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The Schneider PC-TS Makro-Symmar 90mm f/4.5 - Canon EF Fit gives you the same types of controls used by large format cameras to control perspective, but for your Canon camera.

From the renowned creators of affordable cinematic lenses, SIRUI introduces the 75mm F1.8 1.33X Anamorphic Lens for Canon EF-M. This lens is the latest addition to SIRUI's successful lineup of wide-screen Anamorphic lenses, which includes the 50mm, 35mm, and 24mm models. Designed with the goal of bringing the cinematic experience to a wider audience, the 75mm Anamorphic lens offers a horizontal field of view akin to an 85mm lens on APS-C sensors.The SIRUI 75mm Anamorphic lens enhances your videography with a 33% increase in the horizontal field of view, producing videos in a 2.4:1 aspect ratio for a truly cinematic visual experience. Its longer focal length is adept at capturing subtle expressions, making it an ideal tool for redefining cinematic artistry.This lens stands out as a portrait master, thanks to its 1.33X squeeze factor and longer focal length. It eliminates obvious perspective distortion, presenting subjects in a more natural and authentic manner, akin to viewing through the human eye.The SIRUI 75mm Anamorphic lens excels in subject separation, adeptly filling the frame with the subject while blurring the background. Its sharp, high-resolution imaging capabilities contribute to the depiction of subtle emotions, enhancing the overall visual storytelling.Experience cinematic prominence with this lens, known for producing high-quality images, natural and saturated blue lens flares, and elliptical bokeh. The fast F1.8 aperture and enhanced shutter speed highlight the unique Anamorphic look, making it a go-to choice for aspiring filmmakers and photographers.The 75mm focal length of this lens reveals overlooked details in chaotic scenes, offering a fresh and unique perspective for story interpretation. The spatial compression created by this lens narrows the distance between the background and the subject, delivering a compact yet plump visual effect. With the SIRUI 75mm F1.8 1.33X Anamorphic Lens for Canon EF-M, transform your ordinary shots into extraordinary cinematic masterpieces.

This ready to hang, matted framed Wall Decor Living Room by Trademark Fine Art features a rainbow over a Norwegian landscape. that'll look great in any bedroom, kitchen, bathroom, or apartment. Whether it's contemporary, rustic, modern, or traditional style wall art decor, Trademark Fine Art offers a variety of high-quality, carefully built pieces that will surely complement any style with art themes that range from fascinating abstracts to breathtaking landscapes. Each bathroom wall art piece is printed on durable cotton poly blended canvas using Giclee, a process for creating high-quality fine art reproductions that are nearly indistinguishable from the original piece. Color: Black.

Established by French financier and aviation enthusiast, Jacques Schneider, in 1912, the Coupe d'Aviation Maritime Jacques Schneider (commonly called the Schneider Trophy) was the catalyst behind the rapid progression of the maritime aviation industry. The annual race along a triangular course of 280 km (later 350 km) attracted crowds of up to 200,000 and quickly became the subject of commercial rivalries and national pride. It instigated a thirst for pioneering design in aviation that eventually led to the development of such aircraft as the British Supermarine Spitfire, the American P-51 Mustang, and the Italian Macchi C.202 Folgore. Over the course of 30 years, Ralph Pegram has extensively researched each of the 100+ aircraft that participated in the contest for the Schneider Trophy from its inception in 1912 to the last race in 1934. The construction, testing and performance of each aircraft and engine is described in detail, with the help of over 120 1:72-scale 3-view drawings from the author's personal collection, most of which are previously unpublished. In addition to this, Pegram describes the individual stories of the pilots, many of whom died in their bid for glory, the fascinating political dynamics underlying each contest, and the rivalries and partnerships that led to the development of some of the most famous models of aircraft ever produced. Schneider Trophy Seaplanes and Flying Boats is the most comprehensive work to have been published on the subject since the early 1980s; the result of decades of research, and supported by unique diagrams, numerous maps, tables, posters and over 100 photographs, it is essential reading for any aviation enthusiast.

The Schneider Optics 1072025 CINE-XENAR III Wide Angle Lens is an 18mm lens with a PL-Mount that is designed for digital Cinematography, and covers a Super 35mm frame. These lenses feature a Telecentric imaging design, the same dimensions, and focus/iris gear positions. The focus ring rotates through 270°, and this lens features an aperture range of T2.2 to 16. Each lens is optically coated to improve transmission and contrast, and features an 18-blade iris, for a natural and pleasing Bokeh. This lens features a PL mount with a focus scale in feet.

TheSchneider Xenon FF 50mm T2.1, Canon EF Mount is part of the Xenon FF set of lenses. FF stands for full frame, and every lens in the set covers a full frame image sensor without vignetting and is designed for 4K image capture. The Xenon FF lenses are color-matched to a standard at the factory, Minimizing colur shift when changing lenses. They feature a 14-blade iris, providing natural looking Bokeh, with circular out of focus highlights, 300° of lens barrel rotation, and share lens gear positions and size.

The Schneider Optics 1072029 CINE-XENAR III Lens is an 75mm lens with a PL-Mount that is designed for digital Cinematography, and covers a Super 35mm frame. These lenses feature a Telecentric imaging design, the same dimensions, and focus/iris gear positions. The focus ring rotates through 270°, and this lens features an aperture range of T2.0 to 16. Each lens is optically coated to improve transmission and contrast, and features an 18-blade iris, for a natural and pleasing Bokeh. This lens features a PL mount with a focus scale in feet.

