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Rembrandt’s legendary portrayal of Dutch militiamen, Night Watch is among the most recognized paintings in the world. Completed during the height of the Dutch Golden Age, Night Watch has inspired numerous dramatic, choreographic, and musical works—among them the second movement of Mahler’s Seventh Symphony. It is now prominently displayed in its own gallery at the Rijksmuseum in Amsterdam, where it also recently served as the inspiration behind a spectacular new exhibition. Commissioned by the Rijksmuseum to create a work in response to Night Watch, German artist and leading figure in the New Realism movement Anselm Kiefer produced La Berceuse (for Van Gogh), a colossal glass and steel installation. Kiefer’s oversize three-dimensional triptych reinterprets Rembrandt’s work using references to Van Gogh, who was known to be an admirer of Rembrandt, including sunflowers in a bed of cracked earth and a dilapidated wooden chair. As with Kiefer’s larger body of work, La Berceuse has proven highly controversial, posing new understandings of contemporary strategies of artistic development and influence. Designed by graphic artist Irma Boom and created to accompany the immensely popular exhibition, Kiefer, Rembrandt, Kiefer consists of twenty-four gorgeous full-color illustrations documenting this innovative juxtaposition of two masters of Renaissance and contemporary art.

Inspired by tree bark, this dimensional wallpaper looks beautiful in any color. Its heavy texture enhances the walls of any space. Kiefer is an unpasted, paperbacked expanded vinyl wallpaper. Color: White.

NOIZE's Kiefer puffer jacket combines warmth and functionality with a sleek design. Featuring waist flap pockets and a front zip closure with touchstraps, this hooded jacket is perfect for braving colder weather in style. Attached hood Long sleeves, ribbed cuffs Chest flap pockets Waist flap pockets One inside pocket Front zip with touchstraps Nylon Lining: Polyester Fill: Polyester Machine wash Imported. Men's - M Outerwear > Saks Off 5th. NOIZE. Color: Green. Size: M.

NOIZE's Kiefer puffer jacket combines warmth and functionality with a sleek design. Featuring waist flap pockets and a front zip closure with touchstraps, this hooded jacket is perfect for braving colder weather in style. Attached hood Long sleeves, ribbed cuffs Chest flap pockets Waist flap pockets One inside pocket Front zip with touchstraps Nylon Lining: Polyester Fill: Polyester Machine wash Imported. Men's - M Outerwear > Saks Off 5th. NOIZE. Color: Green. Size: S.

NOIZE's Kiefer puffer jacket combines warmth and functionality with a sleek design. Featuring waist flap pockets and a front zip closure with touchstraps, this hooded jacket is perfect for braving colder weather in style. Attached hood Long sleeves, ribbed cuffs Chest flap pockets Waist flap pockets One inside pocket Front zip with touchstraps Nylon Lining: Polyester Fill: Polyester Machine wash Imported. Men's - M Outerwear > Saks Off 5th. NOIZE. Color: Green. Size: XL.

NOIZE's Kiefer puffer jacket combines warmth and functionality with a sleek design. Featuring waist flap pockets and a front zip closure with touchstraps, this hooded jacket is perfect for braving colder weather in style. Attached hood Long sleeves, ribbed cuffs Chest flap pockets Waist flap pockets One inside pocket Front zip with touchstraps Nylon Lining: Polyester Fill: Polyester Machine wash Imported. Men's - M Outerwear > Saks Off 5th. NOIZE. Color: Green. Size: L.

A retrospective volume of Anselm Kiefer's work, this book addresses the artist's entire career through the lens of one compelling theme.From his earliest sculptures to his recent highly textured paintings, Anselm Kiefer has woven themes of heaven and earth into his work, exploring the polarities of these ideas while struggling to define the transcendent quality that places art squarely in between. Destruction and rebirth, glory and shame, sin and redemption all figure largely in Kiefer's often controversial depictions of Germany's physical and cultural landscape. This book of more than fifty reproductions includes Kiefer's first work, The Heavens, as well as numerous other rare early works and recent works being presented for the first time. It features an interview with the artist, which is accompanied by rich black-and-white photographs of his ongoing monumental installations on his property in Barjac, France.

