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Tabla virtuoso, composer and percussionist Zakir Hussain is an international music phenomenon. The eldest son of the legendary Ustad Allarakha, Zakir gave his first public concert at the age of seven and was immediately hailed a child prodigy. In later years, his masterful dexterity and creative genius led to his becoming one of the most sought-after accompanists to the very best of Hindustani classical musicians and dancers. Zakir Hussain is equally recognized as one of the foremost contemporary jazz and world music percussionists; he has performed at innumerable concerts both as a solo artist and with renowned jazz musicians on the grand stages of the world, from the Royal Albert Hall to Madison Square Garden. With John McLaughlin, L. Shankar and T.H. Vinayakram, Zakir Hussain created music history with the band Shakti. He has acted in James Ivory s Heat and Dust and Sai Paranjpye s Saaz, and scored music for directors such as Bernardo Bertolucci (Little Buddha), Aparna Sen (Mr. & Mrs. Iyer) and Ismail Merchant (In Custody, The Mystic Masseur); he has also played the tabla for countless 1960s Hindi film soundtracks. In an in-depth conversation with Zakir Hussain, Nasreen Munni Kabir takes the readers through the story of his life: how he was deemed an unlucky child; the early years of growing up in Mahim; his training from age four with his extraordinary father; and his experiences and memories working with a host of legendary musicians, including Pandit Ravi Shankar, Ustad Ali Akbar Khan and Ustad Vilayat Khan. A born storyteller, Zakir speaks with humour and humility of his understanding of music, his relationship with his students, his dedication and love for the tabla, and the way he negotiates life as an acclaimed celebrity living in both America and India. Zakir Hussain: A Life in Music is a brilliant introduction to the life and times of a huge music star, a revered role model and a visionary world musician.

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Tabla virtuoso, composer and percussionist Zakir Hussain is an international music phenomenon. The eldest son of the legendary Ustad Allarakha, Zakir gave his first public concert at the age of seven and was immediately hailed a child prodigy. In later years, his masterful dexterity and creative genius led to his becoming one of the most sought-after accompanists to the very best of Hindustani classical musicians and dancers. Zakir Hussain is equally recognized as one of the foremost contemporary jazz and world music percussionists; he has performed at innumerable concerts both as a solo artist and with renowned jazz musicians on the grand stages of the world, from the Royal Albert Hall to Madison Square Garden. With John McLaughlin, L. Shankar and T.H. Vinayakram, Zakir Hussain created music history with the band Shakti. He has acted in James Ivory s Heat and Dust and Sai Paranjpye s Saaz, and scored music for directors such as Bernardo Bertolucci (Little Buddha), Aparna Sen (Mr. & Mrs. Iyer) and Ismail Merchant (In Custody, The Mystic Masseur); he has also played the tabla for countless 1960s Hindi film soundtracks. In an in-depth conversation with Zakir Hussain, Nasreen Munni Kabir takes the readers through the story of his life: how he was deemed an unlucky child; the early years of growing up in Mahim; his training from age four with his extraordinary father; and his experiences and memories working with a host of legendary musicians, including Pandit Ravi Shankar, Ustad Ali Akbar Khan and Ustad Vilayat Khan. A born storyteller, Zakir speaks with humour and humility of his understanding of music, his relationship with his students, his dedication and love for the tabla, and the way he negotiates life as an acclaimed celebrity living in both America and India. Zakir Hussain: A Life in Music is a brilliant introduction to the life and times of a huge music star, a revered role model and a visionary world musician.

When we study the history of the Holy Household of the Messenger of God (s) we find that they stood with absolute devotion and determination in protection of God’s message. They stood against any attempt to misrepresent the teachings of the Holy Quran and the tradition of the Holy Prophet (s).The members of this Holy Household devoted themselves to the protection of this divine message. They dedicated themselves to the promotion of its true teachings. They sacrificed everything they had, even their own lives, in pursuit of this mission. The stance of Imam Hussain (a) is the clearest example of the Holy Household’s great sacrifices. He gave everything he had, including his own life, for the sake of reforming the nation of his grandfather and correcting the path of the nation after its deviance. In this book, we will study some of the characteristics and achievements of this great man and his movement.We will look at Imam Hussain’s (a) life and death. We will study the stance that he took and how the remainder of the Holy Household (a) contributed to that stance. We will examine the great triumph that his stance achieved despite the tragedy.

