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Neuware -Sinfonien für das Auge Federn sind das wohl poetischste Meisterstück der Evolution. Extravaganz in Farbe, Form, Struktur und Funktion. Menschen unterliegen ihrer Anziehungskraft, weit über die Naturwissenschaften hinaus. Federn haben eine nahezu sakrale Bedeutung. Das aufgrund ihrer ureigenen Sichtweise vielfach preisgekrönte Fotografen-Paar Heidi und Hans-Jürgen Koch zeigt Federn aus der ganzen Welt. Die hochpräzisen Fotografien in Federn - Meisterstücke der Evolution sind ein ästhetischer Bilderrausch, der durch fundierte Texte begleitet wird. Die Autoren erzählen pointiert, teils launig, über Mythologie, Wissenschafts- und Kulturgeschichte des verblüffenden Phänomens Feder. Vom mehrfach preisgekrönten Fotografenpaar Heidi und Hans-Jürgen KochFundierte Texte über Biologie, Mythologie, Kultur- und WissenschaftsgeschichteÄsthetischer Bilderrausch der Extraklasse, die fantastische Welt der Federn 224 pp. Deutsch

This book contains a collection of articles on social psychology, the psychology of terror and violence, psychoanalytic psychotherapy, and the history of psychoanalysis. It also includes Federn's moving memoir of his encounter with Bruno Bettelheim in Buchenwald.

This book contains a collection of articles on social psychology, the psychology of terror and violence, psychoanalytic psychotherapy, and the history of psychoanalysis. It also includes Federn's moving memoir of his encounter with Bruno Bettelheim in Buchenwald.

This exquisite collection of photographs is the first to assemble rare and personal pictures of psychoanalytic pioneers: Anna Freud, Melanie Klein, Marie Bonaparte, Paul Federn, Michael Balint, Sándor Ferenczi, Otto Fenichel and many others taken between 1932 and 1938 by Edward Bibring, a close colleague of Sigmund Freud. Edward Bibring (1894 1959) belonged to the small group of Viennese analysts who worked closely together with Freud after World War I. He was also editor of the Internationale Zeitschrift für Psychoanalyse, which Freud had founded and continued to support. Being a passionate photographer, Bibring managed to take very personal photographs of his fellow psychoanalysts mostly during psychoanalytic congresses. To escape the Nazis, Bibring and his wife Grete emigrated to London and later to Boston, where he retained his interest in photography and recorded this psychoanalytic era in pictures. The collection of photographs is fully captioned and, in addition, it is accompanied by informative biographical sketches of the more than 70 psychoanalysts who could be identified. It is a unique gateway to an era of great historic significance.