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Affectionately known as `Koss', Paul Kossoff's playing touched people. It still does today, more than forty years after his sad and untimely death at the age of twenty-five. This authorised biography pays fitting tribute to a much-loved and widely admired musician whose influence and inspiration is still very evident. It's all here: Kossoff's musical childhood, his formative years with Black Cat Bones, forming Free at seventeen, that group's dizzying success, breakup, reforming and dissolution, the solo years, Back Street Crawler - the sessions, the tours and big concerts, the triumphs, the tragedies and the heartbreak - J.P. James takes the reader right there. Over four distinct sections, Kossoff's many guitars and the equipment he used to make them sing are fully documented; a brand-new detailed analysis of Kossoff's distinctive playing style and technique is presented for the first time; a broad overview of Kossoff's creative life draws on the voices of family, friends and fellow musicians; and finally, Kossoff's musical influences, approach to playing and his wider musical interests, hopes and dreams are explored - all drawn from his own words. Cramming so much into his short years, Paul Kossoff left a rich musical legacy, and he is indeed All Right Now. Thoroughly researched and sensitively written, given often in Kossoff's own words and packed with anecdotes from those who were there, musicians and fans alike will enjoy this authoritative and comprehensive biography.

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Leon Kossoff is one of the most important British artists of the post-war period. Among the main preoccupations of his art has been the changing face of London's urban landscape: his earliest subjects documented London's passage from wartime destruction to regeneration. The range of Kossoff's subjects has since extended to swimming pools, railways and street scenes in paintings which evoke everyday urban existence. Kossoff's other main concern has been the human figure, and his portraits and studies are intense, yet also intimate, evocations of human presence. In 1996, the Tate Gallery will be mounting a retrospective exhibition of Kossoff's work, including more than 80 paintings from all phases of his career. The catalogue contains colour reproductions of all these works and also features an essay by Paul Moorhouse, the selector of the exhibition. This essay examines Kossoff's art in depth, exploring the artist's fascination with particular subjects, his working methods and tracing his development from the 1950s to the present day. The essay is accompanied by archival photographs.

Known for his expressive portraits and London landscapes, draftsman, printmaker, and painter Leon Kossoff (b. 1926) is one of the most significant British artists of the past fifty years. A member of the School of London––a group of loosely representational painters including Frank Auerbach, Francis Bacon, and Lucian Freud––Kossoff views drawing as fundamental to the artistic process and has turned to art history for inspiration throughout his career.This handsome book features a selection of drawings and prints made over thirty years after paintings by such artists as Poussin, Rubens, Velázquez, Degas, Cézanne, and Goya. Absorbing essays discuss how Kossoff has used this body of drawings to inform his original paintings and analyze how the particular influence of Old Masters has been incorporated into his work.

640 pages, 566 colour; 69 black and white illustrations. Hardback in a slipcase 31.5 x 29.5cms. ISBN: 9781916347410. Catalogue of 510 known works, 3 unfinished paintings, 25 destroyed paintings, 20 unidentified paintings and 2 destroyed pieces reassembled by others, all illustrated and discussed in detail. Chronology, list of exhibitions. With an introduction by Andrea Rose, an essay on Kossoff's relationship with the old masters by Dr Barnaby Wright, an extensive chronology and a short essay by Rose on Kossoff's materials, technique and studio practice. Text in English. Catalogue raisonné.

Leon Kossoff is one of the most distinctive British artists of the post-war period. Born in Islington in 1926, Kossoff has spent most of his life in the city of his birth and the changing face of London's urban landscape has been a major theme of his art.In the 1950s, Kossoff's dramatic paintings and drawings of bomb sites documented the aftermath of war. These led, in the following decade, to panoramic railway landscapes which charted the city's rebirth and regeneration. In London's railways - from King's Cross to Kilburn Underground station - Kossoff found a focus for the lifeblood of the city. His paintings of these motifs, and of swimming pools, street scenes, markets and London's buildings, form a vivid portrait of modern life in a great metropolis.Kossoff's fascination with London has been complemented by his parallel concern with people. The figure has been a central preoccupation. His subjects are members of his family, friends and models with whom he has forged close working relationships. His portraits of these individuals, and his intimate studies of the nude, are powerful and moving evocations of the human presence.This catalogue is published to coincide with the Tate Gallery's major retrospective exhibition of Kossoff's work - the first survey of his career from the 1950s to the present. It reproduces in color every work in the exhibition and contains an illustrated essay by Paul Moorhouse, the exhibition's curator, which explores in detail the development of Kossoff's art. There is also a biographical chronology with archival photographs, and an extensive bibliography.

