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Giardino e piscine > Casette, garage e contenitori da esterno > Casette da giardino > Casette da giardino in legno, Garage in Legno Gardiun Mikhail I di alta qualità provvisto di tetto a due falde e finestra. Include anche una grande doppia porta...

WITH A NEW INTRODUCTION BY ANDREY KURKOV\n\nA rich, successful Moscow professor befriends a stray dog and attempts a scientific first by transplanting into it the testicles and pituitary gland of a recently deceased man. A distinctly worryingly human animal is now on the loose, and the professor's hitherto respectable life becomes a nightmare beyond endurance. An absurd and superbly comic story, this classic novel can also be read as a fierce parable of the Russian Revolution.

WITH A NEW INTRODUCTION BY ANDREY KURKOV\n\nA rich, successful Moscow professor befriends a stray dog and attempts a scientific first by transplanting into it the testicles and pituitary gland of a recently deceased man. A distinctly worryingly human animal is now on the loose, and the professor's hitherto respectable life becomes a nightmare beyond endurance. An absurd and superbly comic story, this classic novel can also be read as a fierce parable of the Russian Revolution.

A Dog's Heart: An Appalling Story is Mikhail Bulgakov's hilarious satire on Communist hypocrisies. This Penguin Classics edition is translated with notes by Andrew Bromfield, and includes an introduction by James Meek.\n\nIn this surreal work by the author of The Master and Margarita, wealthy Moscow surgeon Filip Preobrazhensky implants the pituitary gland and testicles of a drunken petty criminal into the body of a stray dog named Sharik. As the dog slowly transforms into a man, and the man into a slovenly, lecherous government official, the doctor's life descends into chaos. A scathing indictment of the New Soviet Man, A Dog's Heart was immediately banned by the Soviet government when it was first published in 1925: alternating lucid realism with pulse-raising drama, the novel captures perfectly the atmosphere of its rapidly changing times.\n\nAndrew Bromfield's vibrant translation is accompanied by an introduction by James Meek, which places the work in the context of the Russian class struggles of the era and considers the vision, progressive style and lasting relevance of an author who was isolated and suppressed during his lifetime. This edition also contains notes and a chronology.\n\nMikhail Bulgakov (1891-1940) was born in Kiev, today the capital of Ukraine. After finishing high school, Bulgakov entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes on Cuffs and Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.\n\nIf you enjoyed A Dog's Heart, you might like Bulgakov's The Master and Margarita, also available in Penguin Classics. \n\n'One of the greatest of modern Russian writers, perhaps the greatest' \nNigel Jones, Independent

A prominent historian provides an engaging on-the-ground account of the everyday authoritarianism that produced the Arab Spring in Egypt\n  \n“A visceral and perceptive study of life under autocracy.”—Publishers Weekly\n  \n An unmatched contemporary history of authoritarian politics and an unflinching examination of the politics of historical authority, My Egypt Archive is at once a chronicle of Egypt in the 2000s and a historian’s bildungsroman. As Alan Mikhail dutifully collected the paper scraps of the past, he witnessed how the everyday oppressions of a government institution led most Egyptians to want to remake their society in early 2011. In telling these stories of the archive, Mikhail centers the politics of access, interpersonal relationships, state power, and the emotion, anxiety, and inchoate nature of historical research.\n  \nMy Egypt Archive reveals the workings of an authoritarian regime from inside its institutions in the decade leading up to the Arab Spring and, in doing so, points the way to exciting new modes of historical inquiry that give voice to the visceral realities all historians experience.

A Dog's Heart: An Appalling Story is Mikhail Bulgakov's hilarious satire on Communist hypocrisies. This Penguin Classics edition is translated with notes by Andrew Bromfield, and includes an introduction by James Meek.\n\nIn this surreal work by the author of The Master and Margarita, wealthy Moscow surgeon Filip Preobrazhensky implants the pituitary gland and testicles of a drunken petty criminal into the body of a stray dog named Sharik. As the dog slowly transforms into a man, and the man into a slovenly, lecherous government official, the doctor's life descends into chaos. A scathing indictment of the New Soviet Man, A Dog's Heart was immediately banned by the Soviet government when it was first published in 1925: alternating lucid realism with pulse-raising drama, the novel captures perfectly the atmosphere of its rapidly changing times.\n\nAndrew Bromfield's vibrant translation is accompanied by an introduction by James Meek, which places the work in the context of the Russian class struggles of the era and considers the vision, progressive style and lasting relevance of an author who was isolated and suppressed during his lifetime. This edition also contains notes and a chronology.\n\nMikhail Bulgakov (1891-1940) was born in Kiev, today the capital of Ukraine. After finishing high school, Bulgakov entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes on Cuffs and Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.\n\nIf you enjoyed A Dog's Heart, you might like Bulgakov's The Master and Margarita, also available in Penguin Classics. \n\n'One of the greatest of modern Russian writers, perhaps the greatest' \nNigel Jones, Independent

