Sono stati trovati 40 prodotti corrispondenti alla tua ricerca per alterman in 3 negozi:

H. Walter Zapf German Bassbow Nickel Silver, German Bass Bow, Square pernambuco rod, Ebony frog with Parisian eye, Silver wrapping, Natural hair cover

The Alterman Gambit Guide: Black Gambits 1 is an instructional manual for improving chess players. Sharpen your tactics and learn to play dynamic attacking chess while studying the most entertaining gambits. Lines covered include: Benko Gambit, Blumenfeld Gambit, Vaganian Gambit and more. The second and concluding volume, covering 1.e4 e5, should be out early in 2012.

The Alterman Gambit Guide: White Gambits is an instructional manual for improving players. Sharpen your tactics and learn to play dynamic attacking chess while studying the most entertaining gambits. Lines covered include: Evans Gambit, Panov Attack, Morra Gambit, Philidor, Danish Gambit, Urusov Gambit, Morphy Attack, Cochrane Gambit, Max Lange Attack and Milner-Barry Gambit.\n\n\n\nNOTE: This is not a high-level theoretical work, but an instructional book for juniors and other players starting out.

The Alterman Gambit Guide: Black Gambits 1 is an instructional manual for improving chess players. Sharpen your tactics and learn to play dynamic attacking chess while studying the most entertaining gambits. Lines covered include: Benko Gambit, Blumenfeld Gambit, Vaganian Gambit and more. The second and concluding volume, covering 1.e4 e5, should be out early in 2012.

The Alterman Gambit Guide: White Gambits is an instructional manual for improving players. Sharpen your tactics and learn to play dynamic attacking chess while studying the most entertaining gambits. Lines covered include: Evans Gambit, Panov Attack, Morra Gambit, Philidor, Danish Gambit, Urusov Gambit, Morphy Attack, Cochrane Gambit, Max Lange Attack and Milner-Barry Gambit.\n\n\n\nNOTE: This is not a high-level theoretical work, but an instructional book for juniors and other players starting out.

H. Walter Zapf German Orchestra Bassbow 3/4, German orchestra bass bow, Size: 3/4, Square pernambuco stick, Ebony frog, Ebony slide with mother-of-pearl, Silver back plate, Stamped ""Atelier Jaeger"", Natural horse hair

Quando una voce femminile gli comunica al telefono che Sir James Watson, il ministro degli Interni, è stato assassinato, il sovrintendente Sinclair di Scotland Yard non crede alle sue orecchie. «Chi parla?», chiede. «Non importa», è la risposta, «solo il suo assassino». Uno scherzo di cattivo gusto? Allo Yard non risulta nulla e da un rapido controllo su dove sia il ministro si appura che questi non si trova né in Parlamento né nel suo ufficio. Qualche minuto dopo la telefonata, da Sinclair si presenta Sylvester Collins, un amico avvocato che ha abbandonato la professione per dedicarsi alle investigazioni e che ha spesso aiutato la polizia nelle indagini su misteriosi delitti. «Poco fa una donna mi ha chiamato dicendomi che volevi vedermi per un problema urgente», gli spiega. «Di che si tratta?». I due decidono di recarsi a casa del ministro, dove la domestica li informa che Sir James si è chiuso a chiave nel suo studio e non vuole essere disturbato. Di lì a poco si scoprirà che l'uomo giace morto in quella stanza, proprio come annunciava la telefonata.

Quando una voce femminile gli comunica al telefono che Sir James Watson, il ministro degli Interni, è stato assassinato, il sovrintendente Sinclair di Scotland Yard non crede alle sue orecchie. «Chi parla?», chiede. «Non importa», è la risposta, «solo il suo assassino». Uno scherzo di cattivo gusto? Allo Yard non risulta nulla e da un rapido controllo su dove sia il ministro si appura che questi non si trova né in Parlamento né nel suo ufficio. Qualche minuto dopo la telefonata, da Sinclair si presenta Sylvester Collins, un amico avvocato che ha abbandonato la professione per dedicarsi alle investigazioni e che ha spesso aiutato la polizia nelle indagini su misteriosi delitti. «Poco fa una donna mi ha chiamato dicendomi che volevi vedermi per un problema urgente», gli spiega. «Di che si tratta?». I due decidono di recarsi a casa del ministro, dove la domestica li informa che Sir James si è chiuso a chiave nel suo studio e non vuole essere disturbato. Di lì a poco si scoprirà che l'uomo giace morto in quella stanza, proprio come annunciava la telefonata.

Sherman Filterbank 2, Processore analogico di filtraggio e distorsione, Con overdrive (caratteristiche valvolari), 2 filtri indipendenti passa-basso, passa-banda e passa-alto, Controller di risonanza, frequenza e ADSR (positivo-negativo), Commutabile...

Sherman Filterbank 2 Rack, Analog filter and distortion unit with tube overdrive@+Sherman's Filterbank 2 is actually more a musical instrument than a ""normal"" filter. Two parallel or serially usable complex filters, modulations, envelopes and a rich...

Sherman Filterbank 2 Dual Rack, Dual rack version@+The Sherman filter bank 2 is a musical instrument in a clear distinction from the simple sound shaping of an ""ordinary"" filter. With two very complex or complex filters, modulations, envelopes, a...

Fights about the fate of the state of Israel, and the Zionist movement that gave birth to it, have long been a staple of both Jewish and American political culture. But despite these arguments' significance to American politics, American Jewish life, and to Israel itself, no one has ever systematically examined their history and explained why they matter. \n\nIn We Are Not One, historian Eric Alterman traces this debate from its nineteenth-century origins. Following Israel's 1948-1949 War of Independence (called the \"nakba\" or \"catastrophe\" by Palestinians), few Americans, including few Jews, paid much attention to Israel or the challenges it faced. Following the 1967 Six-Day War, however, almost overnight support for Israel became the primary component of American Jews' collective identity. Over time, Jewish organizations joined forces with conservative Christians and neoconservative pundits and politicos to wage a tenacious fight to define Israel's image in the US media, popular culture, Congress, and college campuses. Deeply researched, We Are Not One reveals how our consensus on Israel and Palestine emerged and why, today, it is fracturing.

Fights about the fate of the state of Israel, and the Zionist movement that gave birth to it, have long been a staple of both Jewish and American political culture. But despite these arguments' significance to American politics, American Jewish life, and to Israel itself, no one has ever systematically examined their history and explained why they matter. \n\nIn We Are Not One, historian Eric Alterman traces this debate from its nineteenth-century origins. Following Israel's 1948-1949 War of Independence (called the \"nakba\" or \"catastrophe\" by Palestinians), few Americans, including few Jews, paid much attention to Israel or the challenges it faced. Following the 1967 Six-Day War, however, almost overnight support for Israel became the primary component of American Jews' collective identity. Over time, Jewish organizations joined forces with conservative Christians and neoconservative pundits and politicos to wage a tenacious fight to define Israel's image in the US media, popular culture, Congress, and college campuses. Deeply researched, We Are Not One reveals how our consensus on Israel and Palestine emerged and why, today, it is fracturing.