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Dramma per musica―the most usual term for Italian serious opera from the seventeenth to the early nineteenth century―was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world’s most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel’s Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage.

If you see this listing, it is available. Joyo Compressor pedal - IronMan Seria Mini. Excellent condition. Practically new. Plastic film on the ped...

Limited Edition EarthQuaker Devices Disaster Transport Legacy ReissueThis limited edition version of the Disaster Transport pedal has been redesi...

If you see this listing, it is available. Joyo Amp Simulator IronMan Seria Mini. Excellent condition. Practically new. Plastic film on the pedal. I...

If you see this listing, it is available. Joyo Tuner Pedal IronMan Seria Mini. Excellent condition. Practically new. Plastic film on the pedal. In ...

If you see this listing, it is available. Joyo Noise Gate - IronMan Seria Mini. Excellent condition. Plastic film on the pedal. In a box. Works per...

Alessandro Opera Seria in Tre Atti De Majo / Moller / Ceccherini - CD 4039956209119

Dramma per musica―the most usual term for Italian serious opera from the seventeenth to the early nineteenth century―was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world’s most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel’s Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage.

An account of the search for a Russian serial killer describes how Rostov detective Victor Burakov, obsessed with finding the killer, faced formidable odds--among them the maze of the Soviet system--to do so. 50,000 first printing.

Cleopatra Opera Seria in Due Atti Franco Piva - CD 8007068239528

The Ludwig 404, a classic Ludwig model that is considered a masterpiece of aluminum snare, is estimated to be from the mid-1970s based on its seria...

Used pedal in very good condition with minimal signs of use, some small velcro squares on back. No power supply nor any accessories included. Seria...

Bacri Sonata Seria Op 98 Trio No 4 Violin Cello & Piano Score/PartsFeatures:Voicing: VIOLIN/CELLO

Composer: Nicolas Bacri Bacri Sonata Seria Op 98 Trio No 4 Violin Cello & Piano Score/parts Publisher: Alphonse Leduc Category: Classical ...

For your consideration is a vintage "The Dayton" branded 4-string tenor banjo. It's believed to be a late 1930's to early 1940's based on the seria...

Pulled from a JBL L-19 cabinet.LE26 tweeter tests good for continuity.Tweeter cone and dome are as clean as it gets.All screws and rear model/seria...

Roland XP-10 OLED Display Upgrade *Green* No soldering required!This display will only work on Serial numbers AI46600 and upWill NOT work on Seria...

This new release is the eleventh volume in Profil's Semperoper Edition, and features Johann Adolf Hasse's three-act opera Attilio Regolo. Attilio Regolo is an Italian-language opera seria by Johann Adolph Hasse based on the story of Marcus Atilius Regulus, a Roman general taken prisoner in Carthage, who elects death rather than ransom. Metastasio wrote the libretto in 1740 for the birthday of the emperor Charles VI but the illness, then death, of the emperor prevented the libretto being set to m

Dirindina by Scarlatti and Pimpinone by Albinoni are two "intermezzi buffi", which were placed in the intervals of the opera seria. Pimpinone, intermezzo in three parts, was performer for the first time in Venice in 1708, inside the opera seria Astarto, by Albinoni himself. The work was immediately a great success and was repeated many times in Italy and abroad. Dirindina was composet seven years later, in 1715, by Domenico Scarlatti, son of Alessandro. Both intermezzi are in first video recordi

Russian Book. Publisher: EKSMO, M. 352 pages. Year 2011. Seria: