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Turmoil and violence have defined the lives of Palestinian people over the last few decades, yet in the midst of the chaos artists live and thrive, creating little-seen work that is a powerful response to their situation. Gannit Ankori's Palestinian Art is the first in-depth English-language assessment of contemporary Palestinian art, and it offers an unprecedented and wholly original overview of this art in all its complexity. Ankori comprehensively traces the full history and development of Palestinian art, from its roots in folk art and traditional Christian and Islamic painting to the predominance of nationalistic themes and diverse media used today. Drawing on over a decade of extensive research, studio visits, and interviews, Ankori explores the vast oeuvre of prominent contemporary Palestinian artists, navigating between the personal and biographical dimensions of specific artworks and the symbolic meanings embedded within them. She provides detailed interpretations of many works and considers the complex historical, geographical, political, and cultural contexts in which the art was created. Questions of gender, exile, colonialism, postcolonialism, and hybridity are integral to Ankori's investigation as she probes the influence and thematic dominance of issues such as rootedness and displacement in Palestinian art.  Palestinian Art is a fascinating introduction to a virtually unknown visual culture that has been subsumed under the torrent of current political turmoil. A groundbreaking and essential work of art scholarship, Palestinian Art illuminates new and unique facets of the Palestinian cultural identity.

In The Palestinian Hamas, Shaul Mishal and Avraham Sela show that, contrary to its violent image, Hamas (the Islamic Resistance Movement) is essentially a social and political organization, providing extensive community services and responding to political realities through bargaining and power brokering. The authors lift the veil on Hamas's strategic decision-making methods at each of the crucial crossroads it has confronted: the Intifada and the struggle with the PLO, the Oslo accords and the establishment of the Palestinian National Authority, and the choice between absolute jihad against Israel and controlled violence. Now with a new introduction, this book does much to contextualize the current ascendancy of this controversial movement.

Throughout modern-day Israel, over four hundred Palestinian villages were depopulated in the 1947-1949 war. With houses mostly destroyed, mosques and churches put to other uses, and cemeteries plowed under, Palestinian communities were left geographically dispossessed. Palestinians have since carried their village names, memories, and possessions with them into the diaspora, transforming their lost past into local histories in the form of "village memorial books". Numbering more than 100 volumes in print, these books recount family histories, cultural traditions, and the details of village life, revealing Palestinian history through the eyes of Palestinians. Through a close examination of these books and other commemorative activities, Palestinian Village Histories reveals how history is written, recorded, and contested, as well as the roles that Palestinian conceptions of their past play in contemporary life. Moving beyond the grand narratives of 20th century political struggles, this book analyzes individual and collective historical accounts of everyday life in pre-1948 Palestinian villages as composed today from the perspectives of these long-term refugees.

Winner of the 2012 Shapiro Award from the Association for Israel StudiesArabs make up approximately 20 percent of the population within Israel's borders. Until the 1970s, Arab citizens of Israel were a mostly acquiescent group, but in recent decades political activism has increased dramatically among members of this minority. Certain activists within this population claim that they are a national and indigenous minority dispossessed by more recent settlers from Europe. Ethnically based political organizations inside Israel are making nationalist demands and challenging the Jewish foundations of the state. Palestinian Ethnonationalism in Israel investigates the rise of this new movement, which has important implications for the Palestinian-Israeli conflict as a whole.Political scientist Oded Haklai has written the first book to examine this manifestation of Palestinian nationalism in Israel. Drawing on extensive fieldwork and interviews with key figures, Haklai investigates how the debate over Arab minority rights within the Jewish state has given way to questioning the foundational principles of that state. This ground-breaking book not only explains the transitions in Palestinian Arab political activism in Israel but also presents new theoretical arguments about the relationship between states and societies. Haklai traces the source of Arab ethnonationalist mobilization to broader changes in the Israeli state, such as the decentralization of authority, an increase in political competition, intra-Jewish fragmentation, and a more liberalized economy.Palestinian Ethnonationalism in Israel avoids oversimplified explanations of ethnic conflict. Haklai's carefully researched and insightful analysis covers a neglected aspect of Israeli politics and Arab life outside the West Bank and Gaza. Scholars and policy makers interested in the future of Israel and peace in the Middle East will find it especially valuable.

