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This book explores Nietzsche's philosophical naturalism in its historical context, showing that his position is best understood against the background of encounters between neo-Kantianism and the life sciences in the nineteenth century. Analyzing most of Nietzsche's writings from the late 1860s onwards, Christian J. Emden reconstructs Nietzsche's naturalism and argues for a new understanding of his account of nature and normativity. Emden proposes historical reasons why Nietzsche came to adopt the position he did; his genealogy of values and his account of a will to power are as much influenced by Kantian thought as they are by nineteenth-century debates on teleology, biological functions, and theories of evolution. This rich and wide-ranging study will be of interest to scholars and students of Nietzsche, the history of modern philosophy, intellectual history, and history of science.

A digital copy of "Nietzsche's Zarathustra: Notes of the Seminar Given in 1934-1939" by C. G. Jung. Download is immediately available upon purchase!

Nietzsche L'CEUvre Philosophique Expliquee Nietzsche / Ferry - CD 3561302523323

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This long-overdue translation brings to the English-speaking world the work that set the tone for the post-structuralist reading of Nietzsche. The issue of style, of why Nietzsche wrote as he did, is fundamental, on any level, to reading his texts. Some Nietzsche critics (in particular, those, such as Jean Granier, indebted to Heidegger's reading), in effect translated Nietzsche's terms back into those of a philosophy of ontology. This book (which includes an appendix specifically directed against the "Heideggerian" reading) shows how such an approach fails to interrogate the precise terms, such as "Nature" or "life", that Nietzsche used in place of "being," and to ask the meaning of this substitution. The author gives not only a reading of Nietzsche's ideas, but a method for investigating his style. She shows in great detail how it influences both Nietzsche's ideas and the way in which they are to be understood. In so doing, she exemplifies how post-structuralist methods can be used to open up classical philosophical texts to new readings. She write conceptually in the knowledge that the concept has no greater value than metaphor and is itself a condensation of metaphors, rather than writing metaphorically as a way of denigrating the concept and proposing metaphor as the norm, and thus acknowledges the specificity of philosophy, its irreducibility to any other form of expression―even when this philosophy has nothing traditional about it any longer, even when it is, like Nietzsche's an unheard-of and insolent philosophy.

This is a major work by the philosopher Friedrich Nietzsche, whose writings have been deeply influential on subsequent generations of philosophers. It is offered here in a new translation by Judith Norman, with an introduction by Rolf Peter Horstmann that places the work in its historical and philosophical context.

Nietzsche wrote The Gay Science, which he later described as "perhaps my most personal book", when he was at the height of his intellectual powers, and the reader will find it an extensive and sophisticated treatment of the philosophical themes and views most central to Nietzsche's own thought and most influential on later thinkers. This volume presents the work in a new translation by Josefine Nauckhoff, with an introduction by Bernard Williams that elucidates the work's main themes and discusses their continuing importance.

A seminal biography, essential reading for anyone studying the philosophy of history's most enigmatic and fascinating thinker. No other modern philosopher has proved as influential as Friedrich Nietzsche (1844-1900) and none is as poorly understood. In the first new biography in decades, Rüdiger Safranski, one of the foremost living Nietzsche scholars, re-creates the anguished life of Nietzsche while simultaneously assessing the philosophical implications of his morality, religion, and art. Struggling to break away from the oppressive burdens of the past, Nietzsche invented a unique philosophy based on compulsive self-consciousness and constant self-revision. As groundbreaking as it will be long-lasting, this biography offers a brilliant, multifaceted portrait of a towering figure.

A collection of twelve outstanding essays, applyin g Nietzche's work to current debates in feminist and political theory. It focuses on the way that N ietzsche has become an essential point of referenc e for postmodern ethical and political thought.

This is the first comprehensive treatment of Nietzsche's philosophy of art to appear in English. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence, and the idea of the Ubermensch. Young then divides Nietzsche's career, and his philosophy of art, into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it "redeems" us from life.

German philosopher Friedrich Nietzsche has been the subject of many intellectual biographies, yet none thus far is as liberating as Nietzsche & the Jews, an in-depth examination of his relationships with Jews and Judaism.For the first time in any study of Nietzsche, Siegfried Mandel persuasively argues that this controversial 19th-century philosopher was truly ambivalent toward Jews, many of whom were quite influential in his intellectual and social pursuits.Incorporating writings and conversations by philosophers and others with whom Nietzsche interacted (e.g., Wagner, Schopenhauer, Gibbon, Freud, and others), the author liberates his subject from "venerators and detractors alike" by demonstrating that Nietzsche was both "philosemitic" and anti-Semitic. This dual attitude of praise and criticism adds to the complexity of Mandel's subject, an intellectual enigma who remains one of the most controversial and misunderstood thinkers in history. Forceful, lively, and original, this book incorporates a wealth of evidence that opens Nietzsche's life and works to more careful study and reflection.

