision and the penetration of exact scholarship. Housman's comments and judgements on other men illuminate his own nature: withdrawn, austere, even crusty, yet gentle with the unassuming; ruthless in exposure of arrogance and pretension.

The Letters of A. E. Housman is a scholarly edition of over 2200 letters. (The previous edition, edited by Henry Maas, contained just over 880.) The letters cover the whole range of Housman's daily activities, whether he writes as poet, Professor of Latin, son, brother, uncle, friend, or citizen. Thus they allow the fullest possible revelation of a man whose reserve was legendary. He emerges as a more amiable, more sociable, more generous, more painstaking, and more complex person than has previously been realized. In most cases the source of the text is a manuscript, and this has resulted in a text that is more accurate and more complete than any previously available. Accompanying the text are notes covering persons and places, poetry, classical scholarship, publishing history, and literary allusion and echo.

Lovers of Housman's poetry and admirers of his scholarship have long been aware, from the Introductory Lecture of 1892 and The Name and Nature of Poetry, 1933, that he was also master of a highly individual prose style; and others besides classical students have relished the pungency of the famous preface to his edition of Manilius. Here, in addition to these, is a selection of Housman's writings, both scholarly and general, gathered from periodicals and other out-of-the-way sources, which decisively confirms his reputation as a prose stylist. The prefaces, the adversaria and the reviews, in particular, give the layman an idea of the precision and the penetration of exact scholarship. Housman's comments and judgements on other men illuminate his own nature: withdrawn, austere, even crusty, yet gentle with the unassuming; ruthless in exposure of arrogance and pretension.

A.E. Housman (1859-1936) was a man of many apparent contradictions, most of which remain unresolved 150 years after his birth. At once a deeply emotive lyric poet and a precise and dedicated classical scholar, he achieved fame in both of these diverse disciplines. Although his poetic legacy has received much scholarly analysis, and yet more attention has been devoted to reconstructing his private life, no previous work has focused on Housman the classical scholar; yet it is upon scholarship that Housman most wished to leave his mark. This timely collection of papers by leading scholars reassesses the breadth and significance of Housman's contribution to classical scholarship in both his published and unpublished writings, and discusses how his mantle has been passed on to later generations of classicists.

Norman Page provides us with an insight into Housman the poet, the scholar and the man.

A complete collection, in three volumes, of the classical articles and reviews of A. E. Housman. These papers were originally published between 1882 and 1936 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment. At the end of Volume III there are very elaborate and comprehensive indexes of passages, words and topics discussed by Houston. The Kleine Schriften of great scholars are among the most important and useful tools of the classicist's trade. This edition will be of the first importance among such collections and will provide an essential work of reference. Housman's known virtues as a textual critic are decisively confirmed and emphasized now that his papers can be seen in one complete and connected sequence.

Housman's melodic and memorable poems have been popular for over a century. He writes typically of lost love, of the brevity of happiness, of young soldiers doomed to die. Admirers have found his work elegant and resonant; detractors have thought much of it mannered and glib. But Housman speaks with two voices: the smooth texts conceal a dark sub-text. This tormented and secretive man wrote poems alive with indirect self-disclosure.

This volume constitutes the authorized canon of A.E. Housman€™s verse as it was established in 1939, three years after his death. In contains A Shropshire Lad, Last Poems, More Poems, the Additional Poems, and the three translations from A.W. Pollard€™s anthology, Odes from the Greek Dramatists.

The Letters of A. E. Housman is a scholarly edition of over 2200 letters. (The previous edition, edited by Henry Maas, contained just over 880.) The letters cover the whole range of Housman's daily activities, whether he writes as poet, Professor of Latin, son, brother, uncle, friend, or citizen. Thus they allow the fullest possible revelation of a man whose reserve was legendary. He emerges as a more amiable, more sociable, more generous, more painstaking, and more complex person than has previously been realized. In most cases the source of the text is a manuscript, and this has resulted in a text that is more accurate and more complete than any previously available. Accompanying the text are notes covering persons and places, poetry, classical scholarship, publishing history, and literary allusion and echo.

A complete collection, in three volumes, of the classical articles and reviews of A. E. Housman. These papers were originally published between 1882 and 1936 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment. At the end of Volume III there are very elaborate and comprehensive indexes of passages, words and topics discussed by Houston. The Kleine Schriften of great scholars are among the most important and useful tools of the classicist's trade. This edition will be of the first importance among such collections and will provide an essential work of reference. Housman's known virtues as a textual critic are decisively confirmed and emphasized now that his papers can be seen in one complete and connected sequence.

In shrink wrap. Looks like an interesting title!

BEAUTIFUL LIES YOU COULD LIVE in was the sixth Tom Rapp/Pearls Before Swine release and the fourth and last on Warner Brothers. Originally released in 1971 with a more country/rock sound, BEAUTIFUL LIES includes a cover of Leonard Cohens "Bird On A Wire" and a brief setting of A.E. Housman's poem, "Epitaph on an Army of Mercenaries", sung by Elisabeth Rapp. On 180 gram vinyl.

This is a collection of essays that sets out to make and break the links between psychoanalysis and literature. It gives insights into anorexia and cloning, the work of Tom Stoppard and A.E. Housman, the effect of the Blitz on Londoners, Nijinsky's diary and Martin Amis's "Night Train".

A Shropshire Lad was first published, at Housman's own expense, in 1896 after several publishers had turned it down. At first the book sold slowly, but during the Second Boer War, Housman's nostalgic depiction of rural life, the book became a bestseller The main theme of ""A Shropshire Lad"" is mortality, and advice about how we live our lives since death can come in anytime.

A Shropshire Lad By A. E. Housman