A prominent historian provides an engaging on-the-ground account of the everyday authoritarianism that produced the Arab Spring in Egypt\n  \n“A visceral and perceptive study of life under autocracy.”—Publishers Weekly\n  \n An unmatched contemporary history of authoritarian politics and an unflinching examination of the politics of historical authority, My Egypt Archive is at once a chronicle of Egypt in the 2000s and a historian’s bildungsroman. As Alan Mikhail dutifully collected the paper scraps of the past, he witnessed how the everyday oppressions of a government institution led most Egyptians to want to remake their society in early 2011. In telling these stories of the archive, Mikhail centers the politics of access, interpersonal relationships, state power, and the emotion, anxiety, and inchoate nature of historical research.\n  \nMy Egypt Archive reveals the workings of an authoritarian regime from inside its institutions in the decade leading up to the Arab Spring and, in doing so, points the way to exciting new modes of historical inquiry that give voice to the visceral realities all historians experience.

A masterpiece of Russian prose, Mikhail Lermontov's A Hero of Our Time is translated with an introduction and notes by Natasha Randall, and a foreword by Neil LaBute, author of reasons to be pretty, in Penguin Modern Classics.\n\nThe first major Russian novel, A Hero of Our Time was both lauded and reviled on publication. Its Byronic hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. In five linked episodes, Lermontov builds up a portrait of a man caught in and expressing the sickness of his times. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Leo Tolstoy, Fyodor Dostoyevsky and Anton Chekhov, holding up a mirror not only to Lermontov's time but also to our own.\n\nMikhail Lermontov (1814-41) was a Russian Romantic writer and poet. As a young man Lermontov was an officer in the guards, and was sent to fight in the Caucasus after insulting the Tsar. His dramatic life ended after being shot down in a duel.\n\nIfyou enjoyed A Hero of Our Time, you might like Andrei Bely's Petersburg, also available in Penguin Clasics.\n\n'One of the most vivid and persuasive portraits of the male ego ever put down on paper'\nNeil LaBute, from the Foreword

Set in the Caucasus, the scene of Russia's military campaigns in the 19th century, this is both an adventure story and a sardonic look at the heroic ideals of the author's contemporaries - which makes it all the more ironic that the main character, Pushkin, (like the author) was killed in a duel.

After being saved from a suicide attempt by the appearance of a literary editor, the journalist and failed novelist Sergei Maxudov has a book suddenly accepted for stage adaptation at a prestigious venue and finds himself propelled into Moscow's theatrical world. In a cut-throat environment tainted by Soviet politics, censorship and egomania - epitomized by the arrogant and tyrannical director Ivan Vasilyevich - mayhem gradually gives way to absurdity.\n\nUnpublished in Bulgakov's own lifetime, Black Snow is peppered with darkly comic set pieces and draws on its author's own bitter experience as a playwright with the Moscow Arts Theatre, showcasing his inimitable gift for shrewd observation and razor-sharp satire.