The traditional costumes of the Palestinian villagers and Bedouin are of exceptional beauty and diversity, especially the festive costumes of the women with their lavish silk embroidery and patchwork and their dramatic headdresses encrusted with coins. This book surveys male and female fashions from the early nineteenth century to the end of the twentieth, and describes the main regional styles of costume, their materials and ornamentation, against the background of Palestinian life and culture. The emphasis throughout the book is on the social and symbolic significance of costume, and the final chapters analyze in detail the language of costume in the context of the wedding. The book is based on extensive field research the author has conducted at intervals since 1967 among Palestinians in Israel, the Occupied Territories, and Jordan. The illustrations include studio photographs of magnificent garments in museum collections, archive photographs from the nineteenth and early twentieth centuries, and recent photographs of costumes still made and worn.

In The Palestinian Hamas, Shaul Mishal and Avraham Sela show that, contrary to its violent image, Hamas (the Islamic Resistance Movement) is essentially a social and political organization, providing extensive community services and responding to political realities through bargaining and power brokering. The authors lift the veil on Hamas's strategic decision-making methods at each of the crucial crossroads it has confronted: the Intifada and the struggle with the PLO, the Oslo accords and the establishment of the Palestinian National Authority, and the choice between absolute jihad against Israel and controlled violence. Now with a new introduction, this book does much to contextualize the current ascendancy of this controversial movement.

“Boullata takes the reader close to the struggle of those visionary, obstinate Palestinian artists who create so that their anonymous heroic land with its ancestral olive trees may survive.”—John Berger“It is rare and exciting to find an art book full of persuasive, urgent visual imagery whose language and strategies are ultimately unfamiliar, whatever their surface appearance, to the complacent western eye. And it is refreshing to sense that the pull of much of the work derives from and points back to Palestinian culture itself, rather than being necessarily part of the self-conscious east-west discourse which so preoccupied Edward Said. As such it represents another advance in international understanding of Palestinian history and aspiration, but determinedly through the artist's eye.”—Guardian UKThis diverse selection features pre-1948 paintings alongside contemporary media works, highlighting the political concerns of Palestinian artists and their unique contributions to modern Arab culture. Works by artists who live in Palestine are examined alongside those of artists from the Palestinian diaspora.Kamal Boullata is a painter and writer. His writings on Palestinian art have appeared in numerous art and academic periodicals, and he recently edited Belonging and Globalisation: Critical Essays on Contemporary Art and Culture (Saqi Books).

Turmoil and violence have defined the lives of Palestinian people over the last few decades, yet in the midst of the chaos artists live and thrive, creating little-seen work that is a powerful response to their situation. Gannit Ankori's Palestinian Art is the first in-depth English-language assessment of contemporary Palestinian art, and it offers an unprecedented and wholly original overview of this art in all its complexity. Ankori comprehensively traces the full history and development of Palestinian art, from its roots in folk art and traditional Christian and Islamic painting to the predominance of nationalistic themes and diverse media used today. Drawing on over a decade of extensive research, studio visits, and interviews, Ankori explores the vast oeuvre of prominent contemporary Palestinian artists, navigating between the personal and biographical dimensions of specific artworks and the symbolic meanings embedded within them. She provides detailed interpretations of many works and considers the complex historical, geographical, political, and cultural contexts in which the art was created. Questions of gender, exile, colonialism, postcolonialism, and hybridity are integral to Ankori's investigation as she probes the influence and thematic dominance of issues such as rootedness and displacement in Palestinian art.  Palestinian Art is a fascinating introduction to a virtually unknown visual culture that has been subsumed under the torrent of current political turmoil. A groundbreaking and essential work of art scholarship, Palestinian Art illuminates new and unique facets of the Palestinian cultural identity.

Shows and describes the traditional clothing worn by Palestinian villagers, discusses regional styles and looks at the social and symbolic aspects of costume

This book contains the findings of the latest research and studies conducted by Dar al-Kalima University College of Arts and Culture in 2017. The first chapter crystalizes four waves of Christian emigration from Palestine within the last century. The second chapter contains the results of an emigration survey conducting in the West Bank and the Gaza Strip mid-2017; a first study of its kind that includes both Christians and Muslim Palestinians. The third chapter looks at the situation of the Palestinian Christian emigrants in the diaspora comparing their conditions in Jordan to that in the United States of America. The last chapter looks at the responses of churches, church-related organizations and European agencies to the challenge of emigration. This book is an important tool for researchers as well as all who are interested in the situation of the Christians in Palestine.

