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Text in German. Folio Sized. 1st Edition. A FINE Hardcover with a FINE dustjacket. AS NEW. All dustjackets wrapped in Archival protection, and delivery confirmation with all our orders!

Contributions by Peter Zumthor.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Z : 20 x 23 cm, 464 Seiten mit farb. ganzseit. Abbildungen, - Die Frage nach dem Echten und dem Nachgemachten, dem Verborgenen und dem Offensichtlichen dekliniert Peter Fischli in unterschiedlichen Medien durch. Skulptur, Video, Fotografie und Installation fragen nach dem Wesen des Trugbilds und des Authentischen und hinterfragen die Phantombilder des schönen Scheins.

Artwork by Gerhard Merz. Contributions by Uta Riese, Jorg von Bruchhausen.

Hardcover. Shaped by spontaneity and subversion, STEIDL-WERK No.30: KUNSTHAUS GOETTINGEN redefines the traditions of offset printing. Each book in this limited edition boasts a different range of colors and is thus unique. The publication is a collaboration between Theseus Chan, Gerhard Steidl and the art space Kunsthaus Goettingen, where Chan showed WERK No.30 in "printing futures" as part of documenta 15. The installation, which he added to daily, was Chan's love letter to printed matter in all its forms (from paper sheets and printing plates to recycled packaging), and the book is both the documentation and final piece of this work. Chan and Steidl took up the manifest of WERK No.30-"to malfunction established mindsets, techniques, and procedures by sabotaging machines and human interventions"-and realized it in book form through what they call "reverse engineering," deconstructing the processes of printing in order to enhance the results. Embracing intuition and chance, they retained normally discarded test sheets for binding, shut off water on press to create unpredictable color patterns, and exchanged standard CMYK colors for fluorescent variants. The outcome champions "printed anarchy" and is no less than a wholly new form of book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Mit der Eroeffnung des Erweiterungsbaus des Kunsthaus Zuerich, entworfen von David Chipperfield Architects Berlin, wird das Kunsthaus Zuerich zum groessten Kunstmuseum der Schweiz. Bevor das Haus 2021 bezogen wird, blickt das Kunsthaus in diesem Buch nun auf di.

The publication is a collaboration between Theseus Chan, Gerhard Steidl and the art space Kunsthaus Göttingen, where Chan showed WERK No.30 in printing futures as part of documenta 15. 280 Seiten, 26 x 36 cm, 2342 g

270 Seiten mit zahlreichen Illustrationen. Sehr gutes Exemplar (Ovp) Sprache: Deutsch Gewicht in Gramm: 650

Zustand: Sehr gut - Gepflegter, sauberer Zustand. Seiten: 360 Sprache: Französisch Produktart: Bücher

Austrian-born, Berlin-based Markus Schinwald, born in 1973, is known for mixed-media installations and films that investigate the psychological relationship between space and the human body. This monograph focuses on Schinwald's solo exhibition at the Kunsthaus Bregenz, Austria, in which he creates unique film-viewing spaces that challenge our sense of perception.

This is the most comprehensive survey in many years of the work of one of the 20th century's greatest artists, Alberto Giacometti (1901-1966). Published to celebrate the centennial of his birth, the book accompanies an exhibition jointly organized by The Museum of Modern Art, New York, and the Kunsthaus Zürich. The Swiss-born Giacometti was a supremely inventive sculptor as well as a painter and draftsman of the highest distinction. This volume includes many of his early Cubist-influenced and Surrealist works, often slyly humorous and allusively erotic, as well as his masterful drawings and paintings, and the elongated sculptures of the human head and figure for which he is best known. Published with the full involvement of the Alberto Giacometti Foundation, this will become the standard reference on the artist. 200 illustrations, 100 in full color and 100 duotone, 272 pages, 9 1/2 x 11 3/4" A Museum of Modern Art Book

Published in conjunction with a major exhibition at the Kunsthaus Bregenz in Austria, this book on the eminent German filmmaker Harun Farocki (born 1944) comprehensively compiles descriptions and analysis of Farocki's massive body of film and video work. Farocki adds textual contributions of his own, commenting on each of his works since the mid-1960s.