Nietzsche's Zarathustra takes an interdisciplinary approach to Nietzsche's Thus Spoke Zarathustra, focusing on the philosophical function of its literary techniques and its fictional mode of presentation. It argues that the fictional format is essential to Nietzsche's philosophical message in his work. Part of that message is Nietzsche's alternative to the Western worldview as developed by Plato's dialogues and the Christian Gospel, which he presents through the teachings of his hero, Zarathustra. Another part of that message is that any doctrine, including those of Zarathustra himself, has an ambivalent nature. Although doctrinal formulations are designed to preserve and communicate philosophical insights, they can become dead formulas, out of touch with the live philosophical discoveries that they aimed to capture. Thus Spoke Zarathustra explores Zarathustra's own vulnerability to this risk, and his way of regaining real connection with living wisdom. The doctrine of eternal recurrence, which is particular prominent in Zarathustra, is a case in point. The doctrine is offered in opposition to the worldview that Nietzsche associates with the Christian doctrine of sin, which in his view promotes a view of this life as devoid of intrinsic value. However, certain ways of adhering to this doctrine themselves rob life of its value. The book also defends the importance of Part IV of Thus Spoke Zarathustra, which many scholars have seen as unimportant by comparison with the first three parts. Nietzsche's Zarathustra argues that Part III would not have been a culmination for the work, and that Part IV is essential to Nietzsche's project. Part IV's allusions to Apuleius' The Golden Ass, an ancient Menippean satire, suggest that it should be read as a satire in which Zarathustra falls into and recovers from folly. It is thus the culminating statement of the point that there is always a discrepancy between the living philosophi

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Daybreak marks the arrival of Nietzsche's "mature" philosophy and is indispensable for an understanding of his critique of morality and "revaluation of all values." This volume presents the distinguished translation by R. J. Hollingdale, with a new introduction that argues for a dramatic change in Nietzsche's views from Human, All too Human to Daybreak, and shows how this change, in turn, presages the main themes of Nietzsche's later and better-known works such as On the Genealogy of Morality. The edition is completed by a chronology, notes and a guide to further reading.

Nietzsche's Zarathustra takes an interdisciplinary approach to Nietzsche's Thus Spoke Zarathustra, focusing on the philosophical function of its literary techniques and its fictional mode of presentation. It argues that the fictional format is essential to Nietzsche's philosophical message in his work. Part of that message is Nietzsche's alternative to the Western worldview as developed by Plato's dialogues and the Christian Gospel, which he presents through the teachings of his hero, Zarathustra. Another part of that message is that any doctrine, including those of Zarathustra himself, has an ambivalent nature. Although doctrinal formulations are designed to preserve and communicate philosophical insights, they can become dead formulas, out of touch with the live philosophical discoveries that they aimed to capture. Thus Spoke Zarathustra explores Zarathustra's own vulnerability to this risk, and his way of regaining real connection with living wisdom. The doctrine of eternal recurrence, which is particular prominent in Zarathustra, is a case in point. The doctrine is offered in opposition to the worldview that Nietzsche associates with the Christian doctrine of sin, which in his view promotes a view of this life as devoid of intrinsic value. However, certain ways of adhering to this doctrine themselves rob life of its value. The book also defends the importance of Part IV of Thus Spoke Zarathustra, which many scholars have seen as unimportant by comparison with the first three parts. Nietzsche's Zarathustra argues that Part III would not have been a culmination for the work, and that Part IV is essential to Nietzsche's project. Part IV's allusions to Apuleius' The Golden Ass, an ancient Menippean satire, suggest that it should be read as a satire in which Zarathustra falls into and recovers from folly. It is thus the culminating statement of the point that there is always a discrepancy between the living philosophi

Part of a series of lectures, this work analyzes the philosophy of Heidegger as well as Nietzsche

The latest volume in the Oxford Readings in Philosophy series, this work brings together some of the best and most influential recent philosophical scholarship on Nietzsche. Opening with a substantial introduction by John Richardson, it covers: Nietzsche's views on truth and knowledge, his 'doctrines' of the eternal recurrence and will to power, his distinction between Apollinian and Dionysian art, his critique of morality, his conceptions of agency and self-creation, and his genealogical method. For each of these issues, the papers show Nietzsche's continuing philosophical importance. Giving a clear and accessible overview, while retaining an analytical philosophical approach throughout, this volume is essential reading for all students of Nietzsche.

Ruth Abbey presents a close study of Nietzsche's works, Human, All Too Human, Daybreak, and The Gay Science. Although these middle period works tend to be neglected in commentaries on Nietzsche, they repay careful attention. Abbey's commentary brings to light important differences across Nietzsche's oeuvre that have gone unnoticed, filling a serious gap in the literature.

This English translation of Friedrich Nietzsche in seinen Werken offers a rare, intimate view of the philosopher by Lou Salom, a free-thinking, Russian-born intellectual to whom Nietzsche proposed marriage at only their second meeting. Published in 1894 as its subject languished in madness, Salom's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst of his works. Salom's provocative conclusion - that Nietzsche's madness was the inevitable result of his philosophical views - generated considerable controversy. Nietzsche's sister, Elisabeth Frster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche." Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salom and Nietzsche together and the ideological conflicts that drove them apart.

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