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Contributions by Peter Zumthor.

This release presents a rarely performed masterpiece: Gioachino Rossini's Mos in Egitto at the Bregenz Festival staged by Lotte de Beer, who retrieves this hidden gem of opera literature for a spectacular staging. de Beer, one of the most sought-after stage directors of her generation (International Opera Newcomer Award 2015) teams up with the Dutch theatre collective Hotel Modern to tell the story of the Biblical Exodus. Their unique production concept for Mos in Egitto revolves around the in

Artwork by Gerhard Merz. Contributions by Uta Riese, Jorg von Bruchhausen.

Z : 20 x 23 cm, 464 Seiten mit farb. ganzseit. Abbildungen, - Die Frage nach dem Echten und dem Nachgemachten, dem Verborgenen und dem Offensichtlichen dekliniert Peter Fischli in unterschiedlichen Medien durch. Skulptur, Video, Fotografie und Installation fragen nach dem Wesen des Trugbilds und des Authentischen und hinterfragen die Phantombilder des schönen Scheins.

Stay stylish and protected from the elements with this Blonde No. 8 Single-Breasted Coat. Featuring Teflon coating for rain and stain resistance, side pockets, and a classic button closure. Crafted from 85% polyester and 15% nylon with a 100% polyester lining. Color: sage green. Style No.: Bregenz.

This release features five outstanding operas from Bregenz Festivals amazing lake stage: Aida, Andrea Chenier, Die Zauberflote, Turandot, and Carmen. The reviews of these individual performances were gleaming. Stage director Graham Vick and set designer Paul Brown conjure up an open-air spectacle of superlatives. (Die Zeit about Aida) A gigantic set with iconic qualities- a masterly achievement. (Die Welt about Andrea Chenier) David Pountney finds stunning answers to the everlasting questi

World Premiere recording on Video! Church corruption, human violence and a daughter who plots revenge on her abusive father - Goldschmidt's Beatrice Cenci has every ingredient for a gripping opera. At Bregenz, Johannes Erath brought Beatrice Cenci on stage for the first time. Although written 70 years ago, "one musically quickly associates Puccini or other Romantics" (Neue Zurcher Zeitung), underlined by Goldschmidts own words, saying it became a real "Belcanto-Opera". "Johannes Debus conducts

Hector Sandoval, Norma Fantini, Scott Hendricks, Tania Kross, and Rosalind Plowright star in this production of the Giordano opera performed by the Vienna Symphony, Bregenz Festival Chorus, and Prague Philharmonic Choir conducted by Ulf Schirmer.

This release presents a rarely performed masterpiece: Gioachino Rossini's Mos in Egitto at the Bregenz Festival staged by Lotte de Beer, who retrieves this hidden gem of opera literature for a spectacular staging. de Beer, one of the most sought-after stage directors of her generation (International Opera Newcomer Award 2015) teams up with the Dutch theatre collective Hotel Modern to tell the story of the Biblical Exodus. Their unique production concept for Mos in Egitto revolves around the in

Unknown prince. The work is remarkable for it's Chinese local color, it's opulent crowd scenes, it's powerful choruses and it's characters overwhelmed by their emotions. Enthusiastically acclaimed by it's audiences, the present production combines spectacular and touching scenes on the Bregenz Festival's vast lakeside stage.

Hector Sandoval, Norma Fantini, Scott Hendricks, Tania Kross, and Rosalind Plowright star in this production of the Giordano opera performed by the Vienna Symphony, Bregenz Festival Chorus, and Prague Philharmonic Choir conducted by Ulf Schirmer.

After the huge success of Aida and Andrea Chenier, Mozart's Magic Flute is one of the most often performed operas in the world and is presented in this spectacular new production from Bregenz Festival 2013.

Scott Hendricks, Olga Pasichnyk, John Graham-Hall, and Will Hartmann star in this production of the Szymanowski opera with Sir Mark Elder conducting the Children's Chorus of the Musikhauptschule Bregenz, Camerata Silesia, Polish Radio Choir Krakow.