Exhibition publication with 29 colour plates. Brief introduction and afterword, a biography and bibliography. Pictorial boards with no dust jacket, as issued. A fine hardcover copy with no marks to covers or inside pages. Binding is firm. 72 pages. s131

Affectionately known as `Koss', Paul Kossoff's playing touched people. It still does today, more than forty years after his sad and untimely death at the age of twenty-five. This authorised biography pays fitting tribute to a much-loved and widely admired musician whose influence and inspiration is still very evident. It's all here: Kossoff's musical childhood, his formative years with Black Cat Bones, forming Free at seventeen, that group's dizzying success, breakup, reforming and dissolution, the solo years, Back Street Crawler - the sessions, the tours and big concerts, the triumphs, the tragedies and the heartbreak - J.P. James takes the reader right there. Over four distinct sections, Kossoff's many guitars and the equipment he used to make them sing are fully documented; a brand-new detailed analysis of Kossoff's distinctive playing style and technique is presented for the first time; a broad overview of Kossoff's creative life draws on the voices of family, friends and fellow musicians; and finally, Kossoff's musical influences, approach to playing and his wider musical interests, hopes and dreams are explored - all drawn from his own words. Cramming so much into his short years, Paul Kossoff left a rich musical legacy, and he is indeed All Right Now. Thoroughly researched and sensitively written, given often in Kossoff's own words and packed with anecdotes from those who were there, musicians and fans alike will enjoy this authoritative and comprehensive biography.

Catalog published on the occasion of the exhibition "Leon Kossoff: A Life in Painting" at Annely Juda Fine Art, London from September 30 to December 4, 2021; Mitchell-Innes & Nash, New York, from January 13 to March 5, 2022; and L.A. Louver, Venice, California from January 26 to March 26, 2022. Excellent condition. Very light wear on cover edges, but no visible flaws otherwise. Binding is tight and inside is clean and unmarked.

Leon Kossoff is one of the most important British artists of the post-war period. Among the main preoccupations of his art has been the changing face of London's urban landscape: his earliest subjects documented London's passage from wartime destruction to regeneration. The range of Kossoff's subjects has since extended to swimming pools, railways and street scenes in paintings which evoke everyday urban existence. Kossoff's other main concern has been the human figure, and his portraits and studies are intense, yet also intimate, evocations of human presence. In 1996, the Tate Gallery will be mounting a retrospective exhibition of Kossoff's work, including more than 80 paintings from all phases of his career. The catalogue contains colour reproductions of all these works and also features an essay by Paul Moorhouse, the selector of the exhibition. This essay examines Kossoff's art in depth, exploring the artist's fascination with particular subjects, his working methods and tracing his development from the 1950s to the present day. The essay is accompanied by archival photographs.

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this elegant book, the first to be published on the current work of Leon Kossoff-one of Britain's most senior and distinguished artists-is based on an extraordinary series of recent pictures inspired directly from a specific group of painting by Nicolas Poussin. for kossoff, the process is not simply 'copying' but a fully engaged encounter. Supported by many perviously unpublished statements by the artist and representing a lifetime's reflection, these works represent a unique view of the past from the vantage-point of the present and an extended reflection ont he essential os art: drawing and color, composition and meaning.

Caroline Fremont Jones revels in her return to San Francisco, where a new city rises from the ruins of the 1906 earthquake. Even more rewarding is her business partnership and rekindled love with ex-spymaster Michael Archer Kossoff. But their private investigation agency is barely off the ground when Fremont's new friend, lovely but quirky Frances McFadden, becomes their first client--and it's a most troubling case.The adventurous but skeptical Fremont, lured by Frances to a séance, sees her companion fall into a disturbing trance. Despite the opposition of her powerful, controlling husband, Frances is determined to develop her budding psychic ability. Soon she confides to Fremont that a restless spirit from San Francisco's legendary past has entrusted her with a mission.But when one of the city's female mediums is murdered, and then another, Fremont's reservations turn to dread. Who has killed these women who wield their own power in the metaphysical world, and why? As Fremont's investigation takes her into the murky depths of spiritualism, she places not only herself, but also her dearest friends in mortal danger.

Hello Sailor Kossoff DriveDead Mint - Excellent Art and ColorApproximately 10 Hours StudioOriginal Shipping MaterialCase CandySmoke Free, Pet Free ...

Digitally remastered edition of this 1970 debut album from this young South London Blues-based band. Original members had been Paul Kossoff and Simon Kirke, but when they left to form Free, the band re-organized and went on to record this album for Decca's Nova label. Nine tracks. BGO. 2010.