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The French psychoanalyst Jacques Lacan (1901–1981) is a uniquely complex writer and the originator of an especially unsettling view of the human subject. But the singularity of Lacan’s achievement has been understated by many of his critics. Often he is seen merely as a figure famous for being famous―an essential reference point in structuralist and poststructuralist debate―rather than as a theorist whose writings demand and reward detailed scrutiny.Malcolm Bowie traces the development of Lacan’s ideas over the fifty-year span of his writing and teaching career. The primary focus is on the fascinating mutations in Lacan’s interpretation of Freud. Bowie reinserts the celebrated slogans―“The unconscious is the discourse of the Other,” “The unconscious is structured like a language,” and so forth―into the history of Lacan’s thinking, and pinpoints the paradoxes and anomalies that mark his account of human sexuality. This book provides a firm basis for the critical evaluation of Lacan’s ideas and the rhetoric in which they are embedded; it is based on a close reading of Lacan’s original texts but presupposes no knowledge of French in the reader.Although Bowie is sharply critical of Lacan on several major analytic questions, he argues that Lacan is the only psychoanalyst after Freud whose intellectual achievement is seriously comparable to Freud’s own. Lacan provides the ideal starting point for any exploration of the work of this formidable thinker.

Quintessentially fascinating, love intrigues and perplexes us, and drives much of what we do in life. As wary as we may be of its illusions and disappointments, many of us fall blindly into its traps and become ensnared time and again. Deliriously mad excitement turns to disenchantment, if not deadening repetition, and we wonder how we shall ever break out of this vicious cycle.Can psychoanalysis – with ample assistance from philosophers, poets, novelists, and songwriters – give us a new perspective on the wellsprings and course of love? Can it help us fathom how and why we are often looking for love in all the wrong places, and are fundamentally confused about “what love really is”?In this lively and wide-ranging exploration of love throughout the ages, Fink argues that it can. Taking within his compass a vast array of traditions – from Antiquity to the courtly love poets, Christian love, and Romanticism – and providing an in-depth examination of Freud and Lacan on love and libido, Fink unpacks Lacan’s paradoxical claim that “love is giving what you don’t have.” He shows how the emptiness or lack we feel within ourselves gets covered over or entwined in love, and how it is possible and indeed vital to give something to another that we feel we ourselves don’t have.This first-ever commentary on Lacan’s Seminar VIII, Transference, provides readers with a clear and systematic introduction to Lacan’s views on love. It will be of great value to students and scholars of psychology and of the humanities generally, and to analysts of all persuasions.

This book focuses on Lacan's revisions and renewals of psychoanalytic concepts, and shows the ways in which Lacan succeeded in the reinvention of psychoanalysis. It explores those steps that led him to assert an unprecedented formula that says against all expectation that the unconscious is real.

This book of literary criticsm uses Lacanian psychoanalytic theory to explicate Roland Barthes, Albert Camus, Ernest Hemingway, D.H. Lawrence, and Alain Robbe-Grillet.Using Lacanian psychoanalytic theory in order to uncover the relationship between literature, reading, and the unconscious, this book argues for a special affinity between a text and its reader. This process strives to unveil the disguises of tropic language in order to generate manifest meaning from latent content. Focusing on five twentieth-century writers: D.H. Lawrence, Ernest Hemingway, Albert Camus, Roland Barthes, and Alain Robbe-Grillet, this book shows how Freud’s theories of condensation and displacement in dreams match Lacan’s uses of metaphor and metonymy in language. Despite the different backgrounds of these authors from America, England, and France, the unifying theme is that the unconscious (because it is structured like language) is the voice of the (m)Other disguised in figurative language.

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In the most comprehensive study of Jacques Lacan yet to be published in English, David Macey challenges many of the assumptions that have come to surround Lacan’s work. He shows that key elements of Lacanian thought relate not to structuralism, as is often claimed, but to surrealism, Bataille and the early French phenomenologists. The famous “return to Freud” is shown to mask Lacan’s adherence to a psychiatric tradition and to trends within French psychoanalysis which were opposed by Freud himself.A detailed and challenging reading of work by Lacan and his associates on femininity reveals its reliance upon a virulently sexist discourse and upon an iconography derived from surrealism. The view that Lacanian psychoanalysis has a positive contribution to make to feminism and to theories of gender and sexual difference is contested. As well as providing a new and provocative reading of Lacan’s work, Lacan in Contexts is an important contribution to psychoanalytic history and to the history of French intellectual life.

With chapters from Rik Loose, Fabian Naparstek, Patricia Gherovici, Bruce Fink, Thomos Svolos and many others, the anthology is for people interested in the topic of addictions, or in Lacanian psychoanalysis, and especially for those interested in how the two intersect. Lacan and Addiction is based on papers presented at a 2006 conference where Lacanians from around the world gathered to speak about addictions. Conference participants explored the complexity of the problem for the individual, society, clinicians, and for treatment. In the current climate, where addiction is mostly treated by variations of twelve step approaches and psychopharmacological "countermeasures", it is all too easy to lose sight of the dimensions of addiction that render it not just a disease to be managed but rather a significant form of human suffering and a subjective responsibility, both of which are critical components of addiction treatment. More and more, addiction treatment is turning away from psychological and psychoanalytic theorization and towards psychopharmacological measures; this anthology attempts to rectify that situation.