Born in the final weeks of World War II--in what Germans who wished to erase it from collective memory called Year Zero--Anselm Kiefer has long sought to come to grips with his country's Nazi past. This monograph traces his development as an artist through four blocks of work which reflect the most important currents in his complex oeuvre. Moving chronologically from microcosm to macrocosm, from the intimate spaces of "Attic Images" in the 70s through the vaster "Stone Halls" of the early 80s and the archaic-looking clay architectures he created in the 90s, Kiefer's pictorial spaces climaxed in the endless universes of "Images of the Cosmos and Constellations," painted at the close of the century. With the monumental "Sunflower Paintings," the progression was complete and he returned to earth. Also included are photographs by Thomas Flechtner which document the greenhouses, underground corridor systems, and installations realized by Kiefer at his studio estate in Barjac since 1993.

Danièle Cohn, who has worked alongside Anselm Kiefer for many years, explains the central role the artist’s studios play in his artistic process. To enter a painter’s atelier is a rare privilege and the stuff of dreams, as if access to this intimate place were the key to the very act of creation. Entering an atelier allows us to see, in situ, the creative process in action, in the present; we are admitted into the space and virtually participate in the artistic act by our very presence, rather than simply observing from the outside. In this monograph, Danièle Cohn reveals how Anselm Kiefer’s ateliers—and his organization and spatial distribution of them—are essential to his artistic activity as a painter and sculptor. While they serve as production areas and storage spaces, artists’ studios are also physical representations of the mind and memory of an artist, where living and working spaces combine. This book takes the reader on an exploration through Kiefer’s various ateliers and examines the crucial role they have in the creation of his works. From the attic of a former school or a disused brickyard in Germany, via an atelier in the rural surroundings in the south of France or the urban setting of the Marais in Paris, to his current studio on the outskirts of the French capital, we discover how Anselm Kiefer’s work spaces have impacted his art.

Born in Germany in 1945, Anselm Kiefer is one of the most important artists of his generation. His works encompassing and transcending painting, sculpture, photography, and installation are epic in both scale and subject matter; in them, Kiefer wrestles with the darkness of German history, unearthing the taboos that underlie the collective past and interweaving them with Teutonic mythology, cosmology, and meditations on the nature of belief. This superbly designed volume, accompanying a major retrospective and including new works especially made for the exhibition, explores the themes that run through Kiefer s oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Anselm Kiefer is one of the most interesting - if controversial - artists in the world today. For years, he has probed both the myths and events that have shaped German history, and has offered, through his majestic paintings and lyrical artist's books, his thought-provoking insights into their relationship and significance.In Anselm Kiefer: The Psychology of "After the Catastrophe," Rafael Lopez-Pedraza presents a carefully woven and challenging new reflection on Kiefer's art, addressing the central issues of myth and history in Kiefer's work through the perspective of C.G. Jung's work, and in particular Jung's essay "After the Catastrophe." Lopez-Pedraza unfolds the nature of Kiefer's complex creativity, demonstrating how depth psychology may help us to better understand Kiefer's art and ideas. To illustrate his argument, Lopez-Pedraza uses a variety of images from Kiefer's richly productive career of over three decades, thus providing a comprehensive overview of Kiefer's entire creative expression.

A groundbreaking catalogue of the largest collection of Kiefer works in North America. Anselm Kiefer ranks among the best-known post–World War II European artists. Published to coincide with a new exhibition at the NSU Art Museum Fort Lauderdale and a long-term installation at the Massachusetts Museum of Contemporary Art, this is the first survey of one of the world’s largest collections of works by Anselm Kiefer. The Hall and Hall Art Foundation collections include major Kiefer artist books, works on paper, paintings, sculptures, and large-scale installations from the late 1960s to the present day—many of which have never before been reproduced. Among the earlier treasures are Kiefer’s artist’s books, which are reproduced here in unprecedented depth and which contain in their rough directness so much of the lyricism with which he approaches scale and material complexity. With original texts by Norman Rosenthal, Bonnie Clearwater, and Joseph Thompson, this is a beautiful document of a significant collection and a definitive celebration of one of the most important artists working anywhere today.

