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What is our participation in the divine humanity? In explaining this important doctrine, Sergius Bulgakov begins by surveying the field of Christology with special reference to the divine humanity. He considers the role of the Divine Sophia, examines the foundations of the Incarnation, explores the nature of Christ's divine consciousness, and ponders Christ's ministries while on earth. A profound discussion of Christ's kenosis as a model for humanity rounds out this comprehensive and valuable study. \"The Lamb of God\" is one of the greatest works of Christology in the twentieth century and a crowning achievement in the examination of the theology of divine humanity.

What is our participation in the divine humanity? In explaining this important doctrine, Sergius Bulgakov begins by surveying the field of Christology with special reference to the divine humanity. He considers the role of the Divine Sophia, examines the foundations of the Incarnation, explores the nature of Christ's divine consciousness, and ponders Christ's ministries while on earth. A profound discussion of Christ's kenosis as a model for humanity rounds out this comprehensive and valuable study. \"The Lamb of God\" is one of the greatest works of Christology in the twentieth century and a crowning achievement in the examination of the theology of divine humanity.

WITH A NEW INTRODUCTION BY ANDREY KURKOV\n\nA rich, successful Moscow professor befriends a stray dog and attempts a scientific first by transplanting into it the testicles and pituitary gland of a recently deceased man. A distinctly worryingly human animal is now on the loose, and the professor's hitherto respectable life becomes a nightmare beyond endurance. An absurd and superbly comic story, this classic novel can also be read as a fierce parable of the Russian Revolution.

WITH A NEW INTRODUCTION BY ANDREY KURKOV\n\nA rich, successful Moscow professor befriends a stray dog and attempts a scientific first by transplanting into it the testicles and pituitary gland of a recently deceased man. A distinctly worryingly human animal is now on the loose, and the professor's hitherto respectable life becomes a nightmare beyond endurance. An absurd and superbly comic story, this classic novel can also be read as a fierce parable of the Russian Revolution.

A Dog's Heart: An Appalling Story is Mikhail Bulgakov's hilarious satire on Communist hypocrisies. This Penguin Classics edition is translated with notes by Andrew Bromfield, and includes an introduction by James Meek.\n\nIn this surreal work by the author of The Master and Margarita, wealthy Moscow surgeon Filip Preobrazhensky implants the pituitary gland and testicles of a drunken petty criminal into the body of a stray dog named Sharik. As the dog slowly transforms into a man, and the man into a slovenly, lecherous government official, the doctor's life descends into chaos. A scathing indictment of the New Soviet Man, A Dog's Heart was immediately banned by the Soviet government when it was first published in 1925: alternating lucid realism with pulse-raising drama, the novel captures perfectly the atmosphere of its rapidly changing times.\n\nAndrew Bromfield's vibrant translation is accompanied by an introduction by James Meek, which places the work in the context of the Russian class struggles of the era and considers the vision, progressive style and lasting relevance of an author who was isolated and suppressed during his lifetime. This edition also contains notes and a chronology.\n\nMikhail Bulgakov (1891-1940) was born in Kiev, today the capital of Ukraine. After finishing high school, Bulgakov entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes on Cuffs and Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.\n\nIf you enjoyed A Dog's Heart, you might like Bulgakov's The Master and Margarita, also available in Penguin Classics. \n\n'One of the greatest of modern Russian writers, perhaps the greatest' \nNigel Jones, Independent

A Dog's Heart: An Appalling Story is Mikhail Bulgakov's hilarious satire on Communist hypocrisies. This Penguin Classics edition is translated with notes by Andrew Bromfield, and includes an introduction by James Meek.\n\nIn this surreal work by the author of The Master and Margarita, wealthy Moscow surgeon Filip Preobrazhensky implants the pituitary gland and testicles of a drunken petty criminal into the body of a stray dog named Sharik. As the dog slowly transforms into a man, and the man into a slovenly, lecherous government official, the doctor's life descends into chaos. A scathing indictment of the New Soviet Man, A Dog's Heart was immediately banned by the Soviet government when it was first published in 1925: alternating lucid realism with pulse-raising drama, the novel captures perfectly the atmosphere of its rapidly changing times.\n\nAndrew Bromfield's vibrant translation is accompanied by an introduction by James Meek, which places the work in the context of the Russian class struggles of the era and considers the vision, progressive style and lasting relevance of an author who was isolated and suppressed during his lifetime. This edition also contains notes and a chronology.\n\nMikhail Bulgakov (1891-1940) was born in Kiev, today the capital of Ukraine. After finishing high school, Bulgakov entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes on Cuffs and Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.\n\nIf you enjoyed A Dog's Heart, you might like Bulgakov's The Master and Margarita, also available in Penguin Classics. \n\n'One of the greatest of modern Russian writers, perhaps the greatest' \nNigel Jones, Independent