On the one hand, Creation and Discovery, Lacan and Klein: An Essay of Reintroduction seeks to disclose the often suppressed or unacknowledged proximity, even intimacy, between Lacan and Klein, and thereby to facilitate a re-introduction between Lacan and Klein such that their works can read anew, both independently and together. On the other hand, by reconstructing the highly divergent metapsychological theories and clinical orientations of Jacques Lacan and Melanie Klein from their discussions of the same case material, the text seeks to demonstrate the irreducible plurality of psychoanalysis and the ethico-political significance of this plurality. Siding with neither Lacan nor Klein's perspective, Adam Rosen-Carole argues that within and between these exaggerated positions, a dialectic of creation and discovery emerges that affords the reader unique insights into the nature and status of psychoanalytic knowing and its particular objects. Special attention is paid to the indelible exaggerations and distortions, the guiding sensitivities and urgencies, and the concomitant structures of blindness and insight organizing various psychoanalytic perspectives. Written for clinicians as well as for students and scholars interested in psychoanalysis and philosophy, this book serves not only as a comprehensive introduction to Lacan, but also a reassessment of psychoanalytic method.

This interdisciplinary compilation of essays is a welcome tonic for the “jet lag” or cultural gap between Lacanian discourse's warm reception in Latin countries and the resistance Lacanian clinical applications have met with in the Anglophone world. Lacan in America illuminates important and dynamic debates within a cultural context that Lacan himself has modified. Rather than a made-simple approach, this dynamic collection invokes some of the hesitations, contradictions, and evolutions that appear to be the most exciting part of his legacy, in “polylogical” discussions by “Lacanians” who are not averse to a critical reexamination of major concepts or textual and political issues. Topics include: a regressive sexual science and a “postmodern condition,” technological mediation through seduction and resistance, the partisan issues beneath some of the resistances met by Lacanian discourse, and Lacan's revelations as responses to Freudian riddles.Demonstrating the vitality of Lacanian thought and its impact on disciplines, from mathematics to gay/lesbian studies, Lacan in America works to edify the fruit of Lacan's endless revision, an infinitely propagated transfiguration of his search for the meanings of truth. “Lucid and nonpartisan?[this collection] successfully takes the ideas and issues at the heart of Lacan's work and legacy and reinspects them through the lens offered by their transportation across the Atlantic, illustrating what has happened to them in their translation--and mistranslation--into and through American intellectual and cultural life.”-Daniel Gunn, Department of Comparative Literature and English, The American University of Paris

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.69

This book of literary criticsm uses Lacanian psychoanalytic theory to explicate Roland Barthes, Albert Camus, Ernest Hemingway, D.H. Lawrence, and Alain Robbe-Grillet.Using Lacanian psychoanalytic theory in order to uncover the relationship between literature, reading, and the unconscious, this book argues for a special affinity between a text and its reader. This process strives to unveil the disguises of tropic language in order to generate manifest meaning from latent content. Focusing on five twentieth-century writers: D.H. Lawrence, Ernest Hemingway, Albert Camus, Roland Barthes, and Alain Robbe-Grillet, this book shows how Freud’s theories of condensation and displacement in dreams match Lacan’s uses of metaphor and metonymy in language. Despite the different backgrounds of these authors from America, England, and France, the unifying theme is that the unconscious (because it is structured like language) is the voice of the (m)Other disguised in figurative language.

Presses Universitaires de France - PUF collection , 2003. 1 volume broché(s) format In-8 très bon 240 pages.

Convinced that cultural criticism need not merely be an academic exercise but can help improve people's lives, Mark Bracher proposes a method of cultural criticism which is based on the principles of psychoanalytic treatment and which aims to alter subjectivity and behavior.In this forceful and engagingly written book, Bracher first accounts for the failure of contemporary cultural criticism to achieve significant social impact. He then offers a model of analysis that draws on Lacan's theoretical insights into the structure of subjectivity and the psychological functions of discourse, asserting that the use of this model can promote collective psychological change. While cultural criticism has generally focused on texts, Bracher instead analyzes audiences' actual responses―to a variety of discourses from "high" as well as popular culture: the political speeches of Ronald Reagan and Jesse Jackson, anti-abortion propaganda, pornography, Keats's "To Autumn," and Conrad's Heart of Darkness. Through analyzing these responses, Bracher is able to uncover the unconscious identifications and fantasies of the respondents―an intervention that, he argues, has the potential for altering subjectivity. In his view, such a method of cultural criticism is both unusually powerful and ethnically defensible, since instead of attacking or upholding a group's values, it reveals the psychological conflicts manifest in responses to particular texts.Lacan, Discourse, and Social Change will be essential reading for students as well as specialists in such fields as cultural criticism, feminist theory, literary theory, psychoanalytic criticism, reader-response criticism, reader-response criticism, and Lacanian theory.