Georges Bizets captivating music with its Spanish sounds took the world by storm: Carmens Habanera and Seguidilla, like Escamillos Toreadors Song, are known to one and all. The French composers most successful opera is staged at Bregenz with a set designed by British artist Es Devlin. She has designed sets for pop stars like Adele, U2, Take That, the Pet Shop Boys and Kanye West. In collaboration with the stage director Kasper Holten, Director of Opera at the Royal Opera House in London, sh

The transformation of everyday and urban detritus is one of Chicago-based artist Theaster Gates’ (born 1973) fundamental artistic strategies. It is an approach that the works in this volume, some of which have been especially created for Kunsthaus Bregenz, encompassing sculptures and what are often large-scale installations, also adhere to. For the first time, elements of a collection that Edward J. Williams had assembled over many years and which Gates has titled Negrobilia, will be on public display. Williams’ aim was to remove these objects from the market and thus from any obvious visibility. Gates’ multilayered Black Archive and its critical engagement with political issues are addressed in a contribution by Romi Crawford, while Thomas D. Trummer focuses on expounding Gates’ artistic concept underlying the exhibition in Bregenz. Gates himself also provides a rumination on his own artistic practice.

Published in conjunction with a major exhibition at the Kunsthaus Bregenz in Austria, this book on the eminent German filmmaker Harun Farocki (born 1944) comprehensively compiles descriptions and analysis of Farocki's massive body of film and video work. Farocki adds textual contributions of his own, commenting on each of his works since the mid-1960s.

Austrian-born, Berlin-based Markus Schinwald, born in 1973, is known for mixed-media installations and films that investigate the psychological relationship between space and the human body. This monograph focuses on Schinwald's solo exhibition at the Kunsthaus Bregenz, Austria, in which he creates unique film-viewing spaces that challenge our sense of perception.

In German and English. Asstellungskatalog, Vorarlberger Landesmuseum, Bregenz, 25. November 2000 - 28 Jänner 2001.

Between Lake Constance and Lake Neusiedler, in the middle of the Bregenz Forest and the Vienna Woods, this guide conveys the magnificent, enthralling, and beautiful scenery of Austria. Lofty peaks, deep-cut valleys, crystal-clear lakes, and lush mountain pastures grace this collection of images, along with the lazy meanderings of the Danube, gently rolling hills, terraces of vines, and the Pannonian Plain. Relating the country’s grand history, medieval strongholds, baroque palaces, churches, and monasteries are depicted as well as Jugendstil edifices and fantastical contemporary architecture, bearing witness to the cultural diversity of this Alpine republic. The Salzburg Festspiele, the Vienna Boys' Choir, and the waltz plus a vast collection of major works of art are reviewed, forming only a small part of Austria's rich artistic heritage. The charm and comfort of the imperial and royal age of the Habsburgs is captured, having been preserved in many a wine tavern, pub, and coffee house. Idyllic mountain village traditions are illustrated in local costume parades and the celebration of joyous festivals. This travel companion also features the age-old dynasty of the Habsburgs, the musical city of Vienna, the baroque monasteries of the Danube, the mountains of the Hohe Tauern, the culinary delights of Austria, and the country's many achievements in contemporary architecture.

Blondes, beds and black-and-white works sum up this selection of Roy Lichtenstein's series, based on an exhibition mounted at Vienna's famous Kunsthaus Bregenz in 2005. This substantial catalogue contains 80 essential color reproductions, some in high-quality foldouts, under three thematic groupings: early black-and-white works of the 1960s; the woman as motif in his paintings from the 1960s, 1970s and 1980s; and his interiors, especially those from the 1990s. Leading scholars in the field, including Michael Lobel and Avis Berman, newly illuminate the Pop master's oeuvre in the context of this juxtaposition of early and late periods. Also included are studio photographs, some of which have never been published before, and finally, a biography and bibliography related specifically to the exhibition themes.