WITH AN INTRODUCTION BY TERRY GILLIAM\n\nWhen Maxudov's bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and Maxudov plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being ready to perform recede. Black Snow is the ultimate back-stage novel and a brilliant satire by the author of The Master and Margarita on his ten-year love-hate relationship with Stanislavsky, Method-acting and the Moscow Arts Theatre.

Il geniale scienziato sovietico professor Preobrazenskij ha fatto una scoperta meravigliosa: grazie a uno speciale siero di sua invenzione qualsiasi animale può essere trasformato in un essere umano. Il suo esperimento apparentemente ha un esito positivo, ma l'animale prescelto, un povero cane randagio, conserva, anche sotto la forma umana, tutta la sua natura canina, e questo causerà una serie di gravi problemi al professore. Postfazione di Giovanna Spendel.

WITH AN INTRODUCTION BY TERRY GILLIAM\n\nWhen Maxudov's bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and Maxudov plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being ready to perform recede. Black Snow is the ultimate back-stage novel and a brilliant satire by the author of The Master and Margarita on his ten-year love-hate relationship with Stanislavsky, Method-acting and the Moscow Arts Theatre.

Il geniale scienziato sovietico professor Preobrazenskij ha fatto una scoperta meravigliosa: grazie a uno speciale siero di sua invenzione qualsiasi animale può essere trasformato in un essere umano. Il suo esperimento apparentemente ha un esito positivo, ma l'animale prescelto, un povero cane randagio, conserva, anche sotto la forma umana, tutta la sua natura canina, e questo causerà una serie di gravi problemi al professore. Postfazione di Giovanna Spendel.

\"Il Cristo nel mondo\" è la prima traduzione in una lingua occidentale dell'omonima opera scritta a Parigi nel 1940, l'anno in cui l'anziano autore vive imprigionato nella gabbia di una salute molto compromessa e, peggio ancora, vive gli orrori della Seconda Guerra mondiale. L'intenzione che spinge Bulgakov a scriverla è del tutto originale: egli vuole difendere il nome di Dio Padre, Amore e Misericordia, di fronte al male delle infinite sofferenze umane causate dalle guerre, ma anche dalle malattie e da qualsiasi altra sciagura. Il risultato è una teodicea della verità cristiana su Cristo che, in quanto Figlio incarnato del Padre, si rende realmente presente ovunque vi siano un sofferente, un agonizzante o un morente, co-soffrendo, co-agonizzando e co-morendo negli e con gli esseri umani.

\"Il Cristo nel mondo\" è la prima traduzione in una lingua occidentale dell'omonima opera scritta a Parigi nel 1940, l'anno in cui l'anziano autore vive imprigionato nella gabbia di una salute molto compromessa e, peggio ancora, vive gli orrori della Seconda Guerra mondiale. L'intenzione che spinge Bulgakov a scriverla è del tutto originale: egli vuole difendere il nome di Dio Padre, Amore e Misericordia, di fronte al male delle infinite sofferenze umane causate dalle guerre, ma anche dalle malattie e da qualsiasi altra sciagura. Il risultato è una teodicea della verità cristiana su Cristo che, in quanto Figlio incarnato del Padre, si rende realmente presente ovunque vi siano un sofferente, un agonizzante o un morente, co-soffrendo, co-agonizzando e co-morendo negli e con gli esseri umani.

Kiev - Kyiv - is in chaos. Russia has withdrawn from World War I but the Germans have set up a puppet government in Ukraine. Civil war rages: the Bolsheviks have seized power in Russia, but the anti-revolutionary White Guard who have fled to Ukraine, are rallying to resist. In the meantime, Ukrainian nationalists are camped outside the capital, and a Red army is on its way to bring everyone to heel. While all this is going on, the Turbin family try to eke out their existence in Kyiv and discuss what they should do. They are exactly the sort of family - monarchist intelligentsia - for whom the future looks particularly menacing.\nBulgakov's brilliant and evocative prose brings the city and the moment unforgettably to life and sheds some fascinating light on the complex interwoven histories of Ukraine and Russia.