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The book is well known as Dayanita Singh’s (born 1961) primary medium, one she explores to create new relationships between photography, publishing, the exhibition and the museum. But where did her passion for the book as the ideal vessel for her photos, for the stories she tells, begin? The answer lies in Zakir Hussain, a handmade maquette Singh crafted in 1986 as her first project as a graphic design student. The protagonist of Singh’s photo essay is the Indian classical tabla virtuoso Zakir Hussain, whom she captured on the stage and at home with his family. Surrounding the photos are handwritten texts gleaned from interviews Singh made with her sitters, including insights from Hussain himself. This Steidl facsimile edition is scanned from Singh’s original maquette and reproduces all its “imperfections” and idiosyncrasies, including her pencilled notes about the book’s construction―indications of the influential book-maker to come. Shanay Jhaveri’s accompanying essay discusses how Singh intuitively assembled the book.

Who is Hussain son of Ali? Why do we need to know about him? Why is it important to know about the Battle of Karbala? Why is it important to know about it today? These are just a few of the questions that this short booklet intends to answer. It shows how Hussain is a significant historical figure not only for Muslims but for all people because he took a stand for truth, justice, and human dignity.This slim volume should be a welcome addition to the libraries of both Muslims and non-Muslims. It sheds light on the horrific events we see playing out in the world today as a consequence of events that took place in the vaults of Islamic history from the time of its formative early years in the Arabian peninsula.

The book is well known as Dayanita Singh’s (born 1961) primary medium, one she explores to create new relationships between photography, publishing, the exhibition and the museum. But where did her passion for the book as the ideal vessel for her photos, for the stories she tells, begin? The answer lies in Zakir Hussain, a handmade maquette Singh crafted in 1986 as her first project as a graphic design student. The protagonist of Singh’s photo essay is the Indian classical tabla virtuoso Zakir Hussain, whom she captured on the stage and at home with his family. Surrounding the photos are handwritten texts gleaned from interviews Singh made with her sitters, including insights from Hussain himself. This Steidl facsimile edition is scanned from Singh’s original maquette and reproduces all its “imperfections” and idiosyncrasies, including her pencilled notes about the book’s construction―indications of the influential book-maker to come. Shanay Jhaveri’s accompanying essay discusses how Singh intuitively assembled the book.

Mumbai based Haridas Vhatkar is one of the most respected tabla makers in India. His drums are played by Ustad Zakir Hussain, Pandit Anindo Chatte...

Proverbs have been Hussain Mohammed Al-Amily's passion since he was a small boy, listening to the grown-ups chatter in his Lebanese village. Later in his homeland Iraq, he became enchanted by the witty folk sayings that were part of everyday discourse. Now, for this book, he has brought together over 3,000 proverbs, humorous and wise anecdotes, and popular quotations from throughout the vast Arab and Islamic world.Within this intriguing compilation are proverbs that have their roots in the ancient civiliations of Persia and Sumeria, along with those of Kurdish, Turkish and Andalusian origin.

"There has never been an America without Muslims"―so begins Amir Hussain, one of the most important scholars and teachers of Islam in America. Hussain, who is himself an American Muslim, contends that Muslims played an essential role in the creation and cultivation of the United States. Memories of 9/11 and the rise of global terrorism fuel concerns about American Muslims. The fear of American Muslims in part stems from the stereotype that all followers of Islam are violent extremists who want to overturn the American way of life. Inherent to this stereotype is the popular misconception that Islam is a new religion to America. In  Muslims and the Making of America Hussain directly addresses both of these stereotypes. Far from undermining America, Islam and American Muslims have been, and continue to be, important threads in the fabric of American life. Hussain chronicles the history of Islam in America to underscore the valuable cultural influence of Muslims on American life. He then rivets attention on music, sports, and culture as key areas in which Muslims have shaped and transformed American identity. America, Hussain concludes, would not exist as it does today without the essential contributions made by its Muslim citizens.

