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Eli Lotar (1905-1969, b. Romania), was a French photographer, cinematographer and film-maker. A friend and associate of Germaine Krull and Andre Kertesz, Lotar published his photographs in reviews such as Vu, Jazz, VariŽtŽs, Bifur, and Minotaure. He participated in the 1929 Film und Foto exhibition in Stuttgart, and became part of the New Vision-orientated group loosely described as the 'Paris School'. His best known work is photographs of the slaughterhouses of La Villette. Photographs by Eli Lotar; Texts by Alain Sayag, Annick Lionel-Marie, and Alain and Odette Virmaux. 112 pages; 45 full-page photographic plates plus 47 b&w photographic text illustrations; 7.5 x 10.5 inches. Text in French.

Eli Lotar (1905-1969, b. Romania), was a French photographer, cinematographer and film-maker. A friend and associate of Germaine Krull and Andre Kertesz, Lotar published his photographs in reviews such as Vu, Jazz, VariŽtŽs, Bifur, and Minotaure. He participated in the 1929 Film und Foto exhibition in Stuttgart, and became part of the New Vision-orientated group loosely described as the 'Paris School'. His best known work is photographs of the slaughterhouses of La Villette. Photographs by Eli Lotar; Texts by Alain Sayag, Annick Lionel-Marie, and Alain and Odette Virmaux. 112 pages; 45 full-page photographic plates plus 47 b&w photographic text illustrations; 7.5 x 10.5 inches. Text in French.

Before Krav Maga, Haganah or Lotar, Kapap was the original Israeli fighting art. As the tactical foundation of Israeli defense and security forces, Kapap's face-to-face combat system continues to serve a vital role in modern self-defense.

Facsimile reprint of Quinze Mars, 1930, No. 16, Photographie, the first issue of the annual photography survey by this influential periodical, with examples of photographs by Albin-Guillot, Man Ray, Kertesz, Bayer, Renger-Patzsch, Germaine Krull, Charles Sheeler, Maurice Tabard, Eli Lotar, Parry, Moholy-Nagy, Hoyningen-Huene, Steichen and others. Edited with texts by Charles Peignot, A. Francois Haab and Bertrand Guegan; essay by George Waldemar. 174 pages; 130 full-page duo-toned b&w plates plus text illustrations and numerous advertisements; 9.25 x 12.25 inches. Text in French.

Before Krav Maga, Haganah or Lotar, Kapap was the original Israeli fighting art. As the tactical foundation of Israeli defense and security forces, Kapap's face-to-face combat system continues to serve a vital role in modern self-defense.

Before Krav Maga, Haganah or Lotar, Kapap was the original Israeli fighting art. As the tactical foundation of Israeli defense and security forces, Kapap's face-to-face combat system continues to serve a vital role in modern self-defense.

Before Krav Maga, Haganah or Lotar, Kapap was the original Israeli fighting art. As the tactical foundation of Israeli defense and security forces, Kapap's face-to-face combat system continues to serve a vital role in modern self-defense.