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Physical description; 240p : chiefly ill(some col) ; 29cm. Subjects; Symbolism in art. Graphic arts - History. Art, Modern - 19th century.

A digital copy of "Sex, Symbolists And The Greek Body" by Warren. Download is immediately available upon purchase!

The Symbolist art movement of the late nineteenth century forms an important bridge between Impressionism and Modernism. But because Symbolism, more than the two movements it links, emphasizes ideas over objects and events, it has suffered from vague and conflicting definitions. In Symbolist Art in Context, Michelle Facos offers a clearly written, comprehensive, and accessible description of this challenging subject. Reaching back into Romanticism for Symbolism's origins, Facos argues that Symbolism enabled artists (including Munch and Gauguin) to confront an increasingly uncertain and complex world—one to which pessimists responded with themes of decadence and degeneration and optimists with idealism and reform.

Now back in print, this one-of-a-kind volume of fifteen short symbolist plays from around the world, written between 1890 and 1918, is even more timely in today's turn to the spiritual and subjective modes of being. It includes often little-known plays by Strindberg, Maeterlinck, Hoffmansthal, Rachilde, Tagore, Yeats, Valle-Inclán, Blok, Bely, Briusov, Stevens, and others.

Though the Symbolist heyday in Paris was short-lived, the movement had an influence on painting in both duration and geographical range. Important Symbolist painters were at work in places as remote from one another as Munch in Oslo, Klimt in Vienna, and the young Picasso in Barcelona. It is through Symbolism, too, that the relationship between the English painting of the later nineteenth century and what was taking place in Europe can be explained. Edward Lucie-Smith's important study throws light upon the origins of Modernism, and upon the development of painting and sculpture in the final years of the century. 185 illus., 24 in color.

Though the Symbolist heyday in Paris was short-lived, the movement had an influence on painting in both duration and geographical range. Important Symbolist painters were at work in places as remote from one another as Munch in Oslo, Klimt in Vienna, and the young Picasso in Barcelona. It is through Symbolism, too, that the relationship between the English painting of the later nineteenth century and what was taking place in Europe can be explained. Edward Lucie-Smith's important study throws light upon the origins of Modernism, and upon the development of painting and sculpture in the final years of the century. 185 illus., 24 in color.

The Symbolist art movement of the late nineteenth century forms an important bridge between Impressionism and Modernism. But because Symbolism, more than the two movements it links, emphasizes ideas over objects and events, it has suffered from vague and conflicting definitions. In Symbolist Art in Context, Michelle Facos offers a clearly written, comprehensive, and accessible description of this challenging subject. Reaching back into Romanticism for Symbolism's origins, Facos argues that Symbolism enabled artists (including Munch and Gauguin) to confront an increasingly uncertain and complex world―one to which pessimists responded with themes of decadence and degeneration and optimists with idealism and reform.

Henri Dorra, in his comprehensive new book, presents the development and the aesthetic theories of the symbolist movement in art and literature. Included are writings (many never before translated or reprinted) by artists, designers, architects, and critics, along with Dorra's learned commentary. Fifty photographs of symbolist works complement his encyclopedic coverage.Dorra traces symbolism and its roots from artist to artist and critic to critic from the 1860s to the early twentieth century. The decorative arts and architecture are examined as well as painting and sculpture. The Arts and Crafts movement, art nouveau, the work of Eiffel in France and Sullivan in the United States are all well represented.The close relations between symbolist poets and artists are reflected in the chapter on literary developments. Baudelaire, Rimbaud, Verlaine, and Mallarmé are here, but so, too, are writers less well-known. A section on the Post-Impressionists and the "Artists of the Soul" rounds out Dorra's rich and varied text, and his epilogue lays the groundwork for what was to follow symbolism.Dorra beautifully integrates the different aesthetic branches of symbolism, the different media and national variations, without ever losing sight of the whole. The historical context provided makes this a particularly appealing collection for students and scholars of art history and literature, as well as for anyone interested in the evolution of symbolism.

First published in 1899, The Symbolist Movement in Literature was a highly influential work of criticism and introduced the French Symbolists to an Anglophone readership. Arthur Symons’s interest in writers such as Verlaine and Mallarmé puts him at the heart of contemporary debates about Decadence and Symbolism in fin-de-siècle literature, but his work was also a formative influence on modernist writers such as James Joyce, George Eliot, Ezra Pound, and William Butler Yeats, helping to shape the role of the Image in modernist writing. This new critical edition makes available a key text that has been out of print for more than 50 years. It includes an introduction, chronology, and notes, together with appendices presenting the full text of Symons’ essay “The Decadent Movement in Literature” and a selection of his translations of French poetry.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are “giants,” but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this “copious and intelligently structured” anthology, divided into eight parts, traces the conceptual bases and emergence of an international Symbolist movement, showing the spread of Symbolism to other national literatures from French sources, as well as the symbiotic transformations of Symbolism through appropriation and amalgamation with local literary trends. Several chapters deal with the relationships between literature and the other arts, pointing to Symbolism at work in painting, music, and theatre. Other chapters on the psychological aspects of the Symbolist method connect in interesting ways to a vision of metaphor and myth as virtually musical notation and an experimental emphasis on the play afforded by gaps between words. The volume is “a major contribution” to “the most significant exponents” and “essential themes” of Symbolism. The theoretical, historical, and typological sections of the volume help explain why the impact of this important movement of the fin-de-siècle is still felt today.

Without symbolism there can be no literature; indeed, not even language. What are words themselves but symbols, almost as arbitrary as the letters which compose them, mere sounds of the voice to which we have agreed to give certain significations, as we have agreed to translate these sounds by those combinations of letters?

Text: English (translation) Original Language: French

Unread book in perfect condition.

This Collection of Short Essays Was Written By Arthur Symons, a British Poet, Critic and Editor, and Includes the Following Works: Balzac Prosper Mérimée Gérard de Nerval Théophile Gautier Gustave Flaubert Charles Baudelaire Edmond and Jules de Goncourt Villiers de L'isle-adam Léon Cladel a Note On Zola's Method Stéphane Mallarmé Paul Verlaine I. Joris-karl Huysmans Ii. the Later Huysmans Arthur Rimbaud Jules Laforgue Maeterlinck as a Mystic

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.87

Book is in NEW condition. 0.87

vi, 197p. Reprint by AMS Press, 1980

83 REPRODUCTIONS IN FULL COLOR. 228 B&W ILLUSTRATIONS. The Symbolist movement was one of the dominant forces in European art and literature from 1870 to 1900. Influenced by the English Pre-Raphaelites, the operas of Wagner, and poets like Baudelaire, Mallarme and Maeterlinck, painters aimed at imaginative suggestions of emotion through symbolic allusions and luxuriant decorative form. Symbolism was less a school than the atmosphere of a period. Translated from the French by Barbara Bray, Elizabeth Wrightson, and Bernard C. Swift.

Though the Symbolist heyday in Paris was short-lived, the movement had an influence on painting in both duration and geographical range. Important Symbolist painters were at work in places as remote from one another as Munch in Oslo, Klimt in Vienna, and the young Picasso in Barcelona. It is through Symbolism, too, that the relationship between the English painting of the later nineteenth century and what was taking place in Europe can be explained. Edward Lucie-Smith's important study throws light upon the origins of Modernism, and upon the development of painting and sculpture in the final years of the century. 185 illus., 24 in color.