A selection of hadiths and Ziarat narrated by Masoomeen (asws) regarding the importance of performing the Ziarat of Imam Hussain (asws) as well as how to properly perform the Ziarat of Imam Hussain (asws) and other Masoomeen (asws)

“Surely, whoever follows me will be martyred. Whoever does not follow me will not witness the Triumph.” These were some of Imam Hussain’s last words before leaving Medina. He set out from Medina towards Kufa, and ultimately to Karbala, knowing the great sacrifice that he would make. He foretold of his fate and knew that his movement will only result in a crushing military defeat. But he also knew the great value – the great triumph – that was to be gained. He set out not to achieve any immediate results or short term goals. Rather, his movement was meant to build an eternal legacy and achieve lasting reform in the nation of his grandfather. But what and how did Imam Hussain reform the nation of his grandfather? Why did Imam Hussain sacrifice as he did? What was the context in which this sacrifice and tragedy took place? What was the role of the remainder of the Household of the Prophet before and after the tragedy? What was Imam Hussain’s goal and how did he triumph despite the grand massacre? Understanding Karbala is an in depth historical and theological analysis that attempts to answer these far-reaching questions about Imam Hussain’s movement. Based on the work of Grand Ayatollah Muhammad Saeed al-Hakeem, the book looks at the driving factors behind Imam Hussain’s journey. It sets the theological framework for studying the movement of the Household of Prophet Muhammad, and then begins to analyze their choices as seen in their words and actions, as well as the historical context in which they operated. The book also looks at the great triumph Imam Hussain aimed for and was able to achieve through his movement. By studying the short and long term effects of the grand tragedy, the book sheds light on Imam Hussain’s objectives and achievements, and how the remainder of the Household of the Prophet worked to preserve that triumph.

"There has never been an America without Muslims"―so begins Amir Hussain, one of the most important scholars and teachers of Islam in America. Hussain, who is himself an American Muslim, contends that Muslims played an essential role in the creation and cultivation of the United States. Memories of 9/11 and the rise of global terrorism fuel concerns about American Muslims. The fear of American Muslims in part stems from the stereotype that all followers of Islam are violent extremists who want to overturn the American way of life. Inherent to this stereotype is the popular misconception that Islam is a new religion to America. In  Muslims and the Making of America Hussain directly addresses both of these stereotypes. Far from undermining America, Islam and American Muslims have been, and continue to be, important threads in the fabric of American life. Hussain chronicles the history of Islam in America to underscore the valuable cultural influence of Muslims on American life. He then rivets attention on music, sports, and culture as key areas in which Muslims have shaped and transformed American identity. America, Hussain concludes, would not exist as it does today without the essential contributions made by its Muslim citizens.

On the tenth day of the month of Muharram, fifty years after the passing of the Holy Prophet Muhammad (s), Imam Hussain (a) and a small number of family members and companions were slaughtered at the hands of the Umayyad government. They made their stance on the land of Karbala with determination and resolve. They did not waiver in the face of an army of thousands. They made that stance in the hope that their memory will bring life to a Muslim nation which was spiraling fast down the road of deviance. More than thirteen centuries have passed since. Yet every year, Muslims around the world continue to commemorate the tragedy and remember Imam Hussain’s (a) great sacrifice. Devotees from around the globe flock to his grave in Karbala to visit and supplicate. They remember the events of that bloody massacre and the valor of Imam Hussain (a) and his companions. They recite verse and prose in commemoration of that stance. Because of the great importance of the tragedy and the passion that it infused into the Muslim nation, Umayyad authorities did all they could to erase its memory. They forbade the mentioning of Imam Hussain (a), persecuted anyone who professed love to the Holy Prophet’s (s) household, and spread false ideologies that absolved them of any culpability. Despite all this, Imam Hussain’s (a) stance was engraved into the conscience of the Muslim nation. As Lady Zaynab proclaimed in the court of Yazid, “By God, you will never erase our remembrance or kill our inspiration.” The Maqtal: A Narration of the Saga of Karbala is a compilation of the events that took place in the land of Karbala and is prepared for the specific purpose of providing reciters and lecturers with a resource to use during the mourning of Ashura.

But We Cannot See Them: Tracing a UAE Art Community, 1988-2008 is edited by Maya Allison, with essays by Aisha Astoby and Adel Khoza, and interviews with members of the community, including Hassan Sharif, Mohamed Ahmed Ibrahim, Abdullah Al Saadi, Mohammed Kazem, Hussain Sharif, Vivek Vilasini,Ebtisam Abdulaziz, Cristiana De Marchi, Nujoom Alghanem and Khalid Albudoor. This is the first comprehensive sourcebook for one of the most important contemporary art communities in the UAE s history. It centers on a group sometimes called the five, at an intersection of visual artists, writers, and filmmakers based in the UAE. Its members identified with a new culture of encouraging radical, formal and conceptual experimentation. Eventually, some of these artists founded the celebrated Flying House.

“Carrying a gun is not the way to better life. So, little Hamko go to school tomorrow and learn how to read and write, even if it is in the language of your enemies”. Hamko’s enemies are Sadam Hussain and the Ba’atb regime. His moving memoir exposes the brutal violence against the Kurdish people in Iraq. Bullying, cruelty and fear are everywhere. Hamko preserves even as his people are forced to flee to their beloved mountains, where the refugees endure winter rains, minefields, and threats of chemical welfare. There, the survivors bury their dead and turn on each other for a piece of bread. But in the mid of the injustice arise unexpected acts of kinds, unmerited mercy and idealized love. In the mountains of Kurdistan, a courageous people sings songs of hope among ashes.

Hardcover. Sulaym ibn Qays Kufi Amari Hilali ra is Tabai' and has seen the lifetime of five Masoom Imams asws including Imam Ali asws Imam Hassan asws Imam Hussain asws Imam Zainul Abadeen asws and Imam Mohammed Baqir asws Sulaym has written those accounts in his priceless book which he has either observed by his own eyes or has directly heard from those who have directly heard from the Divine tongues of the Prophet Mohammed saww or Amir ul Momineen Ali ibn abi Talib asws. The date of birth of Sulaym ibn Qays can be estimated from the history somewhere during the early years after migration of the Holy Prophet saww to Medina and his demise is believed to have taken place somewhere between 70 to 90 Hijri Most of the Shia scholars have agreed that his book is the first Shia Ahadith book compiled even before the famous Shia book consisting of the sermons and Ahadith narrated by mam Zain ul Abadeen asws 'Sahifa e Kamila' Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Mian Fazl-I-Hussain Author: Azim Hussain Book Subject: Biography Isbn Number: 9693502922 Year Of Publication: 1993 Language: English

The Jurisprudence of Emergency examines British rule in India from the late eighteenth to the early twentieth century, tracing tensions between the ideology of liberty and government by law used to justify the colonizing power's insistence on a regime of conquest. Nasser Hussain argues that the interaction of these competing ideologies exemplifies a conflict central to all Western legal systems—between the universal, rational operation of law on the one hand and the absolute sovereignty of the state on the other. The author uses an impressive array of historical evidence to demonstrate how questions of law and emergency shaped colonial rule, which in turn affected the development of Western legality. The pathbreaking insights developed in The Jurisprudence of Emergency reevaluate the place of colonialism in modern law by depicting the colonies as influential agents in the interpretation of Western ideas and practices. Hussain's interdisciplinary approach and subtly shaded revelations will be of interest to historians as well as scholars of legal and political theory.