A masterpiece of Russian prose, Mikhail Lermontov's A Hero of Our Time is translated with an introduction and notes by Natasha Randall, and a foreword by Neil LaBute, author of reasons to be pretty, in Penguin Modern Classics.\n\nThe first major Russian novel, A Hero of Our Time was both lauded and reviled on publication. Its Byronic hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. In five linked episodes, Lermontov builds up a portrait of a man caught in and expressing the sickness of his times. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Leo Tolstoy, Fyodor Dostoyevsky and Anton Chekhov, holding up a mirror not only to Lermontov's time but also to our own.\n\nMikhail Lermontov (1814-41) was a Russian Romantic writer and poet. As a young man Lermontov was an officer in the guards, and was sent to fight in the Caucasus after insulting the Tsar. His dramatic life ended after being shot down in a duel.\n\nIfyou enjoyed A Hero of Our Time, you might like Andrei Bely's Petersburg, also available in Penguin Clasics.\n\n'One of the most vivid and persuasive portraits of the male ego ever put down on paper'\nNeil LaBute, from the Foreword

'I remain in unchanged admiration for this bold, headstrong, carefree undertaking, a first novel published when the author was twenty-five, which proved to be the first prose masterpiece in Russian' Julian Barnes from his preface.\n\nPublished in Russian in April 1840, A Hero of Our Time reached English in 1853, under the title 'Sketches of Life in the Caucasus, by a Russe.' Full of towering landscapes and local colour, it can be read as the travelogue of a poet and serving officer, but also as a portrait of the romantic as self-destructive anti-hero.\n\nVladimir Nabokov's translation of A Hero of Our Time was published in the United States in 1958, the same year as Lolita: world fame was about to overtake this committed Russian living in America.

'After all that - how, you might wonder, could one not become a fatalist?'\n\nLermontov's hero, Pechorin, is a young army officer posted to the Caucasus, where his adventures - amorous and reckless - do nothing to alleviate his boredom and cynicism. World-weary and self-destructive, Pechorin is alienated from those around him yet he is full of passion and romantic ardour, sensitive as well as arrogant. His complex, contradictory character dominates A Hero of Our Time, the first great Russian novel, in which the intricate narrative unfolds episodically, transporting the reader from the breathtaking terrain of the Caucasus to the genteel surroundings of spa resorts. Told in an engaging yet pointedly ironic style, the story expresses Lermontov's own estrangement from the stifling conventions of bourgeois society and the oppression of Russian autocracy, but it also captures a longing for freedom through acts of love and bravery.\n\nThis new edition also includes Pushkin's Journey to Arzrum, in which Pushkin describes his own experiences of Russia's military campaigns in the Caucasus and which provides a fascinating counterpoint to Lermontov's novel. \nABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I remain in unchanged admiration for this bold, headstrong, carefree undertaking, a first novel published when the author was twenty-five, which proved to be the first prose masterpiece in Russian' Julian Barnes from his preface.\n\nPublished in Russian in April 1840, A Hero of Our Time reached English in 1853, under the title 'Sketches of Life in the Caucasus, by a Russe.' Full of towering landscapes and local colour, it can be read as the travelogue of a poet and serving officer, but also as a portrait of the romantic as self-destructive anti-hero.\n\nVladimir Nabokov's translation of A Hero of Our Time was published in the United States in 1958, the same year as Lolita: world fame was about to overtake this committed Russian living in America.

After being saved from a suicide attempt by the appearance of a literary editor, the journalist and failed novelist Sergei Maxudov has a book suddenly accepted for stage adaptation at a prestigious venue and finds himself propelled into Moscow's theatrical world. In a cut-throat environment tainted by Soviet politics, censorship and egomania - epitomized by the arrogant and tyrannical director Ivan Vasilyevich - mayhem gradually gives way to absurdity.\n\nUnpublished in Bulgakov's own lifetime, Black Snow is peppered with darkly comic set pieces and draws on its author's own bitter experience as a playwright with the Moscow Arts Theatre, showcasing his inimitable gift for shrewd observation and razor-sharp satire.

WITH AN INTRODUCTION BY TERRY GILLIAM\n\nWhen Maxudov's bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and Maxudov plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being ready to perform recede. Black Snow is the ultimate back-stage novel and a brilliant satire by the author of The Master and Margarita on his ten-year love-hate relationship with Stanislavsky, Method-acting and the Moscow Arts Theatre.

Mikhail Tal is one of the most celebrated World Champions in chess history, who confounded his opponents and dazzled chess fans around the world. Seemingly breaking every rule in the book, yet also breaking records with his accomplishments, Tal truly was The Chess Alchemist.\n\n\n\nIn this unique book, Oleg Stetsko has compiled 80 of Tal’s most interesting games, as annotated by the Magician himself in a variety of sources, many of which have been translated into English for the very first time here.