The Schneider PC-TS Super Angulon 50mm f/2.8 - Canon EF Fit gives you the same types of controls used by large format cameras to control perspective, but for your Canon camera. There's a parallel shift to reduce or eliminate converging lines or perspective distortion ("keystone correction") and a swinging or tilting of the lens.

The Schneider PC TS Super-Angulon 50mm f/2.8 Lens (For Nikon) gives you the same types of controls used by large format cameras to control perspective, but for your Nikon camera. There's both a parallel shift to reduce or eliminate converging lines or perspective distortion ("keystone correction") and a swinging or tilting of the lens according to Scheimpflug's rule to better utilise depth of field (DOF) without an increase in diffraction from stopping down the aperture further and reducing sharpness.

Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for E mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make...

While capturing the essence of your creative vision, the SmallRig RC 220D 2-Light Kit offers an unparalleled blend of durability, versatility, and high-quality illumination. This portable and affordable daylight COB LED video light kit is designed to enhance your photography and videography experiences, whether you're shooting indoors or outdoors. The SmallRig RC 220D, a pioneering innovation from SmallRig, is the brand's first-generation point-source LED light. It combines cutting-edge COB technology with SmallRig's signature industrial design, creating a standout light that's perfect for any setting. Each light delivers an impressive luminance of 10,100 lux at a distance of 3.3 feet. When paired with the included hyper-reflectors, the brightness intensifies to an astounding 98,700 lux per unit. With high color fidelity ratings of CRI 95+ and TLCI 96+, the RC 220D ensures precise color rendition and unmatched brightness. Its standard Bowens mount extends compatibility with a wide range of light-controlling accessories, making it a versatile addition to your equipment arsenal. Whether you're producing a film, streaming live, capturing stunning portraits, or immortalizing still-life moments, the RC 220D's 5600K daylight balance guarantees impeccable visuals in every shot. The SmallGoGo App offers remote control and facilitates individual or mesh network control over multiple lights, expanding your creative possibilities. The RC 220D also features nine dynamic light effects, including Flash, Paparazzi, Lightning, Party, Faulty Bulb, TV, Flame, Fireworks, and Breath. These built-in effects allow you to adapt and impress in any lighting scenario. The dual power system supports a 12-30V DC power supply, a reliable V-Mount Battery, and an adapter. Power indicators and a secure power plug lock design ensure that you're always in control and powered up. The ultra-quiet cooling fan operates at a whisper-quiet 30db, ensuring your recordings remain disturbance-free, even when the LED operates at temperatures reaching 140 degrees Fahrenheit. The RC 220D is encased in a durable metal structure, making it resistant to wear while remaining lightweight at just 6.3 lbs. The custom cloth storage bag, designed for easy transport, features molded inserts to keep your equipment secure. The SmallRig RC 220D 2-Light Kit doesn't just shed light on your subjects; it illuminates your passion, precision, and unparalleled creativity, making it an essential tool for every photographer and videographer.

Sirui Goes Full FrameIn the past few years, Sirui 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.What You Get is What You SeeAs the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the superorganic background blur, which help render your storytelling much more nuanced and engaging.Beautiful Oval BokehThis lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.Vibrant Lens FlaresPointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.A Maximum Aperture of T2.9When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.Cine Lens HousingThis lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.Match Perfectly with Full Frame CamerasThis model comes in native mount for E mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make...

100mm-Shallow DOF for Shooting TelephotoThe 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Complete Focal LengthsFour commonly used focal lengths are included in the versatile lens set for shooting complete projects from different angles of view.Full-Frame! High Squeeze!The FF anamorphic lineup sees 1.6x more on the horizontal with prominent anamorphic characteristics, especially suitable for high-end productions.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio.• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction• T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial ScalesCompact DesignThe lightest lens in the lineup weighs only 1477g/3.26 lbs, More compact and lightweight than similar products.Mount OptionsThis lineup comes in RF, L, E, and Z-mount, working perfectly on professional cinema cameras and popular FF mirrorless cameras.

Offering life-size magnification, along with a 1.2' minimum focusing distance, the Phase One Schneider Kreuznach 120mm f/4 Macro LS (Blue Ring) is a short telephoto, 1:1 macro lens that is compatible with Mamiya 645 AF-mount medium format cameras.

Offering life-size magnification, along with a 1.2' minimum focusing distance, the Phase One Schneider Kreuznach 120mm f/4 Macro LS (Blue Ring) is a short telephoto, 1:1 macro lens that is compatible with Mamiya 645 AF-mount medium format cameras.

A great all-purpose lens, exhibiting outstanding optical performance. All scenes are captured with amazing details and accuracy. This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.

The Phase One Schneider 40-80mm f/4.0-5.6 LS [Blue Ring] is the perfect companion for the location photographer that demands optimum quality. This lens delivers outstanding image quality throughout the entire zoom range and boasts an optical performance more associated with the best prime lenses.

Offering life-size magnification, along with a 1.2' minimum focusing distance, the Phase One Schneider Kreuznach 120mm f/4 Macro LS (Blue Ring) is a short telephoto, 1:1 macro lens that is compatible with Mamiya 645 AF-mount medium format cameras.

A longer focal length with just enough optical compression for full-length fashion, beauty and portraiture. The preferred lens for location portraits utilising shallow depth of field.

A great all-purpose lens, exhibiting outstanding optical performance. All scenes are captured with amazing details and accuracy. This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.