Shows and describes the traditional clothing worn by Palestinian villagers, discusses regional styles and looks at the social and symbolic aspects of costume

In a timely reminder of how the past informs the present, Baruch Kimmerling and Joel Migdal offer an authoritative account of the history of the Palestinian people from their modern origins to the Oslo peace process and beyond.Palestinians struggled to create themselves as a people from the first revolt of the Arabs in Palestine in 1834 through the British Mandate to the impact of Zionism and the founding of Israel. Their relationship with the Jewish people and the State of Israel has been fundamental in shaping that identity, and today Palestinians find themselves again at a critical juncture. In the 1990s cornerstones for peace were laid for eventual Palestinian-Israeli coexistence, including mutual acceptance, the renunciation of violence as a permanent strategy, and the establishment for the first time of Palestinian self-government. But the dawn of the twenty-first century saw a reversion to unmitigated hatred and mutual demonization. By mid-2002 the brutal violence of the Intifada had crippled Palestine's fledgling political institutions and threatened the fragile social cohesion painstakingly constructed after 1967. Kimmerling and Migdal unravel what went right--and what went wrong--in the Oslo peace process, and what lessons we can draw about the forces that help to shape a people. The authors present a balanced, insightful, and sobering look at the realities of creating peace in the Middle East.

What happens to the Palestinian novel after the national dispossession of the nakba, and how do Palestinian novelists respond to this massive crisis? This is the first study in English to chart the development of the Palestinian novel in exile and under occupation from 1948 onwards. By reading the novel in the context of the ebb and flow of Arab and Palestinian revolution, Bashir Abu-Manneh defines the links between aesthetics and politics. Combining historical analysis with textual readings of key novels by Jabra, Kanafani, Habiby, and Khalifeh, the chronicle of the Palestinian novel unfolds as one that articulates humanism, self-sacrifice as collective redemption, mutuality, and self-realization. Political challenge, hope, and possibility are followed by the decay of collective and individual agency. Genet's and Khoury's unrivalled literary homages to Palestinian revolt are also examined. By critically engaging with Lukács, Adorno, and postcolonial theory, questions of struggle and self-determination take centre stage.

Initially published in Moscow in 1950 following the author's death, this book contains the first chapters of a large monograph Krylov planned entitled The foundations of physical statistics," his doctoral thesis on "The processes of relaxation of statistical systems and the criterion of mechanical instability," and a small paper entitled "On the description of exhaustively complete experiments."Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

As the Israel-Palestine conflict rages on, it is increasingly important to understand the history of the Palestinian people. Rosemary Sayigh's The Palestinians is a classic of radical history. Through extensive interviews with Palestinians in refugee camps, she provides a deeply-moving, grassroots story of how the Palestinians came to be who they are today. Reissued with an extensive new foreword by Noam Chomsky, which brings the story that Sayigh tells up-to-date in the context of the Hamas victory and the war in Lebanon, this book is both a fascinating historical document and an essential insight into the situation in the contemporary Middle East. 

What happens to the Palestinian novel after the national dispossession of the nakba, and how do Palestinian novelists respond to this massive crisis? This is the first study in English to chart the development of the Palestinian novel in exile and under occupation from 1948 onwards. By reading the novel in the context of the ebb and flow of Arab and Palestinian revolution, Bashir Abu-Manneh defines the links between aesthetics and politics. Combining historical analysis with textual readings of key novels by Jabra, Kanafani, Habiby, and Khalifeh, the chronicle of the Palestinian novel unfolds as one that articulates humanism, self-sacrifice as collective redemption, mutuality, and self-realization. Political challenge, hope, and possibility are followed by the decay of collective and individual agency. Genet's and Khoury's unrivalled literary homages to Palestinian revolt are also examined. By critically engaging with Lukács, Adorno, and postcolonial theory, questions of struggle and self-determination take centre stage.

In a unique study of rural administration in the Ottoman empire, Amy Singer explores the relationship between Palestinian peasants and Ottoman officials in mid-sixteenth-century Jerusalem. Using court records, the author describes the mechanisms of tax collection and other aspects of local administration. The book emphasizes the interactive nature of Ottoman officialdom, which, while obliged to extract revenues from the peasants and impress them with its imperial authority, was profoundly influenced by local conditions and traditional practices.

Photographs and interviews help capture the feelings, outlook, and plight of the Palestinians, who have spent frustrating years as refugees caught up in the turbulence of the Middle East