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For 20 years, Avital Ronell has stood at the forefront of the confrontation between literary study and European philosophy. This work introduces Avital Ronell's oeuvre. It includes at least one selection from each of her books, two classic selections from a collection of her early essays, interviews, and essays.

"It is not, nor it cannot come to good. But break, my heart, for I must hold my tongue." Thus spoke Hamlet, one of the great kvetchers of literature. Every day, gripers challenge our patience and compassion. Yet Pollyannas rile us up with their grotesque contentment and unfathomable rejection of protest. Avital Ronell considers how literature and philosophy treat bellyachers, wailers, and grumps--and the complaints they lavish on the rest of us. Combining her trademark jazzy panache with a fearless range of readings, Ronell opens a dialog with readers that discusses thinkers with whom she has directly engaged. Beginning with Hamlet, and with a candid awareness of her own experiences, Ronell proceeds to show how complaining is aggravated, distracted, stifled, and transformed. She moves on to the exemplary complaints of Friedrich Nietzsche, Hannah Arendt, and Barbara Johnson and examines the complaint-riven history of deconstruction. Infused with the author's trademark wit, Complaint takes friends, colleagues, and all of us on a courageous philosophical journey.

International interest in the work of Avital Ronell has expressed itself in reviews, articles, essays, and dissertations. For Fighting Theory, psychoanalyst and philosopher Anne Dufourmantelle conducted twelve interviews with Ronell, each focused on a key topic in one of Ronell's books or on a set of issues that run throughout her work.What do philosophy and literary studies have to learn from each other? How does Ronell place her work within gender studies? What does psychoanalysis have to contribute to contemporary thought? What propels one in our day to Nietzsche, Derrida, Nancy, Bataille, and other philosophical writers? How important are courage and revolt? Ronell's discussions of such issues are candid, thoughtful, and often personal, bringing together elements from several texts, illuminating hints about them, and providing her up-to-date reflections on what she had written earlier. Intense and often ironic, Fighting Theory is a poignant self-reflection of the worlds and walls against which Avital Ronell crashed.

International interest in the work of Avital Ronell has expressed itself in reviews, articles, essays, and dissertations. For Fighting Theory, psychoanalyst and philosopher Anne Dufourmantelle conducted twelve interviews with Ronell, each focused on a key topic in one of Ronell's books or on a set of issues that run throughout her work.What do philosophy and literary studies have to learn from each other? How does Ronell place her work within gender studies? What does psychoanalysis have to contribute to contemporary thought? What propels one in our day to Nietzsche, Derrida, Nancy, Bataille, and other philosophical writers? How important are courage and revolt? Ronell's discussions of such issues are candid, thoughtful, and often personal, bringing together elements from several texts, illuminating hints about them, and providing her up-to-date reflections on what she had written earlier. Intense and often ironic, Fighting Theory is a poignant self-reflection of the worlds and walls against which Avital Ronell crashed.

Avital Ronell asks why "there is no culture without drug culture." Tracing and tracking the zones of modern dependencies, she deals with the usual drugs and alcohol (and their celebrities: Freud's cocaine, Baudelaire's hashish, the Victorians' laudanum), and moves beyond them to addictive mappings that are culturally accepted - an insatiable appetite for romance novels, for instance, and romance itself as well as the satellite technologies of our everyday existence.

Avital Ronell asks why "there is no culture without drug culture." Tracing and tracking the zones of modern dependencies, she deals with the usual drugs and alcohol (and their celebrities: Freud's cocaine, Baudelaire's hashish, the Victorians' laudanum), and moves beyond them to addictive mappings that are culturally accepted - an insatiable appetite for romance novels, for instance, and romance itself as well as the satellite technologies of our everyday existence.

Suspending the distinction between headline news and high theory, Avital Ronell examines the diverse figures of finitude in our modernity: war, guerrilla video, trauma TV, AIDS, music, divorce, sadism, electronic tagging, rumor. Her essays address such questions as, How do rumors kill? How has video become the conscience of TV? How have the police come to be everywhere, even where they are not? Is peace possible? “[W]riting to the community of those who have no community—to those who have known the infiniteness of abandonment,” her work explores the possibility, one possibility among many, that “this time we have gone too far”: “One last word. It is possible that we have gone too far. This possibility has to be considered if we, as a species, as a history, are going to get anywhere at all.”

International interest in the work of Avital Ronell has expressed itself in reviews, articles, essays, and dissertations. For Fighting Theory, psychoanalyst and philosopher Anne Dufourmantelle conducted twelve interviews with Ronell, each focused on a key topic in one of Ronell's books or on a set of issues that run throughout her work.What do philosophy and literary studies have to learn from each other? How does Ronell place her work within gender studies? What does psychoanalysis have to contribute to contemporary thought? What propels one in our day to Nietzsche, Derrida, Nancy, Bataille, and other philosophical writers? How important are courage and revolt? Ronell's discussions of such issues are candid, thoughtful, and often personal, bringing together elements from several texts, illuminating hints about them, and providing her up-to-date reflections on what she had written earlier. Intense and often ironic, Fighting Theory is a poignant self-reflection of the worlds and walls against which Avital Ronell crashed.

International interest in the work of Avital Ronell has expressed itself in reviews, articles, essays, and dissertations. For Fighting Theory, psychoanalyst and philosopher Anne Dufourmantelle conducted twelve interviews with Ronell, each focused on a key topic in one of Ronell's books or on a set of issues that run throughout her work.What do philosophy and literary studies have to learn from each other? How does Ronell place her work within gender studies? What does psychoanalysis have to contribute to contemporary thought? What propels one in our day to Nietzsche, Derrida, Nancy, Bataille, and other philosophical writers? How important are courage and revolt? Ronell's discussions of such issues are candid, thoughtful, and often personal, bringing together elements from several texts, illuminating hints about them, and providing her up-to-date reflections on what she had written earlier. Intense and often ironic, Fighting Theory is a poignant self-reflection of the worlds and walls against which Avital Ronell crashed.

In Stupidity Avital Ronell explores the fading empire of cognition, modulating stupidity into idiocy, puerility, and the figure of the ridiculous philosopher instituted by Kant. Drawing on a range of writers including Dostoevsky, Schlegel, Musil, and Wordsworth, Stupidity investigates ignorance, dumbfounded-ness, and the limits of reason.