This is an anthology of psychoanalytic criticism applied to the wider field of cultural studies including class, gender, representation, ideology, and law.In this volume, psychoanalysts, cultural theorists, and literary critics demonstrate the relevance of the unconscious economy to the field of cultural studies, applying psychoanalytic criticism to political and aesthetic issues related to the legal and ideological superstructure of contemporary society.These writers have adopted a variety of rhetorical positions when engaging cultural issues that deal with representation, ideology, class, and gender. Contributors include Willy Apollon, Richard Feldstein, Slavoj Zizek, Juliet Flower MacCannell, Judith Roof, Ellie Ragland, Elizabeth J. Bellamy, Bruce Fink, Maire Jaanus, Elizabeth Bronfen, Hanjo Berressem, Peter Widmer, Danielle Bergeron, Lucie Cantin, and Catherine Portuges.

Quintessentially fascinating, love intrigues and perplexes us, and drives much of what we do in life. As wary as we may be of its illusions and disappointments, many of us fall blindly into its traps and become ensnared time and again. Deliriously mad excitement turns to disenchantment, if not deadening repetition, and we wonder how we shall ever break out of this vicious cycle.Can psychoanalysis – with ample assistance from philosophers, poets, novelists, and songwriters – give us a new perspective on the wellsprings and course of love? Can it help us fathom how and why we are often looking for love in all the wrong places, and are fundamentally confused about “what love really is”?In this lively and wide-ranging exploration of love throughout the ages, Fink argues that it can. Taking within his compass a vast array of traditions – from Antiquity to the courtly love poets, Christian love, and Romanticism – and providing an in-depth examination of Freud and Lacan on love and libido, Fink unpacks Lacan’s paradoxical claim that “love is giving what you don’t have.” He shows how the emptiness or lack we feel within ourselves gets covered over or entwined in love, and how it is possible and indeed vital to give something to another that we feel we ourselves don’t have.This first-ever commentary on Lacan’s Seminar VIII, Transference, provides readers with a clear and systematic introduction to Lacan’s views on love. It will be of great value to students and scholars of psychology and of the humanities generally, and to analysts of all persuasions.

The French psychoanalyst Jacques Lacan (1901–1981) is a uniquely complex writer and the originator of an especially unsettling view of the human subject. But the singularity of Lacan’s achievement has been understated by many of his critics. Often he is seen merely as a figure famous for being famous―an essential reference point in structuralist and poststructuralist debate―rather than as a theorist whose writings demand and reward detailed scrutiny.Malcolm Bowie traces the development of Lacan’s ideas over the fifty-year span of his writing and teaching career. The primary focus is on the fascinating mutations in Lacan’s interpretation of Freud. Bowie reinserts the celebrated slogans―“The unconscious is the discourse of the Other,” “The unconscious is structured like a language,” and so forth―into the history of Lacan’s thinking, and pinpoints the paradoxes and anomalies that mark his account of human sexuality. This book provides a firm basis for the critical evaluation of Lacan’s ideas and the rhetoric in which they are embedded; it is based on a close reading of Lacan’s original texts but presupposes no knowledge of French in the reader.Although Bowie is sharply critical of Lacan on several major analytic questions, he argues that Lacan is the only psychoanalyst after Freud whose intellectual achievement is seriously comparable to Freud’s own. Lacan provides the ideal starting point for any exploration of the work of this formidable thinker.

R200126555: 2006. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 118 pages. . . . Classification Dewey : 150-Psychologie

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.86

To read Lacan closely is to follow him to the letter, to take him literally, making the wager that he comes right out and says what he means in many cases, though much of his argument must be reconstructed through a line-by-line examination. And this is precisely what Bruce Fink does in this ambitious book, a fine analysis of Lacan's work on language and psychoanalytic treatment conducted on the basis of a very close reading of texts in his Écrits: A Selection.As a translator and renowned proponent of Lacan's works, Fink is an especially adept and congenial guide through the complexities of Lacanian literature and concepts. He devotes considerable space to notions that have been particularly prone to misunderstanding, notions such as "the sliding of the signified under the signifier,"or that have gone seemingly unnoticed, such as "the ego is the metonymy of desire." Fink also pays special attention to psychoanalytic concepts, like affect, that Lacan is sometimes thought to neglect, and to controversial concepts, like the phallus.From a parsing of Lacan's claim that "commenting on a text is like doing an analysis," to sustained readings of "The Instance of the Letter in the Unconscious," "The Direction of the Treatment," and "Subversion of the Subject" (with particular attention given to the workings of the Graph of Desire), Fink's book is a work of unmatched subtlety, depth, and detail, providing a valuable new perspective on one of the twentieth century's most important thinkers.Bruce Fink is a practicing Lacanian psychoanalyst, analytic supervisor, and professor of psychology at Duquesne University in Pittsburgh. He is the author of A Clinical Introduction to Lacanian Psychoanalysis (1997) and The Lacanian Subject (1995). He has coedited three volumes on Lacan's seminars and is the translator of Lacan's Seminar XX, On Feminine Sexuality, the Limits of Love and Knowledge (1998), Écrits: A Selection (2002), and Écrits: The Complete Text (forthcoming).

Unread book in perfect condition.