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Paperback. A fresh treatment of Fascist Italy and Nazi Germany, revealing the close ties between Mussolini and Hitler and their regimes From 1934 until 1944 Mussolini met Hitler numerous times, and the two developed a relationship that deeply affected both countries. While Germany is generally regarded as the senior power, Christian Goeschel demonstrates just how much history has underrepresented Mussolinis influence on his German ally. In this highly readable book, Goeschel, a scholar of twentieth-century Germany and Italy, revisits all of Mussolini and Hitlers key meetings and asks how these meetings constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public. His portrait of Mussolini draws on sources ranging beyond political history to reveal a leader who, at times, shaped Hitlers decisions and was not the gullible buffoon he's often portrayed as. The first comprehensive study of the Mussolini-Hitler relationship, this book is a must-read for scholars and anyone interested in the history of European fascism, World War II, or political leadership. A fresh treatment of Fascist Italy and Nazi Germany, revealing the close ties between Mussolini and Hitler and their regimes Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Published 80 years after the end of Italian combat operations in Catalonia, "Mussolini's War in Spain 1936-1939" discusses Italian military aid to the Nationalists in the Spanish Civil War. Mr. Cloutier's work draws much from Italian and Spanish publications, followed by Russian publications, as well as such classic Anglosphere historians as Hugh Thomas, Antony Beevor, and John Coverdale. Mr. Cloutier describes Italian operations in detail, often providing a day-by-day picture of events. The Russian-language materials identify the opposing Popular Front (or Republican) units, which engaged Italian and Nationalist units in the struggle for Spain, and are of interest for their assessments of Italian battlefield performance.

A definitive biography of Italian dictator Benito Mussolini documents his meteoric career, his ambitious drive for absolute power, his relationship with Hitler, World War II and his catastrophic downfall, and the history of Italian fascism

In 1945, disguised in German greatcoat and helmet, Mussolini attempted to escape from the advancing Allied armies. Unfortunately for him, the convoy of which he was part was stopped by partisans and his features, made so familiar by Fascist propaganda, gave him away. Within 24 hours he was executed by his captors, joining those he sent early to their graves as an outcome of his tyranny, at least one million people. He was one of the tyrant-killers who so scarred interwar Europe, but we cannot properly understand him or his regime by any simple equation with Hitler or Stalin. Like them, his life began modestly in the provinces; unlike them, he maintained a traditonal male family life, including both wife and mistresses, and sought in his way to be an intellectual. He was cruel (though not the cruellist); his racism existed, but never without the consistency and vigor that would have made him a good recruit for the SS. He sought an empire; but, in the most part, his was of the old-fashioned, costly, nineteenth century variety, not a racial or ideological imperium. And, self-evidently Italian society was not German or Russian: the particular patterns of that society shaped his dictatorship. Bosworth's Mussolini allows us to come closer than ever before to an appreciation of the life and actions of the man and of the political world and society within which he operated. With extraordinary skill and vividness, drawing on a huge range of sources, this biography paints a picture of brutality and failure, yet one tempered with an understanding of Mussolini as a human being, not so different from many of his contemporaries.

English Text. Roma, 2013; paperback, pp. 294, b/w ill., cm 17x24,5. (Aviolibri special).

After coming to power in 1922, Mussolini spent two decades rebuilding Rome as the foremost site and symbol of the new fascist order. Through an ambitious program of demolition and construction, he sought to make Rome a capital that both embraced modernity

The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.

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This new study re-examines the controversial debate on Fascist Italy's road to international conflict that has raged for six decades. The author's privileged access to until now unseen archival materials allows him to assess the ideological, geopolitical,

A fresh treatment of Fascist Italy and Nazi Germany, revealing the close ties between Mussolini and Hitler and their regimes From 1934 until 1944 Mussolini met Hitler numerous times, and the two developed a relationship that deeply affected both countries. While Germany is generally regarded as the senior power, Christian Goeschel demonstrates just how much history has underrepresented Mussolini’s influence on his German ally.   In this highly readable book, Goeschel, a scholar of twentieth-century Germany and Italy, revisits all of Mussolini and Hitler’s key meetings and asks how these meetings constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public. His portrait of Mussolini draws on sources ranging beyond political history to reveal a leader who, at times, shaped Hitler’s decisions and was not the gullible buffoon he's often portrayed as. The first comprehensive study of the Mussolini-Hitler relationship, this book is a must-read for scholars and anyone interested in the history of European fascism, World War II, or political leadership.

This book explores the motives, preparation, objectives, contact and consequences of Italy's war of 1940, which ended the country's role as a great power and reduced it to the status of first among Germany's satellites. What Professor Knox demonstrates more clearly than any previous biographer or historian is the limits of Mussolini's power. In particular, thanks to exhaustive research in the relevant archives, he has been able to throw important new light on Mussolini's relations with his military advisers and commanders. His scholarship is first-class, and for once a publisher's blurb does not exaggerate in claiming that his book is 'superbly written'.

