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Dramma per musica―the most usual term for Italian serious opera from the seventeenth to the early nineteenth century―was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world’s most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel’s Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage.

Boss GM-800 Guitar and Bass Synthesizer Pedal with Serial GK Interface, Zen-Core Sound Engine, and Onboard Sound LibraryBOSS Guitar Synthesis Evolv...

Limited Edition EarthQuaker Devices Disaster Transport Legacy ReissueThis limited edition version of the Disaster Transport pedal has been redesi...

Alessandro Opera Seria in Tre Atti De Majo / Moller / Ceccherini - CD 4039956209119

Dramma per musica―the most usual term for Italian serious opera from the seventeenth to the early nineteenth century―was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world’s most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel’s Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage.

An account of the search for a Russian serial killer describes how Rostov detective Victor Burakov, obsessed with finding the killer, faced formidable odds--among them the maze of the Soviet system--to do so. 50,000 first printing.

Cleopatra Opera Seria in Due Atti Franco Piva - CD 8007068239528

Previously Owned Mackie ProFX22v3 22-channel Mixer w/ USB & Effects This mixer is in excellent, well-kept condition. Includes power cord. Seria...

A used CENTAVO from WARM AUDIO is in stock! There are some scratches, dirt, and other signs of use, but there are no problems with operation. Seria...

Composer: Nicolas Bacri Bacri Sonata Seria Op 98 Trio No 4 Violin Cello & Piano Score/parts Publisher: Alphonse Leduc Category: Classical ...

Bacri Sonata Seria Op 98 Trio No 4 Violin Cello & Piano Score/PartsFeatures:Voicing: VIOLIN/CELLO

Pulled from a JBL L-19 cabinet.LE26 tweeter tests good for continuity.Tweeter cone and dome are as clean as it gets.All screws and rear model/seria...

For your consideration is a vintage "The Dayton" branded 4-string tenor banjo. It's believed to be a late 1930's to early 1940's based on the seria...

Roland XP-10 OLED Display Upgrade *Green* No soldering required!This display will only work on Serial numbers AI46600 and upWill NOT work on Seria...

Dirindina by Scarlatti and Pimpinone by Albinoni are two "intermezzi buffi", which were placed in the intervals of the opera seria. Pimpinone, intermezzo in three parts, was performer for the first time in Venice in 1708, inside the opera seria Astarto, by Albinoni himself. The work was immediately a great success and was repeated many times in Italy and abroad. Dirindina was composet seven years later, in 1715, by Domenico Scarlatti, son of Alessandro. Both intermezzi are in first video recordi

This new release is the eleventh volume in Profil's Semperoper Edition, and features Johann Adolf Hasse's three-act opera Attilio Regolo. Attilio Regolo is an Italian-language opera seria by Johann Adolph Hasse based on the story of Marcus Atilius Regulus, a Roman general taken prisoner in Carthage, who elects death rather than ransom. Metastasio wrote the libretto in 1740 for the birthday of the emperor Charles VI but the illness, then death, of the emperor prevented the libretto being set to m

Own a piece of history! Moog Voyager signed by Bob Moog with signed certificate of authenticity and carrying case. Kept in smoke free studio. Seria...

Nowy podrecznik do jezyka francuskiego dla uczniow szkol ponadgimnazjalnych i doroslych Seria zawiera 4 czesci na poziomach A1B2 Na kazdym poziomie seria sklada sie z podrecznika z plytami CD i DVD zeszytu cwiczen z plyta CD oraz przewodnika metodycznego ktory jest nieodplatnie dostepny online Przygotowano rowniez materialy do wykorzystania z tablica interaktywna oraz wersje na tablety Oprocz tego mozna skorzystac z dodatkowych materialow zamieszczonych w Internecie oraz aplikacji na tablety i smartfony co umozliwia samodzielna nauke jezyka Przejrzysta struktura kolejne strony kazdego rozdzialu sa przeznaczone na odkrywanie nowego materialu przecwiczenie leksyki i struktur gramatycznych mowienie i pisanie podsumowanie leksyki elementow komunikacyjnych i gramatyki Przygotowanie do egzaminu DELF testy ewaluacyjne

Se você fosse Noé, e tivesse de fazer uma arca, que bichos colocaria na sua barca? Peru, macaco, aranha, pato, avestruz, pulga, galinha, carrapato? Qual seria a sua decisão? Que bichos salvaria da inundação?

From the early eighteenth-century until the present day, opera seria as practiced by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic vocal displays. Close examination of Handel's autograph manuscripts, the libretti upon which they were based, and other contemporary documents reveal the extent to which Handel was influenced by his singers and their abilities in creating his commercially successful and dramatically effective operas. Drawing on ideas and evidence from these sources, this study demonstrates the fact that Handel's singers were the single most important influence in his opera composition during his tenure as composer and music director of the Royal Academy of Music from 1719-28.