Austrian-born, Berlin-based Markus Schinwald, born in 1973, is known for mixed-media installations and films that investigate the psychological relationship between space and the human body. This monograph focuses on Schinwald's solo exhibition at the Kunsthaus Bregenz, Austria, in which he creates unique film-viewing spaces that challenge our sense of perception.

A catalogue of the exhibition held in the Anhaltische Gemäldegalerie Dessau (28 November 2009 - 31 January 2010), the Städtische Galerie in der Reithalle, Schoss Neuhaus, Paderborn (24 April - 13 June 2010) and the Kunsthaus Zürich (10 September - 28 November 2010). The book contains scholarly essays and many reproductions of engravings, drawings and paintings (not only those made by Kolbe but also works by other artists of the period). /// Hardback, 318+[2] pp., 4° (24 x 30.5 cm), almost no traces of wear, condition: fine Book Language/s: German

The transformation of everyday and urban detritus is one of Chicago-based artist Theaster Gates’ (born 1973) fundamental artistic strategies. It is an approach that the works in this volume, some of which have been especially created for Kunsthaus Bregenz, encompassing sculptures and what are often large-scale installations, also adhere to. For the first time, elements of a collection that Edward J. Williams had assembled over many years and which Gates has titled Negrobilia, will be on public display. Williams’ aim was to remove these objects from the market and thus from any obvious visibility. Gates’ multilayered Black Archive and its critical engagement with political issues are addressed in a contribution by Romi Crawford, while Thomas D. Trummer focuses on expounding Gates’ artistic concept underlying the exhibition in Bregenz. Gates himself also provides a rumination on his own artistic practice.

Blondes, beds and black-and-white works sum up this selection of Roy Lichtenstein's series, based on an exhibition mounted at Vienna's famous Kunsthaus Bregenz in 2005. This substantial catalogue contains 80 essential color reproductions, some in high-quality foldouts, under three thematic groupings: early black-and-white works of the 1960s; the woman as motif in his paintings from the 1960s, 1970s and 1980s; and his interiors, especially those from the 1990s. Leading scholars in the field, including Michael Lobel and Avis Berman, newly illuminate the Pop master's oeuvre in the context of this juxtaposition of early and late periods. Also included are studio photographs, some of which have never been published before, and finally, a biography and bibliography related specifically to the exhibition themes.

This is the most comprehensive survey in many years of the work of one of the 20th century's greatest artists, Alberto Giacometti (1901-1966). Published to celebrate the centennial of his birth, the book accompanies an exhibition jointly organized by The Museum of Modern Art, New York, and the Kunsthaus Zürich. The Swiss-born Giacometti was a supremely inventive sculptor as well as a painter and draftsman of the highest distinction. This volume includes many of his early Cubist-influenced and Surrealist works, often slyly humorous and allusively erotic, as well as his masterful drawings and paintings, and the elongated sculptures of the human head and figure for which he is best known. Published with the full involvement of the Alberto Giacometti Foundation, this will become the standard reference on the artist. 200 illustrations, 100 in full color and 100 duotone, 272 pages, 9 1/2 x 11 3/4" A Museum of Modern Art Book

The Baroque era of the 17th century is associated with sensuality, extravagance and theatricality. This abundantly illustrated, full-color exhibition catalog from Kunsthaus Zürich juxtaposes the work of contemporary luminaries such as Cindy Sherman, Maurizio Cattelan and Juergen Teller with those of Baroque era masters such as Pieter Aertsen, Valentin de Boulogne and Jacob Jordaens. This exhibition highlights works that approach life with sensualist intelligence, proclaim a vital exuberance and link to questions about what constitutes art itself through the connections with contemporary art. Texts by Bice Curiger, Elfriede Jelinek, Eileen Myles and Raoul Vaneigem and a discussion with Nike Bätzner, Bice Curiger, Victoria von Felmming, Michael Glasmeier and Tristan Weddigen.