Britannia rules the waves TA-RA, but on occasions she waives the rules and Spike is all set to liberate-gasp-Italy. In this fourth volume of war memoirs, Lance-Bombardier Milligan (Spike actually) continues his notorious sage of World War II - from the long remembered outbreak of crabs in monkey to the unfortunate ack-acking of and American killyhawk. Dio mio, is war is a game of cards, someone was cheating.

The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.

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Fascism has traditionally been characterized as irrational and anti-intellectual, finding expression exclusively as a cluster of myths, emotions, instincts, and hatreds. This intellectual history of Italian Fascism--the product of four decades of work by one of the leading experts on the subject in the English-speaking world--provides an alternative account. A. James Gregor argues that Italian Fascism may have been a flawed system of belief, but it was neither more nor less irrational than other revolutionary ideologies of the twentieth century. Gregor makes this case by presenting for the first time a chronological account of the major intellectual figures of Italian Fascism, tracing how the movement's ideas evolved in response to social and political developments inside and outside of Italy. Gregor follows Fascist thought from its beginnings in socialist ideology about the time of the First World War--when Mussolini himself was a leader of revolutionary socialism--through its evolution into a separate body of thought and to its destruction in the Second World War. Along the way, Gregor offers extended accounts of some of Italian Fascism's major thinkers, including Sergio Panunzio and Ugo Spirito, Alfredo Rocco (Mussolini's Minister of Justice), and Julius Evola, a bizarre and sinister figure who has inspired much contemporary "neofascism." Gregor's account reveals the flaws and tensions that dogged Fascist thought from the beginning, but shows that if we want to come to grips with one of the most important political movements of the twentieth century, we nevertheless need to understand that Fascism had serious intellectual as well as visceral roots.

Here are the words of the man who led Italy to fascism and aided Hitler during the war, written in early 1944 as it all began to fall apart. A fascinating historical document of first-rate importance, these memoirs come from his personal account (annotated but unaltered) of the events immediately preceding and following the capitulation of the Italian armies and the collapse of his regime. Included as an appendix: the final conversation with the Cardinal of Milan three days before Il Duce's execution by Italian partisans.

8°, 21,5 x 15 cm. Legatura in tela originale in sovraccoperta originale illustrata. X, 768 pagine. Pulito, buone condizioni. --- Originaler Leinenband im originalen bebilderten Schutzumschlag. X, 768 Seiten. Sauberer, guter Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Schöne Weihnachten und ein gesundes neues Jahr 2025! Ita

In contrast to its brutal seizure of the Balkans, the Italian Army's 1940-1943 relatively mild occupation of the French Riviera and nearby alpine regions bred the myth of the Italian brava gente , or good fellow, an agreeable occupier who abstained from the savage wartime behaviors so common across Europe. Employing a multi-tiered approach, Emanuele Sica examines the simultaneously conflicting and symbiotic relationship between the French population and Italian soldiers. At the grassroots level, Sica asserts that the cultural proximity between the soldiers and the local population, one-quarter of which was Italian, smoothed the sharp angles of miscommunication and cultural faux-pas at a time of great uncertainty. At the same time, it encouraged a laxness in discipline that manifested as fraternization and black marketeering. Sica's examination of political tensions highlights how French prefects and mayors fought to keep the tatters of sovereignty in the face of military occupation. In addition, he reveals the tense relationship between Fascist civilian authorities eager to fulfil imperial dreams of annexation and army leaders desperate to prevent any action that might provoke French insurrection. Finally, he completes the tableau with detailed accounts of how food shortages and French Resistance attacks brought sterner Italian methods, why the Fascists' attempted "Italianization" of the French border city of Menton failed, and the ways the occupation zone became an unlikely haven for Jews.

Fascist Italy has received far too little attention in the military history of the Axis partnership. This is the first comprehensive study of Benito Mussolini's military efforts to build an empire during World War II. It details the fascist dictator's attempt to build both a Mediterranean empire and Balkan empire, as well as a narrative history of his tragically flawed illusions; Italy's disastrous military performance; the heroism of Italian soldiers, sailors, and airmen; and the brutal counterinsurgency programs. Italy's various war theaters are discussed singly, with major battles outlined, military aptitude and results judged, and relations with the Axis partner described. Fascist ideology and the Italian army's conduct in the occupied territories—France, Yugoslavia, Albania, Greece, Russia, East Africa, and North Africa—are also analyzed. Mussolini was the single individual most responsible for Italy's failure during World War II. H. James Burgwyn is professor emeritus of history at Westchester University and the author of important works on modern Italian history.

In his last days, Mussolini, the tyrant, was in the grip of anger, shame, and depression. The German armed forces that had sustained his puppet government since its creation in September 1943 were being inexorably driven out of Italy, the frontiers of his Fascist republic were shrinking daily and Mussolini was aware that German military leaders were negotiating with the Allies behind his back in neutral Switzerland. Moseley's well-researched and highly engaging tome throws light on the last twenty months of the despot's life and culminates with the dramatic capture and execution of Mussolini (and his mistress Claretta Petacci) by partisans of the Italian resistance on April 28, 1945.