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Bernard Lonergan's theological writings have influenced religious scholars ever since the first publication in the 1940s of the series of five articles which make up Verbum: Word and Idea in Aquinas. These articles first appeared in Theological Studies and were subsequently republished in book form in 1967 under the present title. This volume contains a new preface by the editors and full translations of all Latin texts.Verbum: Word and Idea in Aquinas is a product of Lonergan's eleven years of study of the thought of Thomas Aquinas. The work is considered by many to be a breakthrough in the history of Lonergan's theology and a foundation upon which his later contributions were constructed. Here he interprets aspects in the writing of Aquinas relevant to trinitarian theory and, as in most of Lonergan's work, one of the principal aims is to assist the reader in the search to understand the workings of the human mind.Verbum: Word and Idea in Aquinas is a vital component of Lonergan's oeuvre, and of continuing relevance to trinitarian theology, Aquinas studies, and inquiries into human cognition.

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Pope Benedict XVI says the word of God “draws each of us into a conversation with the Lord: the God who speaks teaches us how to speak to him.” In this apostolic exhortation—an extended reflection on the work of the Bishops’ Synod on the Word of God in 2008—the Holy Father affirms that the word of God is at the heart of our faith and at the heart of every activity in the Church. He calls for an increased emphasis on the Bible in catechesis and pastoral work, and recommends lectio divina, or prayerful reading of Scripture, so that all believers can encounter Christ in his the living word. And because the Church by its nature is missionary, what we have received through the word we must proclaim to the world. “With this Apostolic Exhortation,” Pope Benedict writes, “I would like the work of the Synod to have a real effect on the life of the Church: on our personal relationship with the sacred Scriptures, on their interpretation in the liturgy and catechesis, and in scientific research, so that the Bible may not be simply a word from the past, but a living and timely word” (Verbum Domini, 5). “With the Synod Fathers I express my heartfelt hope for the flowering of ‘a new season of greater love for sacred Scripture on the part of every member of the People of God, so that their prayerful and faith-filled reading of the Bible will, with time, deepen their personal relationship with Jesus.’” —Verbum Domini, 72

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"This book and exhibit reflect the Bible's global appeal and impact through many centuries. . .The Bible has played an enormous role across the centuries in the shaping of institutions and societies; and it has shaped and anchored the lives of untold millions of people. In this book you will learn how the Bible spread from Palestine to Northeast Africa, to the Medieval West, to Central and Eastern Europe, to the British Isles, to China, to early America--and even to the moon. . . And you will see manuscripts, artifacts, and books that played key roles in worldwide spread over the last two millennia."

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An important addition to the Rediscovering Vatican II series, this book by noted biblical scholar, writer, and teacher Ronald Witherup explores Vatican II's teaching on Scripture, embodied in Dei Verbum, The Dogmatic Constitution on Divine Revelation.Writing with the lay person in mind, the author recounts how Dei Verbum came into being, especially the battles that were fought to bring it to light. The book summarizes in popular format the content and significance of this dogmatic constitution, with an eye toward showing its far-reaching influence on contemporary biblical studies. For those who wish to read further, the author provides an annotated bibliography.Highlights: is the most succinct and focused presentation on a Catholic approach to the Bible currently available addresses in detail the current controversies that will shape the future is a convenient digest and commentary on the constitution

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Nürnberg, Hans Carl 1979. XVII, 636 S., OKart. Seiten 256 und 513 unbedruckt. Einige Lagen stehen etwas hervor. Wenige Bleistift-Anmerkungen.

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Este libro estudia historicamente la definicion y categorizacion del concepto de ""pintura espanola"": un proceso largo, variable y ciertamente dinamico, pues ha estado sometido a constantes cambios y revisiones, los cuales han tenido que ver con cuestiones de gusto y paradigma estetico, con el acrecentamiento de los conocimientos positivos asi como con las distintas consideraciones que a lo largo del tiempo se han efectuado acerca del pais y sus producciones artisticas. El proceso ha sido acumulativo y enriquecedor, pues con el tiempo se han ido sucediendo los fenomenos susceptibles de ser integrados en esa historia, y esto no solo como consecuencia de la natural aparicion de nuevos artistas en activo, sino tambien porque la mirada hacia el pasado se ha hecho cada vez mas integradora. Para efectuar el analisis se ha atendido a tres ejes principales: En primer lugar, la historia y la critica artistica, a fin de identificar las principales ideas que a lo largo del tiempo se han puesto en juego. En segundo lugar, las practicas coleccionisticas y museograficas, las cuales permiten examinar de la manera mas adecuada la manifestacion y la visualizacion del concepto de pintura espanola desde el siglo XVII. Y en tercer lugar, la practica pictorica propiamente, a traves de la cual es posible advertir como ese concepto entitativo y definitorio, lejos de estar limitado a historiadores y coleccionistas, desempeno una importante funcion en el desarrollo del arte espanol a partir de finales del siglo XVIII, es decir cuando aparecen artistas conscientes de pertenecer a un tradicion nacional o local determinada y cuyas obras, en parte, son explicables como consecuencia del proceso de dicha tradicion.

Este libro estudia historicamente la definicion y categorizacion del concepto de ""pintura espanola"": un proceso largo, variable y ciertamente dinamico, pues ha estado sometido a constantes cambios y revisiones, los cuales han tenido que ver con cuestiones de gusto y paradigma estetico, con el acrecentamiento de los conocimientos positivos asi como con las distintas consideraciones que a lo largo del tiempo se han efectuado acerca del pais y sus producciones artisticas. El proceso ha sido acumulativo y enriquecedor, pues con el tiempo se han ido sucediendo los fenomenos susceptibles de ser integrados en esa historia, y esto no solo como consecuencia de la natural aparicion de nuevos artistas en activo, sino tambien porque la mirada hacia el pasado se ha hecho cada vez mas integradora. Para efectuar el analisis se ha atendido a tres ejes principales: En primer lugar, la historia y la critica artistica, a fin de identificar las principales ideas que a lo largo del tiempo se han puesto en juego. En segundo lugar, las practicas coleccionisticas y museograficas, las cuales permiten examinar de la manera mas adecuada la manifestacion y la visualizacion del concepto de pintura espanola desde el siglo XVII. Y en tercer lugar, la practica pictorica propiamente, a traves de la cual es posible advertir como ese concepto entitativo y definitorio, lejos de estar limitado a historiadores y coleccionistas, desempeno una importante funcion en el desarrollo del arte espanol a partir de finales del siglo XVIII, es decir cuando aparecen artistas conscientes de pertenecer a un tradicion nacional o local determinada y cuyas obras, en parte, son explicables como consecuencia del proceso de dicha tradicion.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.28

333 pages. Dutch language. 9.41x9.37x0.91 inches. In Stock.