Discover Mikhail Bugakov's classic literary love letter to the city of Kyiv.\n\nDrawing closely on Bulgakov's personal experiences of the horrors of civil war as a young doctor, The White Guard takes place in Kyiv, 1918, a time of turmoil and suffocating uncertainty as the Bolsheviks, Socialists and Germans fight for control of the city. It tells the story of the Turbins, a once-wealthy Russian family, as they are forced to come to terms with revolution and a new regime.\n\nBulgakov's first novel, The White Guard is one of the greatest works of twentieth century Russian literature. As epic a chronicle of life and death in the Russian Empire as War and Peace.\n\n'The tumultuous atmosphere of the Ukrainian revolution and civil war is brilliantly evoked' Daily Telegraph

Discover Mikhail Bugakov's classic literary love letter to the city of Kyiv.\n\nDrawing closely on Bulgakov's personal experiences of the horrors of civil war as a young doctor, The White Guard takes place in Kyiv, 1918, a time of turmoil and suffocating uncertainty as the Bolsheviks, Socialists and Germans fight for control of the city. It tells the story of the Turbins, a once-wealthy Russian family, as they are forced to come to terms with revolution and a new regime.\n\nBulgakov's first novel, The White Guard is one of the greatest works of twentieth century Russian literature. As epic a chronicle of life and death in the Russian Empire as War and Peace.\n\n'The tumultuous atmosphere of the Ukrainian revolution and civil war is brilliantly evoked' Daily Telegraph

Kiev - Kyiv - is in chaos. Russia has withdrawn from World War I but the Germans have set up a puppet government in Ukraine. Civil war rages: the Bolsheviks have seized power in Russia, but the anti-revolutionary White Guard who have fled to Ukraine, are rallying to resist. In the meantime, Ukrainian nationalists are camped outside the capital, and a Red army is on its way to bring everyone to heel. While all this is going on, the Turbin family try to eke out their existence in Kyiv and discuss what they should do. They are exactly the sort of family - monarchist intelligentsia - for whom the future looks particularly menacing.\nBulgakov's brilliant and evocative prose brings the city and the moment unforgettably to life and sheds some fascinating light on the complex interwoven histories of Ukraine and Russia.

Mikhail Bulgakov (1891-1940) has become the most popular Russian writer of the twentieth century, even though his works were banned for decades after his death due to the repressive Soviet censorship of literature. His great novel, The Master and Margarita (published only in 1973), was written in complete secrecy during the 1930s for fear of the writer being arrested and shot. In her revelatory new biography J.A.E. Curtis provides a fresh account of Bulgakov's idyllic childhood and youth in Kiev, which was swept away in the turmoil of the First World War, the Russian Revolution and Civil War. Early biographies of Bulgakov were limited in scope by the difficulty of gaining access to archives in the ussr in the 1970s and '80s. Since that time archives have become more accessible, and Curtis makes use of new historical documents, tracing Bulgakov's absolute determination to establish himself as a writer in Bolshevik Moscow, his three marriages and his triumphs as a dramatist in the 1920s.\nThey also reveal how he struggled to defend his art and preserve his integrity in Russia, and the intensely close interest Stalin took in Bulgakov's work, personally weighing up each time whether his plays should be permitted or banned. Based upon many years of research, and taking in previously unpublished family papers and Soviet Politburo discussions, this is an absorbing account of the life and work of one of Russia's most inventive and exuberant novelists and playwrights.

Dieci drammi teatrali che esprimono il tormento dell'anima russa nei cupi anni dello stalinismo. Se da un lato Bulgakov fu in un certo qual modo \"protetto\" da Stalin, dall'altro lottò vanamente perché le sue opere teatrali venissero rappresentate. Delle dieci contenute in questo volume soltanto quattro poterono essere messe in scena, le altre vennero implacabilmente respinte dalla censura. I giorni drammatici della Rivoluzione, la farsa tragica dell'esistenza quotidiana, il \"realismo socialista\", personaggi come Puskin e Molière: ecco soltanto alcuni degli argomenti di queste dieci gemme teatrali. Con un'introduzione di Anatolij Smeljanskij, l'edizione completa dell'opera drammaturgica dell'autore russo.