Fine/Near Fine 1st edition very large, imposing 2018 Schirmer Mosel hardback, unclipped DJ, profusely illustrated high quality edition. Some inky rubbing residue mainly to lower right edge of white jacket background, all else Fine, bright and unmarked. Immediate dispatch Text is in English, German. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Art & Design; English, German Language; ISBN: 3829608322. ISBN/EAN: 9783829608329. The book is available to view in-person at our Cambridge hub. The photos provided are of the actual book for sale, further condition-specific photos may be arranged upon request. Inventory No: 093761.

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Anselm Kiefer and the Philosophy of Martin Heidegger is a work of cultural history that situates the art works of one of the most important contemporary painters in relation to the existential, phenomenological and hermeneutic philosophy of Heidegger. Analyzing the development of Kiefer's art in terms of subjectivity, intersubjectivity, history, and technology, Matthew Biro demonstrates that the artist's subjects reflect and transform the philosopher's theoretical interests and intellectual development. The works of Kiefer and Heidegger, Biro argues, present a constellation of issues that unite German art and theory for most of the twentieth century. Showing the aesthetic relevance of the three stages of Heidegger's philosophical thought to Kiefer's work, this book also demonstrates the impact of Kiefer's art works on contemporary art and theory.

German artist Anselm Kiefer is one of the most important and controversial artists of the post-world war II art scene. Begining with the work he showed at the 1980 Venice Biennale, he has interpreted the great political and cultural issues at the heart of the modern European sensibility, through media as diverse as painting, photography, artist’s books, installations, and sculpture. Kiefer’s wildly expressive work receives all the space and fluent interpretation it demands in this superb high-quality production. The book’s approximately 300 full-color images trace Kiefer’s creative evolution and present his great themes in their full scope and power. The author interprets Kiefer’s art as a site where distinctions between modern and postmodern senses of representation, history, cosmology, and nature become thematic. He addresses individual works and gives the historical, biographical, art-critical, and philosophical setting for each.

Für Andrea Emo brings together around twenty paintings and three vitrines alongside recent diaries of Anselm Kiefer (born 1945). Dedicated to nihilist philosopher Andrea Emo, Kiefer's use of molten lead on painted canvases reflects his interest in the concept of destruction and regeneration.

Born in the final weeks of World War II--in what Germans who wished to erase it from collective memory called Year Zero--Anselm Kiefer has long sought to come to grips with his country's Nazi past. This monograph traces his development as an artist through four blocks of work which reflect the most important currents in his complex oeuvre. Moving chronologically from microcosm to macrocosm, from the intimate spaces of "Attic Images" in the 70s through the vaster "Stone Halls" of the early 80s and the archaic-looking clay architectures he created in the 90s, Kiefer's pictorial spaces climaxed in the endless universes of "Images of the Cosmos and Constellations," painted at the close of the century. With the monumental "Sunflower Paintings," the progression was complete and he returned to earth. Also included are photographs by Thomas Flechtner which document the greenhouses, underground corridor systems, and installations realized by Kiefer at his studio estate in Barjac since 1993.

Anselm Kiefer (b. 1945) is one of the most important and controversial artists of the twentieth century. This book, the first to analyze the essence of his work, begins with Kiefer's arrival on the international art scene at the 1980 Venice Biennale, when he sparked heated debate and controversy over the "Germanity" of his pieces. Since that time, through such diverse mediums as painting, gouache and watercolor, photography, artist's books, engravings, installations, and sculpture, Kiefer has created a body of work that is protean, theatrical, monumental, or intimate, depending on the period. He has interpreted the great political and cultural issues at the heart of the modern European sensibility: the connections among memory, history, and mythology; war; the Holocaust; and ethnic and national identity.